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Author: Urs App
Publisher: UniversityMedia
ISBN: 3906000001
Category : Biography & Autobiography
Languages : en
Pages : 104
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Book Description
It is little known that Richard Wagner was among the very first Westerners to appreciate Buddhism and that he was the first major European artist to be inspired by this religion. In 1856, in the prime of his creativity, the 33-year-old artist read his first book about Buddhism. Madly in love with Mathilde Wesendonck, a beautiful but happily married woman, he conceived two deeply connected opera projects: Tristan und Isolde which he went on to compose and stage, and Die Sieger (The Victors), an opera scenario based on an Indian Buddha legend translated from Sanskrit. These two projects mirrored Wagner's burning desire for the consummation of his love and the necessity of renunciation. This Buddhist opera project occupied Wagner's mind for decades until his death in 1883. Indeed, the composer's last words were about the Buddha figure of his scenario and his relationship with women. Urs App, the author of The Birth of Orientalism (University of Pennsylvania Press) and the world's foremost authority on the early Western reception of Buddhism, tells the story of Richard Wagner's creative encounter with Buddhism and explains the composer's last words.
Author: Urs App
Publisher: UniversityMedia
ISBN: 3906000001
Category : Biography & Autobiography
Languages : en
Pages : 104
Get Book
Book Description
It is little known that Richard Wagner was among the very first Westerners to appreciate Buddhism and that he was the first major European artist to be inspired by this religion. In 1856, in the prime of his creativity, the 33-year-old artist read his first book about Buddhism. Madly in love with Mathilde Wesendonck, a beautiful but happily married woman, he conceived two deeply connected opera projects: Tristan und Isolde which he went on to compose and stage, and Die Sieger (The Victors), an opera scenario based on an Indian Buddha legend translated from Sanskrit. These two projects mirrored Wagner's burning desire for the consummation of his love and the necessity of renunciation. This Buddhist opera project occupied Wagner's mind for decades until his death in 1883. Indeed, the composer's last words were about the Buddha figure of his scenario and his relationship with women. Urs App, the author of The Birth of Orientalism (University of Pennsylvania Press) and the world's foremost authority on the early Western reception of Buddhism, tells the story of Richard Wagner's creative encounter with Buddhism and explains the composer's last words.
Author: Dorothea W. Dauer
Publisher:
ISBN:
Category : Buddhism
Languages : en
Pages : 40
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Book Description
Author: Wolfgang Osthoff
Publisher:
ISBN: 9783907070680
Category :
Languages : en
Pages : 36
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Book Description
Author: Richard Wagner
Publisher: Wakefield Press
ISBN: 9781862548060
Category : Architecture
Languages : en
Pages : 176
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Book Description
Parsifal was Richard Wagner's last opera, and many consider it his most beautiful and moving work. Peter Bassett, author of the highly successful A RING FOR THE MILLENNIUM, has made a special study of Parsifal, looking particularly at the relationship between Wagner's sources and his text and identifying important thematic connections with other works, notably DER RING DES NIBELUNG. This guide - which includes a translation of the libretto - will be invaluable to those new to Parsifal, but will also provide fresh insights for readers who are already familiar with Wagner's final work. This new edition is illustrated with historical photographs and a new format.
Author: Albert Ross Parsons
Publisher:
ISBN:
Category : Art and religion
Languages : en
Pages : 128
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Book Description
Author: Paul Schofield
Publisher: Hal Leonard Corporation
ISBN: 9781574671612
Category : Performing Arts
Languages : en
Pages : 328
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Book Description
Traditionally, Wagnerian scholarship has always treated the Ring and Parsifal as two separate works. The Redeemer Reborn: Parsifal as the Fifth Opera of Wagner's Ring shows how Parsifal is in fact actually the fifth opera of the Ring. Schofield explains in detail how these five musical dramas portray a single, unbroken story which begins at the start of Das Rheingold when Wotan breaks a branch from the World Ash-tree and Alberich steals the gold of the Rhine, thus separating Spear and Grail, and ends with the reunion of the Spear and Grail in the temple of Monsalvat at the end of Parsifal. Schofield explains how and why the four main characters of the Ring are reborn in the opera Parsifal, needing to complete in Parsifal the spiritual journey begun in the Ring. He also shows how the redemption that is not attained in the process of the Ring is finally realized in the events of Parsifal.
Author: Albert Ross Parsons
Publisher:
ISBN:
Category : Art and religion
Languages : en
Pages : 146
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Book Description
Author: Richard Wagner
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 56
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Book Description
Author: Marc A. Weiner
Publisher: U of Nebraska Press
ISBN: 9780803297920
Category : Literary Criticism
Languages : en
Pages : 470
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Book Description
This book addresses one of the most hotly contested debates in contemporary cultural life: the question of how anti-Semitism figures in the operas of Richard Wagner. Until now, scholars have generally acknowledged Wagner's anti-Semitism but have argued that it is irrelevant to the operas themselves. Marc A. Weiner challenges that traditional view by asserting that anti-Semitism is a crucial, pervasive feature in Wagner's operas. Weiner argues that the operas exemplify and contribute to a vast collection of images that are patently anti-Semitic - and that were readily recognized as such by nineteenth-century German audiences. These images were associated particularly with the body. Through a careful examination of Wagner's music, libretti, and stage directions, Weiner reconstructs iconographies of corporeal images - iconographies of the eye, voice, smell, gait, and sexuality - that were essential to the operas and were "associated with anti-Semitism and the longing for an imagined German community".
Author: Samael Aun Weor
Publisher: Glorian Publishing
ISBN: 1934206911
Category : Music
Languages : en
Pages : 252
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Book Description
"When religion becomes artificial, art has a duty to rescue it. Art can show that the symbols which religions would have us believe literally true are actually figurative. Art can idealize those symbols, and so reveal the profound truths they contain." - Richard Wagner Parsifal, the epic, final opera by Richard Wagner, stunned audiences and set the stage for the decline of modern civilization. For more than one hundred years, Parsifal has been one of the most controversial dramatic works in the world, not only moving the world's top composers and writers to tears and inspiring generations of creative geniuses, but it was also admired by Adolf Hitler. Wagner's retelling of the myth of the Holy Grail and the knights who protect it showed the secret path to liberation from suffering, but no one understood it. Wagner himself never explained Parsifal, and in his wake thousands of writers, critics, and artists have attempted to penetrate its mysteries yet have failed, since they were not initiated into the secret tradition it came from. Finally, in this book by Samael Aun Weor, the meaning of Parsifal is fully revealed, and the genius and spiritual accomplishments of Richard Wagner are made radiantly clear. "The year 1914 will always be a memorable date among the remarkable dates of this humanity, because of the explosion of the First World War and the simultaneous debut of Parsifal in all the civilized world." - Samael Aun Weor Features: • A complete exposure of the spiritual archetypes hidden in Parsifal, with examples from other religions and mythologies • Detailed instructions for sexual transmutation, including postures and mantras • Includes the complete libretto of Parsifal
