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Author: Robin Ostow
Publisher: University of Toronto Press
ISBN: 0802092217
Category : History
Languages : en
Pages : 241
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Book Description
The role of the museum is a contentious one. The last fifteen years have seen scholars point to ways in which states – particularly imperial states – use museums as sites to showcase looted treasure, to document their geographic expansion, to present the state as the guardian of the national treasure, and to educate citizens and subjects. This period has also seen a great deal of attention paid to the reshaping of national histories and values in the wake of the collapse of the Communist bloc and the emergence of the European Union. (Re)Visualizing National History brings these two streams of scholarship together, treating the wave of monument and museum building in Europe as part of an attempt to forge consensus in politically unified, but deeply divided nations. The essays in this collection explore the ways in which museums exhibit new national values, and, equally important, how the realization of these new museums (and new exhibits in older museums) reflects the search for a new consensus among different generational groups in Europe and in North America. The approach of the volume is deliberately interdisciplinary. The contributors come from a variety of countries in Europe and North America, speaking from the perspectives of cultural studies, history, art history, anthropology, and sociology, as well as museum studies.
Author: Robin Ostow
Publisher: University of Toronto Press
ISBN: 0802092217
Category : History
Languages : en
Pages : 241
Get Book
Book Description
The role of the museum is a contentious one. The last fifteen years have seen scholars point to ways in which states – particularly imperial states – use museums as sites to showcase looted treasure, to document their geographic expansion, to present the state as the guardian of the national treasure, and to educate citizens and subjects. This period has also seen a great deal of attention paid to the reshaping of national histories and values in the wake of the collapse of the Communist bloc and the emergence of the European Union. (Re)Visualizing National History brings these two streams of scholarship together, treating the wave of monument and museum building in Europe as part of an attempt to forge consensus in politically unified, but deeply divided nations. The essays in this collection explore the ways in which museums exhibit new national values, and, equally important, how the realization of these new museums (and new exhibits in older museums) reflects the search for a new consensus among different generational groups in Europe and in North America. The approach of the volume is deliberately interdisciplinary. The contributors come from a variety of countries in Europe and North America, speaking from the perspectives of cultural studies, history, art history, anthropology, and sociology, as well as museum studies.
Author: Robin Ostow
Publisher: University of Toronto Press
ISBN: 1442691506
Category : History
Languages : en
Pages : 241
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Book Description
Ideas regarding the role of the museum have become increasingly contentious. In the last fifteen years, scholars have pointed to ways in which states (especially imperialist states) use museums to showcase looted artefacts, to document their geographic expansion, to present themselves as the guardians of national treasure, and to educate citizens and subjects. At the same time, a great deal of attention has been paid to reshaping national histories and values in the wake of the collapse of the Communist bloc and the emergence of the European Union. (Re)Visualizing National History considers the wave of monument and museum building in Europe as part of an attempt to forge consensus in politically unified but deeply divided nations. This collection explores ways in which museums exhibit emerging national values and how the establishment of these new museums (and new exhibits in older museums) reflects the search for a consensus among different generational groups in Europe and North America. The contributors come from a variety of countries and academic backgrounds, and speak from such varied perspectives as cultural studies, history, anthropology, sociology, and museum studies. (Re)Visualizing National History is a unique and interdisciplinary volume that offers insights on the dilemmas of present-day European culture, manifestations of nationalism in Europe, and the debates surrounding museums as sites for the representation of politics and history.
Author: Lachman M Khubchandani
Publisher: SAGE Publications Pvt. Limited
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 262
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Book Description
Khubchandani (Center for Communication Studies, Pune) sets out a new agenda which probes the contours of plurality consciousness in studies of language, focusing on the strengths of complementary orientations. He makes a case for moving away from the monolith of language traditions to a framework that places the boundaries of speech spectrums in a fluid transactional mode, and looks at the dynamics of language as an institution, highlighting the nonlinear characteristics of natural language. For those involved with sociolinguistics, linguistic theory, and cultural studies. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Jeremy Black
Publisher:
ISBN:
Category : History
Languages : en
Pages : 258
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Book Description
Colonialism, the Irish potato famine, slavery, the treatment of aboriginal people - politicians are under increasing pressure to apologise for Britain's history. Collective grief is becoming the basis of public policy. Jeremy Black - one of the UK's leading historians - argues that this is a dangerous development. There is a politics of grievance that runs through the polemical use of history around the world. Drawing on examples from the UK, USA, Eastern Europe, Germany, Australia, and New Zealand, The Curse of History illustrates why this is dangerous: politically it splits communities rather than drawing them together, while historically it leads to distorted and monolithic interpretations. The Curse of History is a devastating critique of the political abuse of history.
Author: Nancy Jouwe
Publisher:
ISBN: 9789460220111
Category :
Languages : en
Pages : 200
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Book Description
In Re-visualizing Slavery, historians, heritage specialists, and cultural scientists shed new light on the history of slavery in Asia by centering visual sources--specifically, Dutch paintings, watercolors and drawings from the seventeenth through nineteenth centuries. The traditional image of slavery in Asia is shaped and dominated by terms such as 'mild, ' 'debt, ' and 'household, ' but new historical research that utilizes the versatility, power of expression, and silences of and within visual sources explicitly points to it as violent and harsh in character--comparable to the Atlantic history of slavery.
Author: A. Maurice Low
Publisher:
ISBN:
Category :
Languages : en
Pages : 458
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Book Description
Author:
Publisher:
ISBN:
Category : Academic libraries
Languages : en
Pages : 624
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Book Description
Author: Dana Ferguson
Publisher: Book Review Index Cumulation
ISBN: 9781414419121
Category : Language Arts & Disciplines
Languages : en
Pages : 1304
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Book Description
Book Review Index provides quick access to reviews of books, periodicals, books on tape and electronic media representing a wide range of popular, academic and professional interests. The up-to-date coverage, wide scope and inclusion of citations for both newly published and older materials make Book Review Index an exceptionally useful reference tool. More than 600 publications are indexed, including journals and national general interest publications and newspapers. Book Review Index is available in a three-issue subscription covering the current year or as an annual cumulation covering the past year.
Author:
Publisher:
ISBN:
Category : Cultural pluralism
Languages : en
Pages : 914
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Book Description
Author: Deborah Cherry
Publisher: Wiley-Blackwell
ISBN:
Category : Art
Languages : en
Pages : 206
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Book Description
A collection of essays celebrating Mieke Bal - one of Europe’s foremost scholars in art history and visual studies, with a stellar international reputation. Brings together contributions by senior and younger scholars in the fields of art history and visual studies who reflect on Mieke Bal’s writings and art practice, assessing her contribution and legacies The first collection to consider her writing and art in depth, and to develop and extend her thinking in substantial ways Themes include some of Bal’s most important ideas and concepts in the visual field, such as the theoretical object, preposterous history, narrativity, vision and the gaze, cultural memory, self-reflexivity—of the artist, the viewer, the scholar The essays consider historical art – the Sistine chapel, Renaissance altar paintings, and watercolours—alongside more recent film, photography, graffiti, interactive immersive environments, online performance, and areas of visual interest often positioned outside the pages of art history While Bal has, unsurprisingly perhaps, become a key figure in the debates between art and visual culture, the extraordinarily wide range of visual materials collected here speaks of her path-breaking movement between the visual registers of high art and popular cultures, her resistance to clear-cut distinctions between image and word
