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Author: Leah Tether
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110638622
Category : Literary Criticism
Languages : en
Pages : 388
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Book Description
Jane H. M. Taylor is one of the world's foremost scholars of rewriting or réécriture. Her focus has been on literature in medieval and Renaissance France, but rewriting, including continuation, translation, and adaptation, lies at the heart of literary traditions in all vernaculars. This book explores both the interdisciplinarity of rewriting and Taylor's remarkable contribution to its study. The rewriting and reinterpretation of narratives across chronological, social and/or linguistic boundaries represents not only a crucial feature of text transmission, but also a locus of cultural exchange. Taylor has shown that the adaptation of material to conform to the expectations, values, or literary tastes of a different audience can reveal important information regarding the acculturation and reception of medieval texts. In recent years, numerous scholars across disciplines have thus turned to this field of enquiry. This collection of studies dedicated to the rewriting of medieval French literature from the twelfth to the twenty-first centuries by Taylor’s friends, colleagues, and former students offers not only a fitting tribute to Taylor’s career, but also a timely consolidation of the very latest research in the field, which will be vital for all scholars of medieval rewriting. With contributions from Jessica Taylor, Keith Busby, Leah Tether, Logan E. Whalen, Mireille Séguy, Christine Ferlampin-Acher, Ad Putter, Anne Salamon, Patrick Moran, Nathalie Koble, Bart Besamusca, Frank Brandsma, Richard Trachsler, Carol J. Chase, Maria Colombo Timelli, Laura Chuhan Campbell, Joan Tasker-Grimbert, Jean-Claude Mühlethaler, Michelle Szkilnik, Thomas Hinton, Elizabeth Archibald.
Author: Leah Tether
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110638622
Category : Literary Criticism
Languages : en
Pages : 388
Get Book Here
Book Description
Jane H. M. Taylor is one of the world's foremost scholars of rewriting or réécriture. Her focus has been on literature in medieval and Renaissance France, but rewriting, including continuation, translation, and adaptation, lies at the heart of literary traditions in all vernaculars. This book explores both the interdisciplinarity of rewriting and Taylor's remarkable contribution to its study. The rewriting and reinterpretation of narratives across chronological, social and/or linguistic boundaries represents not only a crucial feature of text transmission, but also a locus of cultural exchange. Taylor has shown that the adaptation of material to conform to the expectations, values, or literary tastes of a different audience can reveal important information regarding the acculturation and reception of medieval texts. In recent years, numerous scholars across disciplines have thus turned to this field of enquiry. This collection of studies dedicated to the rewriting of medieval French literature from the twelfth to the twenty-first centuries by Taylor’s friends, colleagues, and former students offers not only a fitting tribute to Taylor’s career, but also a timely consolidation of the very latest research in the field, which will be vital for all scholars of medieval rewriting. With contributions from Jessica Taylor, Keith Busby, Leah Tether, Logan E. Whalen, Mireille Séguy, Christine Ferlampin-Acher, Ad Putter, Anne Salamon, Patrick Moran, Nathalie Koble, Bart Besamusca, Frank Brandsma, Richard Trachsler, Carol J. Chase, Maria Colombo Timelli, Laura Chuhan Campbell, Joan Tasker-Grimbert, Jean-Claude Mühlethaler, Michelle Szkilnik, Thomas Hinton, Elizabeth Archibald.
Author: Miranda Griffin
Publisher:
ISBN: 019968698X
Category : Literary Criticism
Languages : en
Pages : 283
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Book Description
Transforming Tales argues that the study of transformation is crucial for understanding a wide range of canonical work in medieval French literature. From the lais and Arthurian romances of the twelfth and thirteenth centuries, through the Roman de la Rose and its widespread influence, to the fourteenth-century Ovide moralise and the vast prose cycles of the late Middle Ages, metamorphosis is a recurrent theme, resulting in some of the best-known and most powerful literature of the era. Transforming Tales is the first book in English to explore in detail the importance of ideas of metamorphosis in French literature from the twelfth to the fifteenth centuries. This book's purpose is twofold: it traces a series of figures (the werewolf, the snake-woman, the nymph, the magician, amongst others) as they are transformed within individual texts; and it also examines the way in which the stories of transformation themselves become rewritten during the course of the Middle Ages. Griffin's approach combines close readings and comparisons of literary texts with readings informed by modern critical theories which are grounded in many of the ideas raised by medieval metamorphosis: the body, gender, identity and categories of life. Literary depictions and reworkings of transformation raise questions about medieval understandings of the differences between human and animal, man and woman, God and man, life and death--these are the questions explored in Transforming Tales.
Author: Thomas F. X. Noble
Publisher: Psychology Press
ISBN: 0415327423
Category : Europe
Languages : en
Pages : 376
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Book Description
How, when and why did the Middle Ages begin? This reader gathers together a prestigious collection of revisionist thinking on questions of key research in medieval studies.
Author:
Publisher: University of Wales Press
ISBN: 1786837439
Category : Literary Criticism
Languages : en
Pages : 652
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Book Description
This major reference work is the fourth volume in the series "Arthurian Literature in the Middle Ages". Its intention is to update the French and Occitan chapters in R.S. Loomis’ "Arthurian Literature in the Middle Ages: A Collaborative History" (Oxford, 1959) and to provide a volume which will serve the needs of students and scholars of Arthurian literature. The principal focus is the production, dissemination and evolution of Arthurian material in French and Occitan from the twelfth to the fifteenth century. Beginning with a substantial overview of Arthurian manuscripts, the volume covers writing in both verse (Wace, the Tristan legend, Chretien de Troyes and the Grail Continuations, Marie de France and the anonymous lays, the lesser known romances) and prose (the Vulgate Cycle, the prose Tristan, the Post-Vulgate Roman du Graal, etc.).
Author: R. Howard Bloch
Publisher: University of Chicago Press
ISBN: 0226059820
Category : Literary Criticism
Languages : en
Pages : 294
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Book Description
"Mr. Bloch has attempted to establish what he calls a 'literary anthropology.' The project is important and ambitious. It seems to me that Mr. Bloch has completely achieved this ambition." –Michel Foucault "Bloch's Study is a genuinely interdisciplinary one, bringing together elements of history, ethnology, philology, philosophy, economics and literature, with the undoubted ambition of generating a new synthesis which will enable us to read the Middle Ages in a different light. Stated simply, and in terms which do justice neither to the density nor the subtlety of his argument, Bloch's thesis is this: that medieval society perceived itself in terms of a vertical mode of descent from origins. This model is articulated etymologically in medieval theories of grammar and language, and is consequently reflected in historical and theological writings; it is also latent in the genealogical structure of the aristocratic family as it began to be organized in France in the twelfth century, and is made manifest in such systems of signs as heraldry and the adoption of patronymns. . . . It is an ingenious and compelling synthesis which no medievalist, even on this side of the Atlantic, can afford to ignore." –Nicholas Mann, Times Literary Supplement
Author: Kimberlee Anne Campbell
Publisher: Routledge
ISBN: 0429590083
Category : Literary Criticism
Languages : en
Pages : 164
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Book Description
Originally published in 1988, The Protean Text looks at the shifting evolution of medieval texts and how changing social and aesthetic values were depicted in the literature of the period. The book examines how this was reflected in the reworking and rewriting of texts - a common practice in medieval literature - as various groups adapted existing legends to their own socio-aesthetic needs. Such textual fluidity often resulted in a proliferation of versions. This tendency to experience the text in protean terms is intrinsic to medieval literary expression. This book uses the legend of "Doon and Olive", to discuss the protean text, and uses the diverse series of extant versions available, to enhance our understanding of the possibilities of literary shift and modulation through this period.
Author: Douglas Kelly
Publisher: BRILL
ISBN: 9004476512
Category : History
Languages : en
Pages : 331
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Book Description
Chrétien de Troyes's reference to Macrobius on the art of description is indicative of the link between the vernacular literary tradition of rewriting and the Latin tradition of imitation. Crucial to this study are writings that bridge the span between elementary school exercises in imitation and the masterpieces of the art in Latin and French. The book follows the development of the medieval art of imitation through Macrobius and commentaries on Horace's Art of Poetry and then applies it to the interpretation of works on the Trojan War, consent in love and marriage, and lyric and vernacular insertions.
Author: Renate Blumenfeld-Kosinski
Publisher:
ISBN: 0804728100
Category : Literary Criticism
Languages : en
Pages : 314
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Book Description
This book explores the appropriation and transformation of classical mythology by French culture from the mid-twelfth century to about 1430. Each of the five chapters focuses on a specific moment in this process and asks: What were the purposes of transforming classical myth? Which techniques did poets use to integrate classical subject matter into their own texts? Was a special interpretive tradition created for vernacular texts? In Chapter 1, the author shows how Latin epic texts were reoriented for political purposes in the twelfth-century Anglo-Norman realm, gaining new depth by the addition of Ovidian elements that evoked threats of a disorder different from the struggles of classical epic. Chapter 2 analyzes the complex use of myth in the thirteenth-century Roman de la Rose, which offers new conjunctions and interpretations of myths related to language, artistic expression, and sexuality. Chapter 3 focuses on the interpretive techniques and vocabulary of the fourteenth-century Ovide moralisé, such as "allegory," "fable," and istoire, arguing that the Christianization of the Metamorphoses created a "new Ovid" in the form of a fourteenth-century friar. Chapter 4 reveals that, although Guillaume de Machaut questioned the usefulness of mythic fables, he turned to them to invoke artistic consolation and ward off threats to his poetic voice. It also describes how Jean Froissart produced new myths by combining existing fables with newly invented elements in an attempt to dramatize the poetic creativity of his age. Finally, Chapter 5 demonstrates how Christine de Pizan offered the full range of medieval possibilities for myth: playing with the mythographic tradition, inscribing herself into Ovidian myths, offering historical explanations, rewriting myths from a pro-woman stance, and finally creating mythic universes of her own.
Author: Claire Fanger
Publisher: Penn State Press
ISBN: 0271072016
Category : History
Languages : en
Pages : 233
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Book Description
In Rewriting Magic, Claire Fanger explores a fourteenth-century text called The Flowers of Heavenly Teaching. Written by a Benedictine monk named John of Morigny, the work all but disappeared from the historical record, and it is only now coming to light again in multiple versions and copies. While John’s book largely comprises an extended set of prayers for gaining knowledge, The Flowers of Heavenly Teaching is unusual among prayer books of its time because it includes a visionary autobiography with intimate information about the book’s inspiration and composition. Through the window of this record, we witness how John reconstructs and reconsecrates a condemned liturgy for knowledge acquisition: the ars notoria of Solomon. John’s work was the subject of intense criticism and public scandal, and his book was burned as heretical in 1323. The trauma of these experiences left its imprint on the book, but in unexpected and sometimes baffling ways. Fanger decodes this imprint even as she relays the narrative of how she learned to understand it. In engaging prose, she explores the twin processes of knowledge acquisition in John’s visionary autobiography and her own work of discovery as she reconstructed the background to his extraordinary book. Fanger’s approach to her subject exemplifies innovative historical inquiry, research, and methodology. Part theology, part historical anthropology, part biblio-memoir, Rewriting Magic relates a story that will have deep implications for the study of medieval life, monasticism, prayer, magic, and religion.
Author: Alice Hazard
Publisher: Boydell & Brewer
ISBN: 1843845873
Category : Literary Collections
Languages : en
Pages : 242
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Book Description
Modern theoretical approaches throw new light on the concepts of face and faciality in the Roman de la Rose and other French texts from the Middle Ages.
