Rewriting White Masculinities in Contemporary Fiction and Film PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Rewriting White Masculinities in Contemporary Fiction and Film PDF full book. Access full book title Rewriting White Masculinities in Contemporary Fiction and Film by Josep M. Armengol. Download full books in PDF and EPUB format.
Author: Josep M. Armengol
Publisher: Palgrave Macmillan
ISBN: 9783031533488
Category : Literary Criticism
Languages : en
Pages : 0
Get Book
Book Description
This book focuses on the construction of hegemonic masculinity as well as its representations in literature, culture, and film. Although white heterosexual masculinity continues to be the dominant model, it remains, paradoxically, largely invisible in gender terms. While the first three chapters thus offer introductory theoretical perspectives on the latest research on white masculinities, the following chapters concentrate on applying masculinity theory to the analysis of both social constructions and cultural (i.e. literary and film) representations of men’s emotions (with a special focus on new fatherhood models), friendships between men, as well as gender-based violence.
Author: Josep M. Armengol
Publisher: Palgrave Macmillan
ISBN: 9783031533488
Category : Literary Criticism
Languages : en
Pages : 0
Get Book
Book Description
This book focuses on the construction of hegemonic masculinity as well as its representations in literature, culture, and film. Although white heterosexual masculinity continues to be the dominant model, it remains, paradoxically, largely invisible in gender terms. While the first three chapters thus offer introductory theoretical perspectives on the latest research on white masculinities, the following chapters concentrate on applying masculinity theory to the analysis of both social constructions and cultural (i.e. literary and film) representations of men’s emotions (with a special focus on new fatherhood models), friendships between men, as well as gender-based violence.
Author: Josep M. Armengol
Publisher: Springer Nature
ISBN: 3031533496
Category :
Languages : en
Pages : 182
Get Book
Book Description
Author: Josep M. Armengol
Publisher: Cambridge Scholars Publishing
ISBN: 1443827517
Category : Social Science
Languages : en
Pages : 180
Get Book
Book Description
Comprising seven different chapters, the collection Men in Color attempts to analyze, and revisit, the representation of ethnic masculinities, both white and non-white, in and through contemporary U.S. literature and cinema. If most of the existing studies on masculinity and race have centered on one specific model of racialized masculinities, Men in Color attempts to provide an introductory perspective on different racialized masculinities simultaneously, including African American, Asian American, Chicano, Arab American, and also white masculinity, which is analyzed as another ethnic and gendered construct, rather than as a paradigm of normalcy and “universality.” By exploring several ethnic masculinities in relation to each other, the present volume aims to highlight both the differences and the similarities between different patterns of masculinity, showing how, even as gender is inflected by race, certain aspects or features of masculinity remain unchanged across the ethnic board. Ultimately, the volume as a whole illustrates both the changing nature of masculinities as well as the recurrence of certain stereotypes, such as the hypersexualization and/or the feminization of ethnic males, which recur in and across several ethnicities. The constant tension and intersection between gender and race is the subject of this book, which hopes to contribute some notes and reflections on ethnic masculinities to the much more complex and larger discussion about gender and racial identities in our increasingly multicultural and globalized 21st-century world.
Author: Sara Martín
Publisher: Taylor & Francis
ISBN: 1000875806
Category : Performing Arts
Languages : en
Pages : 178
Get Book
Book Description
Most documentaries deal with men, but what do they actually say about masculinity? In this groundbreaking volume Sara Martín analyses more than forty 21st-century documentaries to explore how they represent American men and masculinity. From Jennifer Siebel Newsom’s The Mask You Live In to Raoul Peck’s I Am Not Your Negro, this volume explores sixteen different faces of American masculinity: the good man, the activist, the politician, the whistleblower, the criminal, the sexual abuser, the wrongly accused, the dependent man, the soldier, the capitalist, the adventurer, the sportsman, the architect, the photographer, the musician, and the writer. The collective portrait drawn by the documentaries discloses a firm critical stance against the contradictions inherent in patriarchy, which makes American men promises of empowerment it cannot fulfill. The filmmakers’ view of American masculinity emphasizes the vulnerability of disempowered men before the abuses of the patriarchal system run by hegemonic men and a loss of bearings about how to be a man after the impact of feminism, accompanied nonetheless by a celebration of resilient masculinity and of the good American man. Firmly positioning documentaries as an immensely flexible, relevant tool to understand 21st-century American men and masculinity, their past, present, and future, this book will interest students and scholars of film studies, documentary film, American cultural studies, gender, and masculinity.
Author: Pete Deakin
Publisher: Rowman & Littlefield
ISBN: 1498585205
Category : Social Science
Languages : en
Pages : 201
Get Book
Book Description
White Masculinity in Crisis in Hollywood’s Fin de Millennium Cinema claims that Hollywood cinema had a significant relationship with the millennial crisis of masculinity. From Fight Club (Fincher, 1999) and American Psycho (Harron, 2000), to Office Space (Judge, 1999), The Matrix (Wachowski’s, 1999) and American Beauty (Mendes, 1999), Pete Deakin attests that alongside the emergent “crisis” came a definitive body of some twenty-five Hollywood “crisis” titles; each film with a representational concern for the apparent “masculine malaise”. Asking whether Hollywood helped create, propel or sooth the very notion of the crisis-of-masculinity at this time, Deakin engages with some important cultural questions: how discursive—or even authentic—was it, and more vitally, whose actual crisis was this? To this end, scholars of film studies, media studies, gender studies, history, and sociology will find this book particularly useful.
Author: Sara Martín
Publisher: Cambridge Scholars Publishing
ISBN: 1527559300
Category : Performing Arts
Languages : en
Pages : 302
Get Book
Book Description
How are men represented on the printed page, the stage and the screen? What do these representations say about masculinity in the past, the present, and the future? The twelve essays in this volume explore the different ways in which men and masculinity have been represented, from the plays of William Shakespeare to the science fiction of Richard K. Morgan, passing through classic fiction by Emily Brontë and Charles Dickens, and popular favourites by Terry Pratchett and Isaac Asimov, without forgetting the Star Wars saga. Collectively, these essays argue that, although much has been written about men, it has been done from a perspective that does not see masculinity as a specific feature in need of critical appraisal. Men need to be made aware of how they are represented in order to alter the toxic patriarchal models handed down to them and even break the extant binary gender models. For that, it is important that men distinguish patriarchy from masculinity, as is done here, and form anti-patriarchal alliances with each other and with women. This book is, then, an invitation to men’s liberation from patriarchy by raising an awareness of its crippling constraints.
Author: Brian Baker
Publisher: Bloomsbury Publishing USA
ISBN: 1623567475
Category : Performing Arts
Languages : en
Pages : 273
Get Book
Book Description
While masculinity has been an increasingly visible field of study within several disciplines (sociology, literary studies, cultural studies, film and tv) over the last two decades, it is surprising that analysis of contemporary representations of the first part of the century has yet to emerge. Professor Brian Baker, evolving from his previous work Masculinities in Fiction and Film: Representing Men in Popular Genres 1945-2000, intervenes to rectify the scholarship in the field to produce a wide-ranging, readable text that deals with films and other texts produced since the year 2000. Focusing on representations of masculinity in cinema, popular fiction and television from the period 2000-2010, he argues that dominant forms of masculinity in Britain and the United States have become increasingly informed by anxiety, trauma and loss, and this has resulted in both narratives that reflect that trauma and others which attempt to return to a more complete and heroic form of masculinity. While focusing on a range of popular genres, such as Bond films, war movies, science fiction and the Gothic, the work places close analyses of individual films and texts in their cultural and historical contexts, arguing for the importance of these popular fictions in diagnosing how contemporary Britain and the United States understand themselves and their changing role in the world through the representation of men, fully recognising the issues of race/ethnicity, class, sexuality, and age. Baker draws upon current work in mobility studies and in the study of masculinities to produce the first book-length comparative study of masculinity in popular culture of the first decade of the twentieth century.
Author: J. Armengol
Publisher: Palgrave Macmillan
ISBN: 9781349503759
Category : Social Science
Languages : en
Pages : 190
Get Book
Book Description
Inverting the traditional focus of ethnic studies on blackness as the object of scrutiny, this book explores dominant forms of white masculinity as seen by African American authors placed alongside certain white writers. Author analyzes texts by Herman Melville, Ernest Hemingway, Martha Gellhorn, Frederick Douglass, and James Baldwin.
Author: Lahoucine Ouzgane
Publisher: Boydell & Brewer Ltd
ISBN: 1847015212
Category : Literary Collections
Languages : en
Pages : 194
Get Book
Book Description
Fills a gap in the international literature by offering new insights into the heterogeneous ways in which African men are performing, negotiating and experiencing masculinity. Through their analysis of the depictions in film and literature of masculinities in colonial, independent and post-independent Africa, the contributors open some key African texts to a more obviously politicized set of meanings. Collectively, the essays provide space for rethinking current theory on gender and masculinity: - how only some of the most popular theories in masculinity studies in the West hold true in African contexts; - howWestern masculinities react with indigenous masculinities on the continent; - how masculinity and femininity in Africa seem to reside more on a continuum of cultural practices than on absolutely opposite planes; - andhow generation often functions as a more potent metaphor than gender. Lahoucine Ouzgane is Associate Professor of English & Film Studies, University of Alberta, Canada.
Author: Glen Donnar
Publisher: Univ. Press of Mississippi
ISBN: 1496828593
Category : Performing Arts
Languages : en
Pages : 237
Get Book
Book Description
Troubling Masculinities: Terror, Gender, and Monstrous Others in American Film Post-9/11 is the first multigenre study of representations of masculinity following the emergence of violent terror as a plot element in American cinema after September 11, 2001. Across a broad range of subgenres—including disaster melodrama, monster movies, postapocalyptic science fiction, discovered footage and home invasion horror, action-thrillers, and frontier westerns—author Glen Donnar examines the impact of “terror-Others,” from Arab terrorists to giant monsters, especially in relation to cinematic representations in earlier periods of national turmoil. Donnar demonstrates that the reassertion of masculinity and American national identity in post-9/11 cinema repeatedly unravels across genres. Taking up critical arguments about Hollywood’s attempts to resolve male crisis through Orientalizing figures of terror, he shows how this failure reflects an inability to effectively extinguish the threat or frightening difference of terror. The heroes in these movies are unable to heal themselves or restore order, often becoming as destructive as the threats they are supposed to be fighting. Donnar concludes that interrelated anxieties about masculinity and nationhood continue to affect contemporary American cinema and politics. By showing how persistent these cultural fears are, the volume offers an important counternarrative to this supposedly unprecedented moment in American history.
