Author:
Publisher:
ISBN:
Category : Music in art
Languages : en
Pages : 136
Book Description
RIdIM/RCMI Inventory of Music Iconography: The Pierpont Morgan Library
Author:
Publisher:
ISBN:
Category : Music in art
Languages : en
Pages : 136
Book Description
Publisher:
ISBN:
Category : Music in art
Languages : en
Pages : 136
Book Description
RIdIM/RCMI Inventory of Music Iconography: The Cleveland Museum of Art
Author:
Publisher:
ISBN:
Category : Music in art
Languages : en
Pages : 80
Book Description
Publisher:
ISBN:
Category : Music in art
Languages : en
Pages : 80
Book Description
RIdIM/RCMI Inventory of Music Iconography
Author:
Publisher:
ISBN:
Category : Music in art
Languages : en
Pages : 32
Book Description
Publisher:
ISBN:
Category : Music in art
Languages : en
Pages : 32
Book Description
RIdIM/RCMI Inventory of Music Iconography: The Frick Collection, New York
Author:
Publisher:
ISBN:
Category : Music in art
Languages : en
Pages : 40
Book Description
Publisher:
ISBN:
Category : Music in art
Languages : en
Pages : 40
Book Description
RIdIM/RCMI Inventory of Music Iconography: The Art Institute of Chicago
Author:
Publisher:
ISBN:
Category : Music in art
Languages : en
Pages : 40
Book Description
Publisher:
ISBN:
Category : Music in art
Languages : en
Pages : 40
Book Description
Instruments and their Music in the Middle Ages
Author: TimothyJ. McGee
Publisher: Routledge
ISBN: 135156272X
Category : History
Languages : en
Pages : 556
Book Description
This is a collection of twenty-nine of the most influential articles and papers about medieval musical instruments and their repertory. The authors discuss the construction of the instruments, their playing technique, the occasions for which they performed and their repertory. Taken as a whole, they paint a very broad, as well as detailed, picture of instrumental performance during the medieval period.
Publisher: Routledge
ISBN: 135156272X
Category : History
Languages : en
Pages : 556
Book Description
This is a collection of twenty-nine of the most influential articles and papers about medieval musical instruments and their repertory. The authors discuss the construction of the instruments, their playing technique, the occasions for which they performed and their repertory. Taken as a whole, they paint a very broad, as well as detailed, picture of instrumental performance during the medieval period.
Picturing Performance
Author: Thomas F. Heck
Publisher: University Rochester Press
ISBN: 9781580460446
Category : Art
Languages : en
Pages : 286
Book Description
There has long been a need to introduce performing-arts enthusiasts and students to the fascinating field of iconography, both as manifested in art history and in its more pragmatic or applied forms. Yet relatively little systematic effort has been made to collect and interpret centuries of such visual evidence in the light of the best available art-historical information, combined with corroborating textual documentation and insights from the histories of performance disciplines. Aspiring iconographers of the performing arts need to be aware that there are often several levels of interpretation which great works of visual art will sustain. This book explores these levels of interpretation: a surface or literal reading, a deeper reading of the work which seeks to enter the mind of the artist and asks how and why he put a given work together, and the deepest reading of the work relating it to the artistic traditions and culture in which the artist lived. In expounding on these levels of iconographic interpretations four discourses by scholars active in the study of visual records are given in relation to traditions, techniques, and trends: performance in general (Katritzky), music (Heck), theatre (Erenstein), and dance (Smith). Effort is made to keep abreast of modern technology influencing iconographic representations as on the Internet and virtual reality.Thomas F. Heck is Professor of Musicology and Head of the Music and Dance Library at the Ohio State University.
Publisher: University Rochester Press
ISBN: 9781580460446
Category : Art
Languages : en
Pages : 286
Book Description
There has long been a need to introduce performing-arts enthusiasts and students to the fascinating field of iconography, both as manifested in art history and in its more pragmatic or applied forms. Yet relatively little systematic effort has been made to collect and interpret centuries of such visual evidence in the light of the best available art-historical information, combined with corroborating textual documentation and insights from the histories of performance disciplines. Aspiring iconographers of the performing arts need to be aware that there are often several levels of interpretation which great works of visual art will sustain. This book explores these levels of interpretation: a surface or literal reading, a deeper reading of the work which seeks to enter the mind of the artist and asks how and why he put a given work together, and the deepest reading of the work relating it to the artistic traditions and culture in which the artist lived. In expounding on these levels of iconographic interpretations four discourses by scholars active in the study of visual records are given in relation to traditions, techniques, and trends: performance in general (Katritzky), music (Heck), theatre (Erenstein), and dance (Smith). Effort is made to keep abreast of modern technology influencing iconographic representations as on the Internet and virtual reality.Thomas F. Heck is Professor of Musicology and Head of the Music and Dance Library at the Ohio State University.
Images, Texts, and Marginalia in a "Vows of the Peacock" Manuscript (New York, Pierpont Morgan Library MS G24)
Author: Domenic Leo
Publisher: BRILL
ISBN: 9004250832
Category : History
Languages : en
Pages : 445
Book Description
The "Vows of the Peacock" - written in 1312 and dedicated to Thibaut de Bar, bishop of Liège - recounts how Alexander the Great comes to the aid of a family of aristocrats threatened by Indians. The poem remained popular throughout the fourteenth century and was soon followed by two sequels. Twenty-six illuminated manuscripts constitute part of a catalogue and concordance of all Peacock manuscripts. One of the most provocative, (PML, MS G24), has twenty-two miniatures which illustrate chivalry and courtly love, as epitomized in the text. An unusually high number of scurrilous marginalia, however, surround them. An interdisciplinary exploration of iconography, reception, image-text-marginalia dynamics, and context reveals their ultimate polysemy as scatological comedians and serious harbingers of sin.
Publisher: BRILL
ISBN: 9004250832
Category : History
Languages : en
Pages : 445
Book Description
The "Vows of the Peacock" - written in 1312 and dedicated to Thibaut de Bar, bishop of Liège - recounts how Alexander the Great comes to the aid of a family of aristocrats threatened by Indians. The poem remained popular throughout the fourteenth century and was soon followed by two sequels. Twenty-six illuminated manuscripts constitute part of a catalogue and concordance of all Peacock manuscripts. One of the most provocative, (PML, MS G24), has twenty-two miniatures which illustrate chivalry and courtly love, as epitomized in the text. An unusually high number of scurrilous marginalia, however, surround them. An interdisciplinary exploration of iconography, reception, image-text-marginalia dynamics, and context reveals their ultimate polysemy as scatological comedians and serious harbingers of sin.
Journal of the American Musical Instrument Society
Author: American Musical Instrument Society
Publisher:
ISBN:
Category : Musical instruments
Languages : en
Pages : 260
Book Description
Publisher:
ISBN:
Category : Musical instruments
Languages : en
Pages : 260
Book Description
RIdIM/RCMI Newsletter
Author: International Repertory of Musical Iconography (Organization)
Publisher:
ISBN:
Category : Music in art
Languages : en
Pages : 168
Book Description
Publisher:
ISBN:
Category : Music in art
Languages : en
Pages : 168
Book Description