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Author: Vida L. Midgelow
Publisher: Routledge
ISBN: 1135922403
Category : Music
Languages : en
Pages : 426
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Book Description
Challenging and unsettling their predecessors, modern choreographers such as Matthew Bourne, Mark Morris and Masaki Iwana have courted controversy and notoriety by reimagining the most canonical of Classical and Romantic ballets. In this book, Vida L. Midgelow illustrates the ways in which these contemporary reworkings destroy and recreate their source material, turning ballet from a classical performance to a vital exploration of gender, sexuality and cultural difference. Reworking the Ballet: Counter Narratives and Alternative Bodies articulates the ways that audiences and critics can experience these new versions, viewing them from both practical and theoretical perspectives, including: eroticism and the politics of touch performing gender cross-casting and cross-dressing reworkings and intertextuality cultural exchange and hybridity.
Author: Vida L. Midgelow
Publisher: Routledge
ISBN: 1135922403
Category : Music
Languages : en
Pages : 426
Get Book Here
Book Description
Challenging and unsettling their predecessors, modern choreographers such as Matthew Bourne, Mark Morris and Masaki Iwana have courted controversy and notoriety by reimagining the most canonical of Classical and Romantic ballets. In this book, Vida L. Midgelow illustrates the ways in which these contemporary reworkings destroy and recreate their source material, turning ballet from a classical performance to a vital exploration of gender, sexuality and cultural difference. Reworking the Ballet: Counter Narratives and Alternative Bodies articulates the ways that audiences and critics can experience these new versions, viewing them from both practical and theoretical perspectives, including: eroticism and the politics of touch performing gender cross-casting and cross-dressing reworkings and intertextuality cultural exchange and hybridity.
Author: Vida L. Midgelow
Publisher: Routledge
ISBN: 1135922411
Category : Art
Languages : en
Pages : 238
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Book Description
Reworking the Ballet illuminates the choreographic praxis, the context and the politics of reworkings in the light of counter-canonical discourses as developed within feminism, queer theory and postcolonialism.
Author: Vida Midgelow
Publisher: Psychology Press
ISBN: 9780415976039
Category : Music
Languages : en
Pages : 223
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Book Description
Challenging and unsettling their predecessors, modern choreographers such as Matthew Bourne, Mark Morris and Masaki Iwana have courted controversy and notoriety by reimagining the most canonical of Classical and Romantic ballets. In this book, Vida L. Midgelow illustrates the ways in which these contemporary reworkings destroy and recreate their source material, turning ballet from a classical performance to a vital exploration of gender, sexuality and cultural difference. Reworking the Ballet: Counter Narratives and Alternative Bodies articulates the ways that audiences and critics can experience these new versions, viewing them from both practical and theoretical perspectives, including: eroticism and the politics of touch performing gender cross-casting and cross-dressing reworkings and intertextuality cultural exchange and hybridity.
Author: Alexandra Carter
Publisher: Taylor & Francis
ISBN: 0415485983
Category : Art
Languages : en
Pages : 424
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Book Description
Represents the range and diversity of writings on dance from the mid to late 20th century, providing contemporary perspectives on ballet, modern dance, postmodern 'movement performance' jazz and ethnic dance.
Author: Kathrina Farrugia-Kriel
Publisher: Oxford University Press
ISBN: 0190871490
Category : Performing Arts
Languages : en
Pages : 1013
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Book Description
"Nearly four hundred and fifty years in, ballet still resonates-though the stages have become international, and the dancers, athletes far removed from noble amateurs. While vibrations from the form's beginnings clearly resound, much has transformed. Nowadays ballet dancers aspire to work across disciplines with choreographers who value a myriad of abilities. Dance theorists and historians make known possibilities and polemics in lieu of notating dances verbatim, and critics do the daily work of recording performance histories and interviewing artists. Ideas circulate, questions arise, and discussions about how to resist ballet's outmoded traditions take precedence. In the dance community, calls for innovation have defined palpable shifts in ballet's direction and resultantly we have arrived at a new moment in its history that is unquestionably recognized as a genre onto its own: Contemporary Ballet. An aspect of this recent discipline is that its dancemakers, more often than not, seek to reorient the viewer by celebrating what could be deemed vulnerabilities, re-construing ideals of perfection, problematizing the marginalized/mainstream dichotomy, bringing audiences closer in to observe, and letting the art become an experience rather than a distant object preciously guarded out of reach. Hence, the practice of ballet is moving to become a less-mediated and more active process in many circumstances. Performers and audiences alike are challenged, and while convention is still omnipresent, choices are being made. For some, this approach has been drawn on for decades, and for others it signifies a changing of the guard, yet however we arrive there, the conclusion is the same: Contemporary Ballet is not a style. That is to say, it is not a trend, phase, or fashionable term that will fade, rather it is a clear period in ballet's time deserved of investigation. And it is into this moment that we enter"--
Author: Victoria Tennant
Publisher: University of Chicago Press
ISBN: 022616716X
Category : Biography & Autobiography
Languages : en
Pages : 257
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Book Description
"Drawing on letters, correspondence, oral histories, and interviews, Baronova's daughter, the actress Victoria Tennant, ... recounts Baronova's dramatic life, from her earliest aspirations to her grueling time on tour to her later years in Australia as a pioneer of the art"--Dust jacket flap.
Author: Lynn Garafola
Publisher: Wesleyan
ISBN: 9780819563255
Category : Performing Arts
Languages : en
Pages : 301
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Book Description
Rethinking the Sylph gathers essays by a premier group of international scholars to illustrate the importance of the romantic ballet within the broad context of western theatrical dancing. The wide variety of perspectives -- from social history to feminism, from psychoanalysis to musicology -- serves to illuminate the modernity of the Romantic ballet in terms of vocabulary, representation of gender, and iconography. The collection highlights previously unexplored aspects of the Romantic ballet, including its internationalism; its reflection of modern ideas of nationalism through the use and creation of national dance forms; its construction of an exotic-erotic hierarchy, and proto-orientalist "other"; its transformation of social relations from clan to class; and the repercussions of its feminization as an art form. This generously illustrated book offers a wealth of rare archival material, including prints, costume designs, music, and period reviews, some translated into English for the first time. Ebook Edition Note: All images have been redacted.
Author: Robert Greskovic
Publisher: Hal Leonard Corporation
ISBN: 9780879103255
Category : Performing Arts
Languages : en
Pages : 660
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Book Description
Presents a look at the world of dance; an analysis of ballet movement, music, and history; a close-up look at popular ballets; and a host of performance tips.
Author: Michael Limoli
Publisher: AuthorHouse
ISBN: 1546276726
Category : Biography & Autobiography
Languages : en
Pages : 390
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Book Description
Marina Svetlova: A Tribute is a book that is intended to engage the professional dancer, as well as the layman, to the dance. The work celebrates the career of one of the most influential ballerinas of the twentieth century. The journey begins with her days as a baby ballerina in the de Basil Original Ballet Russe company, culminating in a tenure as professor of ballet at Indiana University Bloomington. Her intermediary accomplishments in the arts, such as having been named the prima ballerina of New York’s Metropolitan Opera Ballet while enjoying a decade of tours with the Svetlova Dance Ensemble, are explored, along with an appreciation for a lifetime of guest appearances. She appeared around the world as a guest artist with major ballet companies, coupled with frequent performances on television shows such as the Firestone Hour and the Bell television show. Svetlova’s legacy in the dance world is extensively documented in this volume by the inclusion of reviews of many of her performances and is accompanied by a host of stunning pictures produced by several of the most important dance photographers of her day.
Author: Tim Scholl
Publisher: Yale University Press
ISBN: 0300128827
Category : Music
Languages : en
Pages : 256
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Book Description
In 1999 the Maryinsky (formerly Kirov) Ballet and Theater in St. Petersburg re-created its 1890 production of Sleeping Beauty. The revival showed the classic work in its original sets and costumes and restored pantomime and choreography that had been eliminated over the past century. Nevertheless, the work proved unexpectedly controversial, with many Russian dance professionals and historians denouncing it. In order to understand how a historically informed performance could be ridiculed by those responsible for writing the history of Russian and Soviet ballet, Tim Scholl discusses the tradition, ideology, and popular legend that have shaped the development of Sleeping Beauty. In the process he provides a history of Russian and Soviet ballet during the twentieth century. A fascinating slice of cultural history, the book will appeal not only to dance historians but also to those interested in the arts and cultural policies of the Soviet and post-Soviet periods.
