Professional Wrestling as Ritual Drama in American Popular Culture PDF Download
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Author: Michael R. Ball
Publisher:
ISBN:
Category : Popular culture
Languages : en
Pages : 185
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Book Description
Author: Michael R. Ball
Publisher:
ISBN:
Category : Popular culture
Languages : en
Pages : 185
Get Book Here
Book Description
Author: Michael R. Ball
Publisher:
ISBN:
Category :
Languages : en
Pages : 422
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Book Description
Author: Michael R. Ball
Publisher:
ISBN:
Category : Social Science
Languages : en
Pages : 236
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Book Description
This text analyzes the phenomenon of American professional wrestling in light of the critical dramaturgy of Erving Goffman, Victor Turner and Mary Jo Deegan. It seeks to offer a scholarly explanation and sociological insight into professional wrestling in America.
Author: Ray Broadus Browne
Publisher: Popular Press
ISBN: 9780879721619
Category : Social Science
Languages : en
Pages : 364
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Book Description
This collection of essays examines various rituals and ceremonies in American popular culture, including architecture, religion, television viewing, humor, eating, and dancing.
Author: Mary Jo Deegan
Publisher: Praeger
ISBN:
Category : Social Science
Languages : en
Pages : 216
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Book Description
Deegan attempts a most unlikely synthesis of the cynical theories of Erving Goffman and the community-affirming views of Victor Turner. Moreover, in testing the result in the context of modern American rituals, Deegan adds a good measure of Marxist-oriented feminism to provide strong structural connections and depth to the analysis. The end result of this difficult and rough-edged synthesis is not without flaws, but it represents a highly creative, provocative, promising, and critical approach to modern American culture. . . . All of this makes for fascinating reading and is quite certain to hold the attention of professional sociologists and their students at all levels. Choice In a landmark contribution to the sociological literature, Mary Jo Deegan examines the underlying social patterns that generate American rituals. The first book to employ dramaturgical theory to analyze popular rituals such as football games and the singles bar scene, American Ritual Dramas draws upon the pioneering work of Erving Goffman, Victor Turner, and T. R. Young to construct a critical framework for examining the social structure of everyday life and its relation to times of celebration or fun. The result is a new and important clarification of two aspects of ritual life in America: the long-term patterns unique to our worldview and material life, and the rapid innovation of new rituals that impel modern life. In developing her arguments, Deegan looks at two major types of ritual: participatory rituals and media--constructed rituals. Through the use of the dramatic metaphor, she looks at the roles we play, the language we use, and the rules we follow in diverse ritual settings ranging from household auctions to the Star Trek television series and the written adventures of The Wizard of Oz. Extending the work of earlier theorists, Deegan looks for the first time in this context at the issues of sex and class and their relation to bureaucracy and modern uses of time. Her critical inquiry reveals that these familiar social rituals, and others like them, are paradoxically liberating and restricting at the same time. The solution lies, Deegan concludes, in fostering alternative ritual behavior patterns that liberate all members of the community in the democratic experience of playfulness.
Author: Teresa Ferreira de Almeida Alves
Publisher: Vu University Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 448
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Book Description
"This volume explores, from the perspective of several academic disciplines, the role of the performing arts in American culture, as much as the many ways in which American culture itself can be considered as performed, as created in individual and collective acts of cultural performance." "Americanist scholars from Europe and the United States deal with several different aspects of how American cultural identity(ies) is (are) staged: from public spectacle to the performative text, from ritual, popular theater, and home theatricals to communal festivities and celebrations. The book's focus is on widely different areas of political and cultural life and on different phases of American cultural history from the revolutionary period to the present."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Mary Jo Deegan
Publisher: Bloomsbury Publishing USA
ISBN: 0313030006
Category : Social Science
Languages : en
Pages : 192
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Book Description
American rituals are vital to the creation and renewal of cultural meanings and rules for social interaction. These rituals are rooted in tradition yet are rapidly changing: a contradiction of hyper-modern society. This phenomenon was first explored by Professor Deegan in her 1989 study American Ritual Dramas. The theory examines both participatory rituals and mass-media rituals to show how everyday people become attached to and alienated from other rituals. Elaborating on the critical dramaturgy theory, the essays in this collection show how patterns can be changed to create a more emancipatory and celebratory society. The topics covered in the collection include an analysis of Santa Claus, skinheads, hate crimes, and strip dancing, among other topics. Each contributor has participated in these rituals and many examine related cultural artifacts such as music, brochures, and so forth. As the essays show, postmodern theory has gratly underestimated the power and coherence of these events. An important study for scholars and other researchers involved with sociological theory, social psychology, and popular culture.
Author: Claire Sponsler
Publisher: Cornell University Press
ISBN: 1501729926
Category : Literary Criticism
Languages : en
Pages : 246
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Book Description
Throughout the Americas, performances deriving from medieval European rituals, ceremonies, and festivities made up a crucial part of the cultural cargo shipped from Europe to the overseas settlements. In 1583, Sir Humphrey Gilbert sailed from Plymouth, England, to Newfoundland, bringing with him "morris dancers, hobby horses, and Maylike Conceits" for the "allurement of the savages" and the "solace of our people." His voyage closely resembled that of twelve Franciscan friars who in 1524 had arrived in what is now Mexico armed with a repertoire of miracle plays, religious processions, and other performances. These two events, although far from unique, helped shape initial encounters between Europeans and indigenous peoples; they also marked the first stages of the process that would lead—by no means smoothly—to a distinctively American culture. Ritual Imports is a groundbreaking cultural history of European performance traditions in the New World, from the sixteenth century to the present. Claire Sponsler examines the role of survivals and adaptations of medieval drama in shaping American culture from colonization through nation building and on to today's multicultural society. The book's subjects include New Mexican matachines dances and Spanish conquest drama, Albany's Pinkster festival and Afro-Dutch religious celebrations, Philadelphia's mummers and the Anglo-Saxon revival, a Brooklyn Italian American saint's play, American and German passion plays, and academic reconstructions of medieval drama. Drawing on theories of cultural appropriation, Ritual Imports makes an important contribution to medieval and American studies as well as to cultural studies and the history of theater.
Author: Christopher Carr
Publisher: Springer Nature
ISBN: 3030449173
Category : History
Languages : en
Pages : 1564
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Book Description
This book, in two volumes, breathes fresh air empirically, methodologically, and theoretically into understanding the rich ceremonial lives, the philosophical-religious knowledge, and the impressive material feats and labor organization that distinguish Hopewell Indians of central Ohio and neighboring regions during the first centuries CE. The first volume defines cross-culturally, for the first time, the “ritual drama” as a genre of social performance. It reconstructs and compares parts of 14 such dramas that Hopewellian and other Woodland-period peoples performed in their ceremonial centers to help the soul-like essences of their deceased make the journey to an afterlife. The second volume builds and critiques ten formal cross-cultural models of “personhood” and the “self” and infers the nature of Scioto Hopewell people’s ontology. Two facets of their ontology are found to have been instrumental in their creating the intercommunity alliances and cooperation and gathering the labor required to construct their huge, multicommunity ceremonial centers: a relational, collective concept of the self defined by the ethical quality of the relationships one has with other beings, and a concept of multiple soul-like essences that compose a human being and can be harnessed strategically to create familial-like ethical bonds of cooperation among individuals and communities. The archaeological reconstructions of Hopewellian ritual dramas and concepts of personhood and the self, and of Hopewell people’s strategic uses of these, are informed by three large surveys of historic Woodland and Plains Indians’ narratives, ideas, and rites about journeys to afterlives, the creatures who inhabit the cosmos, and the nature and functions of soul-like essences, coupled with rich contextual archaeological and bioarchaeological-taphonomic analyses. The bioarchaeological-taphonomic method of l’anthropologie de terrain, new to North American archaeology, is introduced and applied. In all, the research in this book vitalizes a vision of an anthropology committed to native logic and motivation and skeptical of the imposition of Western world views and categories onto native peoples.
Author: John Wiley Nelson
Publisher: Wipf and Stock Publishers
ISBN: 1725235366
Category : Religion
Languages : en
Pages : 214
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Book Description
Is it possible that American Christians hold to two distinct sets of beliefs and values without knowing the difference? One is a Christian set, which is openly affirmed every Sunday; the other is an American set, which is more hidden within the forms of our popular entertainment culture. Through mediums like Westerns, country music, and detective novels, John Nelson explains how we internalize our American values without even knowing it. This book is largely intended for preachers who, of all people, should realize how American Christians internalize both sets of values without understanding the contradictions. The purpose of this book is to help preachers and congregations alike recognize the differences in order to account for them in preaching as well as in the church's life in community.
