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Author: Giuseppe De Vito
Publisher:
ISBN:
Category : Art, Baroque
Languages : it
Pages : 172
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Book Description
Author: Giuseppe De Vito
Publisher:
ISBN:
Category : Art, Baroque
Languages : it
Pages : 172
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : it
Pages : 216
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Book Description
Author: Giuseppe De Vito
Publisher:
ISBN:
Category :
Languages : it
Pages : 0
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Author:
Publisher:
ISBN:
Category : Art, Baroque
Languages : it
Pages : 220
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 273
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Book Description
Author: Alfonso E. Pérez Sánchez
Publisher: Metropolitan Museum of Art
ISBN: 0870996479
Category : Ribera
Languages : en
Pages : 306
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Author:
Publisher:
ISBN:
Category : Architecture
Languages : it
Pages : 164
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Author: Pedro Cardim
Publisher: Apollo Books
ISBN: 9781845195441
Category : History
Languages : en
Pages : 252
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Book Description
In the early 16th century - having succeeded in establishing themselves in Europe, Asia, Africa, and the Americas - Spain and Portugal became the first imperial powers on a worldwide scale. Between 1580 and 1640, when these two entities were united, they achieved an almost global hegemony, constituting the largest political force in Europe and abroad. Although they lost their political primacy in the 17th century, both monarchies survived and were able to enjoy a relative success until the early 19th century. This collection answers the question as to how and why their cultural and political legacies persist to date. Part I of the book focuses on the construction of the monarchy, examining the ways different territories were integrated into the imperial network, mainly by inquiring to what extent local political elites maintained their autonomy and to what a degree they shared power with the royal administration. Part II deals primarily with the circulation of ideas, models, and people, observing them as they move in space. It also examines how they coincide in the court, which was a veritable melting pot in which the various administrations that served the kings and the various territories belonging to the monarchy developed their own identities, fought for recognition in what they considered their proper place in the global hierarchy. Part III explains the forms of dependence and symbiosis that were established with other European powers, such as Genoa and the United Provinces. Attempting to reorient the politics of these States, political and financial co-dependence often led to bad economic choices. The book discards the portrayal of the Iberian monarchies as the accumulation of many bilateral relations arranged in a radial pattern, arguing that these political entities were polycentric - that is to say, they allowed for the existence of many different centers which interacted and thus participated in the making of empire. The resulting political structure was complex and unstable, albeit with a general adhesion to a discourse of loyalty to king and religion.
Author: Frank Fehrenbach
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110720485
Category : Art
Languages : en
Pages : 285
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Book Description
The literary, artistic, and scientific culture of early modern Naples is closely linked to the natural topography of the city, stretching from Iacopo Sannazaro’s poetic evocation of the Campania landscape to Giambattista Vico’s approach in which he anchors human civilization to the existential confrontation with natural forces. With the open sea, the rocky coastline, and the menacing presence of Vesuvius, the image of Naples, more than any other city in early modern times, is associated in the collective imagination with the forces of nature. Even the populace was interpreted as a force of nature. In this volume, art, literature, and science historians investigate the convergence of culture and nature in a unique geographic context.
Author: Katherine A. McIver
Publisher: Routledge
ISBN: 1351872478
Category : Art
Languages : en
Pages : 270
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Book Description
Through a visually oriented investigation of historical (in)visibility in early modern Italy, the essays in this volume recover those women - wives, widows, mistresses, the illegitimate - who have been erased from history in modern literature, rendered invisible or obscured by history or scholarship, as well as those who were overshadowed by male relatives, political accident, or spatial location. A multi-faceted invisibility of the individual and of the object is the thread that unites the chapters in this volume. Though some women chose to be invisible, for example the cloistered nun, these essays show that in fact, their voices are heard or seen through their commissions and their patronage of the arts, which afforded them some visibility. Invisibility is also examined in terms of commissions which are no longer extant or are inaccessible. What is revealed throughout the essays is a new way of looking at works of art, a new way to visualize the past by addressing representational invisibility, the marginalized or absent subject or object and historical (in)visibility to discover who does the 'looking,' and how this shapes how something or someone is visible or invisible. The result is a more nuanced understanding of the place of women and gender in early modern Italy.