Author: Matthew Wilson Black
Publisher:
ISBN:
Category :
Languages : en
Pages : 190
Book Description
Richard Brathwait
Author: Matthew Wilson Black
Publisher:
ISBN:
Category :
Languages : en
Pages : 190
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 190
Book Description
A Critical Edition of Richard Brathwait's Whimzies
Author: Allen H. Lanner
Publisher: Routledge
ISBN: 1000697169
Category : Literary Criticism
Languages : en
Pages : 218
Book Description
Originaly published in 1991, this volume contains the full text of Richard Brathwait's 'Whimzies,' alongside textual notes including chapters on the character as a literary genre, the overburian characters and an annotation of the text.
Publisher: Routledge
ISBN: 1000697169
Category : Literary Criticism
Languages : en
Pages : 218
Book Description
Originaly published in 1991, this volume contains the full text of Richard Brathwait's 'Whimzies,' alongside textual notes including chapters on the character as a literary genre, the overburian characters and an annotation of the text.
Richard Brathwait's Comments, in 1665, Upon Chaucer's Tales of the Miller and the Wife of Bath
Author: Richard Brathwaite
Publisher:
ISBN:
Category :
Languages : en
Pages : 124
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 124
Book Description
THE ENGLISH GENTLEMAN
Author: Richard Brathwaite
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Better a Shrew Than a Sheep
Author: Pamela Allen Brown
Publisher: Cornell University Press
ISBN: 9780801488368
Category : Drama
Languages : en
Pages : 284
Book Description
In a study that explodes the assumption that early modern comic culture was created by men for men, Pamela Allen Brown shows that jest books, plays, and ballads represented women as laugh-getters and sought out the laughter of ordinary women. Disputing the claim that non-elite women had little access to popular culture because of their low literacy and social marginality, Brown demonstrates that women often bested all comers in the arenas of jesting, gaining a few heady moments of agency. Juxtaposing the literature of jest against court records, sermons, and conduct books, Brown employs a witty, entertaining style to propose that non-elite women used jests to test the limits of their subjection. She also shows how women's mocking laughter could function as a means of social control in closely watched neighborhoods. While official culture beatified the sheep-like wife and disciplined the scold, jesting culture often applauded the satiric shrew, whether her target was priest, cuckold, or rapist. Brown argues that listening for women's laughter can shed light on both the dramas of the street and those of the stage: plays from The Massacre of the Innocents to The Merry Wives of Windsor to The Woman's Prize taught audiences the importance of gossips' alliances as protection against slanderers, lechers, tyrants, and wife-beaters. Other jests, ballads, jigs, and plays show women reveling in tales of female roguery or scoffing at the perverse patience of Griselda. As Brown points out, some women found Griselda types annoying and even foolish: better be a shrew than a sheep.
Publisher: Cornell University Press
ISBN: 9780801488368
Category : Drama
Languages : en
Pages : 284
Book Description
In a study that explodes the assumption that early modern comic culture was created by men for men, Pamela Allen Brown shows that jest books, plays, and ballads represented women as laugh-getters and sought out the laughter of ordinary women. Disputing the claim that non-elite women had little access to popular culture because of their low literacy and social marginality, Brown demonstrates that women often bested all comers in the arenas of jesting, gaining a few heady moments of agency. Juxtaposing the literature of jest against court records, sermons, and conduct books, Brown employs a witty, entertaining style to propose that non-elite women used jests to test the limits of their subjection. She also shows how women's mocking laughter could function as a means of social control in closely watched neighborhoods. While official culture beatified the sheep-like wife and disciplined the scold, jesting culture often applauded the satiric shrew, whether her target was priest, cuckold, or rapist. Brown argues that listening for women's laughter can shed light on both the dramas of the street and those of the stage: plays from The Massacre of the Innocents to The Merry Wives of Windsor to The Woman's Prize taught audiences the importance of gossips' alliances as protection against slanderers, lechers, tyrants, and wife-beaters. Other jests, ballads, jigs, and plays show women reveling in tales of female roguery or scoffing at the perverse patience of Griselda. As Brown points out, some women found Griselda types annoying and even foolish: better be a shrew than a sheep.
The Historical Imagination in Early Modern Britain
Author: Donald R. Kelley
Publisher: Cambridge University Press
ISBN: 9780521590693
Category : History
Languages : en
Pages : 408
Book Description
Distinguished historians and literary scholars explore the overlap, interplay, and interaction between history and fiction.
Publisher: Cambridge University Press
ISBN: 9780521590693
Category : History
Languages : en
Pages : 408
Book Description
Distinguished historians and literary scholars explore the overlap, interplay, and interaction between history and fiction.
Athenae Oxonienses
Author: Anthony à Wood
Publisher:
ISBN:
Category :
Languages : en
Pages : 664
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 664
Book Description
Athenæ Oxonienses
Author: Anthony à Wood
Publisher:
ISBN:
Category :
Languages : en
Pages : 658
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 658
Book Description
Athenæ Oxonienses. An Exact History of All the Writers and Bishops who Have Their Education in the University of Oxford. To which are Added the Fasti, Or Annals of the Said University. By Anthony A Wood, M. A. of Merton College. A New Edition, with Additions, and a Continuation by Philip Bliss, Fellow of St. John's College. Vol. 1.[-4.]
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 662
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 662
Book Description
Authorizing Words
Author: Martin Elsky
Publisher: Cornell University Press
ISBN: 1501745743
Category : Literary Criticism
Languages : en
Pages : 247
Book Description
Martin Elsky here illuminates the complex interplay of linguistic theory and textual representation in English Renaissance writing. Drawing on a wide range of materials, both literary and nonliterary, Elsky focuses on the impact of speech-oriented and writing-dominated theories of language on textual practice. Among the texts Elsky discusses are Herbert's The Temple, Bacon's Magna Instauratio, Burton's Anatomy of Melancholy, Jonson 's lyrics, and works by Lily, Colet, Ascham, and Elyot. In showing how speech, writing, and print suggest contrasting foundations for the authority of language, Elsky considers such topics as the competing concepts of textuality in humanist literature and in hieroglyphic poetry; the authenticity of writing and the distortions of speech in scientific prose works; the social context of printing scientific prose; and the use of print to create the infinitely expandable text of philosophical skepticism. A provocative application of contemporary literary theory to the historical analysis of texts, Authorizing Words will interest readers in such disciplines as Renaissance studies, theory of language, historical linguistics, history of science, and the history of communication.
Publisher: Cornell University Press
ISBN: 1501745743
Category : Literary Criticism
Languages : en
Pages : 247
Book Description
Martin Elsky here illuminates the complex interplay of linguistic theory and textual representation in English Renaissance writing. Drawing on a wide range of materials, both literary and nonliterary, Elsky focuses on the impact of speech-oriented and writing-dominated theories of language on textual practice. Among the texts Elsky discusses are Herbert's The Temple, Bacon's Magna Instauratio, Burton's Anatomy of Melancholy, Jonson 's lyrics, and works by Lily, Colet, Ascham, and Elyot. In showing how speech, writing, and print suggest contrasting foundations for the authority of language, Elsky considers such topics as the competing concepts of textuality in humanist literature and in hieroglyphic poetry; the authenticity of writing and the distortions of speech in scientific prose works; the social context of printing scientific prose; and the use of print to create the infinitely expandable text of philosophical skepticism. A provocative application of contemporary literary theory to the historical analysis of texts, Authorizing Words will interest readers in such disciplines as Renaissance studies, theory of language, historical linguistics, history of science, and the history of communication.