William Mason (1829-1908)

William Mason (1829-1908) PDF Author: Kenneth Graber
Publisher: Pendragon Press
ISBN: 9780899900469
Category : Music
Languages : en
Pages : 388

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William Mason (1829-1908)

William Mason (1829-1908) PDF Author: Kenneth Graber
Publisher: Pendragon Press
ISBN: 9780899900469
Category : Music
Languages : en
Pages : 388

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Book Description


Marching to the Canon

Marching to the Canon PDF Author: Scott Messing
Publisher: Boydell & Brewer
ISBN: 1580464386
Category : Music
Languages : en
Pages : 340

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Book Description
Marching to the Canon examines the history of Schubert's Marche militaire no.1 from its beginnings, through its many arrangements, to its impact on dance, literature, film, and music. Marche militaire is Franz Schubert's most recognizable and beloved instrumental work. Originally published for piano four hands in 1826, this tuneful march -- Schubert's first of three military marches -- was arranged, adapted, and incorporated into new incarnations over the next two centuries. Its success was due to its chameleonlike ability to cross the still-porous borders between canonic and popular repertories, creating a performance life thatmade deep inroads into dance, literature, and film, and inspired quotations or allusions in other music Marching to the Canon examines the history of Schubert's storied Marche militaire from its modest beginnings as aduet published for domestic consumption to its now-ubiquitous presence. After detailing the composition, publication, and reception of the original march, the book analyzes the impact of transcriptions and arrangements for solo piano, orchestra, band, and other settings. In addition, it considers the ways the march was used symbolically, even manipulated, during the Franco-Prussian War and the two world wars, as well as the diverse creative uses of the piece by significant figures as varied as Willa Cather, Isadora Duncan, Walt Disney, and Igor Stravinsky. This study of the reception and impact of the Marche militaire offers a unique narrative illuminating the world that enshrined this remarkable score as one of the most memorable musical works of the nineteenth century. Scott Messing is the Charles A. Dana Professor of Music at Alma College, and the author of two works available from theUniversity of Rochester Press: Neoclassicism in Music and the two-volume Schubert in the European Imagination.

The Musical Times and Singing-class Circular

The Musical Times and Singing-class Circular PDF Author:
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 784

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Review of the New York Musical Season 1885-1886 [-1888-1890]

Review of the New York Musical Season 1885-1886 [-1888-1890] PDF Author: Henry Edward Krehbiel
Publisher:
ISBN:
Category : Concerts
Languages : en
Pages : 276

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Theodore Thomas: His Role in the Development of Musical Culture in the United States, 1835-1905

Theodore Thomas: His Role in the Development of Musical Culture in the United States, 1835-1905 PDF Author: Theodore Caskey Russell
Publisher:
ISBN:
Category : Conductors (Music)
Languages : en
Pages : 482

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Book Description


Musical Instrument Makers of New York

Musical Instrument Makers of New York PDF Author: Nancy Groce
Publisher: Pendragon Press
ISBN: 9780918728975
Category : Biography & Autobiography
Languages : en
Pages : 226

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Book Description
The history of any skilled urban trade is ultimately tied to the growth and development of the city in which it is located. From its humble eighteenth-century beginnings, instrument making grew to be one of New York City's most sizable and important trades. By the 1840s, the city was the largest producer of instruments in the Western Hemisphere, and, in the decades that followed, designs and innovations pioneered by New York artisans influenced and inspired instrument makers throughout the world. Although many of the these instruments survive in American museums, there existed no comprehensive guide to their makers. Nancy Groce's biographical dictionary chronicles all of these master craftsmen in colorful detail, from the obscure work of Geoffry Stafford in 1691, to the zenith of the 1890s, and on to the Great Depression of the 1930s.

Yearning for the New Age

Yearning for the New Age PDF Author: Diane Sasson
Publisher: Indiana University Press
ISBN: 0253001773
Category : Biography & Autobiography
Languages : en
Pages : 370

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Book Description
This is a biography of an unconventional female journalist, editor, author, and lecturer in late nineteenth-century America who became involved in progressive women's causes, vegetarianism, and Theosophy.

Performing Arts Books, 1876-1981

Performing Arts Books, 1876-1981 PDF Author:
Publisher: New York : R.R. Bowker Company
ISBN:
Category : Performing Arts
Languages : en
Pages : 1728

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Bulletin of the New York Public Library

Bulletin of the New York Public Library PDF Author: New York Public Library
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 1042

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Book Description
Includes its Report, 1896-19 .

A Tidal Wave of Encouragement

A Tidal Wave of Encouragement PDF Author: E. Douglas Bomberger
Publisher: Bloomsbury Publishing USA
ISBN: 0313073619
Category : Social Science
Languages : en
Pages : 256

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Book Description
In July of 1884, pianist Calixa Lavallée performed a recital of works by American composers that began a highly influential series of such concerts. Over the course of the next decade, hundreds of all-American concerts were performed in the United States and Europe, a movement that fostered both the development and the perception of American music as a unique art form. A Tidal Wave of Encouragement-the title of which is derived from one observer's description of the movement-is the first in-depth study of this significant period in American music. Providing a comprehensive history of the Concerts as well as detailed accounts of the intense critical debate surrounding them, author E. Douglas Bomberger reveals how one decade shaped the future of American classical music and very much impacted the way we hear it today. The movement, crucial in focusing discussion on American music and providing performance opportunities for composers and musicians for whom no such opportunities had before existed, was far more extensive and widespread than most scholarship had credited it. This oversight is due in large part to the dearth of objective studies of the Concerts; previous considerations have tended either toward the merely nostalgic or toward the unnecessarily disparaging. Bomberger's work is a corrective to this, as well as much-needed historical and critical account of a project whose influence had yet to be fully acknowledged.