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Author: Mitsuhiro Yoshimoto
Publisher: Duke University Press
ISBN: 9780822325192
Category : History
Languages : en
Pages : 500
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Book Description
This work will become not only the newly definitive study of Kurosawa, but will redefine the field of Japanese cinema studies, particularly as the field exists in the west.
Author: Mitsuhiro Yoshimoto
Publisher: Duke University Press
ISBN: 9780822325192
Category : History
Languages : en
Pages : 500
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Book Description
This work will become not only the newly definitive study of Kurosawa, but will redefine the field of Japanese cinema studies, particularly as the field exists in the west.
Author: Shinobu Hashimoto
Publisher: Vertical Inc
ISBN: 1647293227
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
Any list of Japan’s greatest screenplay writers would feature Shinobu Hashimoto near or at the top. This memoir, focusing on his collaborations with Akira Kurosawa, a gifted scenarist in his own right, offers an indispensable insider account and invaluable insights into the unique process that is writing for the screen. Now in paperback, Compound Cinematics also stands as a moving reckoning of sorts. The vast majority of Kurosawa’s oeuvre was filmed from screenplays that the director co-wrote with a stable of stellar scenarists. Among these was the author, who caught the filmmaker’s attention with a script that eventually turned into Rashomon, and who went on to play an integral part in developing and writing two of the grandmaster’s crowning jewels—Ikiru and Seven Samurai—and other cineaste favorites. The late Shinobu Hashimoto (1918-2018) penned numerous films of note for other directors as well, including Harakiri for Masaki Kobayashi, Mount Hakkoda for Shiro Moritani, and Village of the Eight Tombs for Yoshitaro Nomura.
Author: Mick Broderick
Publisher: Routledge
ISBN: 1136883258
Category : Social Science
Languages : en
Pages : 324
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Book Description
First Published in 1996. This collection of works is in response to American film scholar and long-term resident of Japan, Donald Richie, words:’ The Japanese failure to come to terms with Hiroshima is one which is shared by everybody in the world today,’ from over thirty years ago, when responding to the Japanese subgenre of cinema which had dealt with the atom bombings of Hiroshima and Nagasaki. Three decades on, the question lingers, does this appraisal remain valid? Hibakusha Cinema is an attempt - perhaps momentarily - to reorient critical focus upon a rarely discussed, yet important feature of Japanese cinema. The essays collected here represent a mix of Japanese and western (pan-Pacific) scholarship harnessing multidisciplinary methodologies, ranging from close textual analysis, archival and historical argument, anthropological assessment, literary and film comparative analyses to psychological and ideological hermeneutics.
Author: Hiroshi Tasogawa
Publisher: Hal Leonard Corporation
ISBN: 155783850X
Category : Performing Arts
Languages : en
Pages : 317
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Book Description
(Applause Books). When 20th Century Fox planned its blockbuster portrayal of Japan's attack on Pearl Harbor, it looked to Akira Kurosawa a man whose mastery of the cinema led to his nickname "the Emperor" to direct the Japanese sequences. Yet a matter of three weeks after he began shooting the film in December 1968, Kurosawa was summarily dismissed and expelled from the studio. The tabloids trumpeted scandal: Kurosawa had himself gone mad; his associates had betrayed him; Hollywood was engaged in a conspiracy. Now, for the first time, the truth behind the downfall and humiliation of one of cinema's greatest perfectionists is revealed in All the Emperor's Men. Journalist Hiroshi Tasogawa probes the most sensitive questions about Kurosawa's thwarted ambition and the demons that drove him. His is a tale of a great clash of personalities, of differences in the ways of making movies, and ultimately of a clash between Japanese and American cultures.
Author: Stuart Galbraith, IV
Publisher:
ISBN: 9780571211524
Category : Biography & Autobiography
Languages : en
Pages : 848
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Book Description
Akira Kurosawa and Toshiro Mifune made 16 feature films together, including "Rashomon, Seven Samurai, " and "Yojimbo. The Emperor and the Wolf" is an in-depth look at these two great artists and their legacy that brims with behind-the-scenes details about their tumultuous lives and stormy relationships with the studios and with one another. Two 16-page photo inserts.
Author: James Goodwin
Publisher: G. K. Hall
ISBN:
Category : Performing Arts
Languages : en
Pages : 320
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Book Description
This collection of writings on Kurosawa includes selections from his Something Like An Autobiography and excerpts from interviews Kurosawa has given. It also presents tributes and critical writings on such landmark films as Rasbomon, Ikiru, Seven Samurai, Throne of Blood, and Ran.
Author: Akira Kurosawa
Publisher: Univ. Press of Mississippi
ISBN: 9781578069972
Category : Performing Arts
Languages : en
Pages : 244
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Book Description
This work includes the collected interviews with the first Japanese film director to become widely known in the West when his film "Rashomon" won the top prize at the Venice Film Festival in 1951.
Author: Donald Richie
Publisher: Berkeley : University of California Press
ISBN: 9780520051911
Category : Motion picture industry
Languages : en
Pages : 255
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Book Description
Film scholars and enthusiasts will welcome this new edition of Donald Richie's incomparable study, last updated in 1984. The Method section, filmography, and bibliography contain new information, and Richie has added chapters on Ran, Dreams, Rhapsody in August, and Madadayo. Kurosawa's films display an extraordinary breadth and an astonishing strength, from the philosophic and sexual complexity of Rashomon to the moral dedication of Ikiru, from the naked violence of Seven Samurai to the savage comedy of Yojimbo, from the terror-filled feudalism of Throne of Blood to the piercing wit of Sanjuro. Running through all Kurosawa's work is a tough, humane, and profoundly ethical concern for the painful, beautiful, frequently ridiculous ambiguities of human life. Donald Richie's acclaimed study is as much a clear and winning introduction for those unfamiliar with Kurosawa's films as it is a bountiful critical appraisal for the initiate. Each film receives thorough sensitive examination, with many illustrations chosen by the author to underscore his analysis. Excerpts from the scripts, notes on camera usage and sound, reconstructions of outstanding moments - all these contribute insights into the director's powerful technique. In addition, Richie includes many quotes from his conversations with Kurosawa, allowing ideas and biographical information to emerge in the filmmaker's own words.
Author: Steve Ryfle
Publisher: Wesleyan University Press
ISBN: 0819577413
Category : Performing Arts
Languages : en
Pages : 368
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Book Description
“An appreciation of Japanese fantasy-film history through the eyes of a filmmaker whose name is obscure but populism remains influential.” —Chicago Tribune Ishiro Honda, arguably the most internationally successful Japanese director of his generation, made an unmatched succession of science fiction films that were commercial hits worldwide. From the atomic allegory of Godzilla and the beguiling charms of Mothra to the tragic mystery of Matango and the disaster and spectacle of Rodan, The Mysterians, King Kong vs. Godzilla, Honda’s films reflected postwar Japan’s anxieties and incorporated fantastical special effects, a formula that created an enduring pop culture phenomenon. Now, in the first full account of this overlooked director’s life and career, Steve Ryfle and Ed Godziszewski shed new light on Honda’s work and the experiences that shaped it—including his days as a reluctant Japanese soldier, witnessing the aftermath of Hiroshima, and his lifelong friendship with Akira Kurosawa. The book features close analysis of Honda’s films (including, for the first time, his rarely seen dramas, comedies, and war films) and draws on previously untapped documents and interviews to explore how creative, economic, and industrial factors impacted his career. Fans of Godzilla and tokusatsu (special effects) film, and of Japanese film in general, will welcome this in-depth study of a highly influential director who occupies a uniquely important position in science fiction and fantasy cinema, as well as world cinema. “Provides the reader with a lasting sense of the man—his temperament, values, philosophies, dreams, and disappointments?behind some of cinema’s most beloved characters.” —Film Comment
Author: Stephen Prince
Publisher: Princeton University Press
ISBN: 9780691010465
Category : Performing Arts
Languages : en
Pages : 444
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Book Description
The Japanese film director Akira Kurosawa, who died at the age of 88, has been internationally acclaimed as a giant of world cinema. Rashomon, which won both the Venice Film Festival's grand prize and an Academy Award for best foreign-language film, helped ignite Western interest in the Japanese cinema. Seven Samurai and Yojimbo remain enormously popular both in Japan and abroad. In this newly revised and expanded edition of his study of Kurosawa's films, Stephen Prince provides two new chapters that examine Kurosawa's remaining films, placing him in the context of cinema history. Prince also discusses how Kurosawa furnished a template for some well-known Hollywood directors, including Martin Scorsese, Steven Spielberg, and George Lucas. Providing a new and comprehensive look at this master filmmaker, The Warrior's Camera probes the complex visual structure of Kurosawa's work. The book shows how Kurosawa attempted to symbolize on film a course of national development for post-war Japan, and it traces the ways that he tied his social visions to a dynamic system of visual and narrative forms. The author analyzes Kurosawa's entire career and places the films in context by drawing on the director's autobiography--a fascinating work that presents Kurosawa as a Kurosawa character and the story of his life as the kind of spiritual odyssey witnessed so often in his films. After examining the development of Kurosawa's visual style in his early work, The Warrior's Camera explains how he used this style in subsequent films to forge a politically committed model of filmmaking. It then demonstrates how the collapse of Kurosawa's efforts to participate as a filmmaker in the tasks of social reconstruction led to the very different cinematic style evident in his most recent films, works of pessimism that view the world as resistant to change.
