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Author: Roy Schafer
Publisher: Basic Books
ISBN: 9780465069385
Category : Psychology
Languages : en
Pages : 352
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Book Description
Here is the long-awaited new book by the influential, always provocative psychoanalyst, Roy Schafer. It focuses on a vacuum that has developed between psychoanalysis and critical thinkers in the social sciences and humanities. Schafer's goal is to weave psychoanalytic discourse into the tapestry of modern trends in intellectual history, notably linguistic and hermeneutic approaches to interpretation.The manner in which we ”narrate” our lives is the central theme of psychoanalytic discourse and a critical issue for all of us, Roy Schafer argues. Narrating, giving an account, presenting a version: these terms make up the core vocabulary of the narrative approach. From this perspective, Schafer offers a new understanding of such diverse issues as men's struggle against sentimentality; women and power; happiness and failure; and analysts' sublimated love for their patients.Whether he's redefining the self, reinterpreting Freud, or counteracting the stereotype of the aloof, authoritarian, and patriarchal analyst, Schafer's rich observations will inform and stimulate not only analysts but all those interested in psychoanalytic thought as an intellectual current of our times.
Author: Roy Schafer
Publisher: Basic Books
ISBN: 9780465069385
Category : Psychology
Languages : en
Pages : 352
Get Book Here
Book Description
Here is the long-awaited new book by the influential, always provocative psychoanalyst, Roy Schafer. It focuses on a vacuum that has developed between psychoanalysis and critical thinkers in the social sciences and humanities. Schafer's goal is to weave psychoanalytic discourse into the tapestry of modern trends in intellectual history, notably linguistic and hermeneutic approaches to interpretation.The manner in which we ”narrate” our lives is the central theme of psychoanalytic discourse and a critical issue for all of us, Roy Schafer argues. Narrating, giving an account, presenting a version: these terms make up the core vocabulary of the narrative approach. From this perspective, Schafer offers a new understanding of such diverse issues as men's struggle against sentimentality; women and power; happiness and failure; and analysts' sublimated love for their patients.Whether he's redefining the self, reinterpreting Freud, or counteracting the stereotype of the aloof, authoritarian, and patriarchal analyst, Schafer's rich observations will inform and stimulate not only analysts but all those interested in psychoanalytic thought as an intellectual current of our times.
Author: David Denborough
Publisher: W. W. Norton & Company
ISBN: 0393709132
Category : Psychology
Languages : en
Pages : 326
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Book Description
Powerful ideas from narrative therapy can teach us how to create new life stories and promote change. Our lives and their pathways are not fixed in stone; instead they are shaped by story. The ways in which we understand and share the stories of our lives therefore make all the difference. If we tell stories that emphasize only desolation, then we become weaker. If we tell our stories in ways that make us stronger, we can soothe our losses and ease our sorrows. Learning how to re-envision the stories we tell about ourselves can make an enormous difference in the ways we live our lives. Drawing on wisdoms from the field of narrative therapy, this book is designed to help people rewrite and retell the stories of their lives. The book invites readers to take a new look at their own stories and to find significance in events often neglected, to find sparkling actions that are often discounted, and to find solutions to problems and predicaments in unexpected places. Readers are introduced to key ideas of narrative practice like the externalizing problems - 'the person is not the problem, the problem is the problem' -and the concept of "re-membering" one's life. Easy-to-understand examples and exercises demonstrate how these ideas have helped many people overcome intense hardship and will help readers make these techniques their own. The book also outlines practical strategies for reclaiming and celebrating one's experience in the face of specific challenges such as trauma, abuse, personal failure, grief, and aging. Filled with relatable examples, useful exercises, and informative illustrations, Retelling the Stories of Our Lives leads readers on a path to reclaim their past and re-envision their future.
Author: Fran Grace
Publisher: Indiana University Press
ISBN: 9780253108333
Category : Biography & Autobiography
Languages : en
Pages : 404
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Book Description
Carry A. NationRetelling the Life Fran Grace The story of one of America's most notorious and misunderstood women. Carry Nation was 54 when she "smashed" her first saloon, but her life before she started her infamous hatchet crusade has been little known until now. In this first scholarly biography of Nation, Fran Grace unfolds a story that often contrasts with the image of Nation as "Crazy Carry," a bellicose, blue-nosed, man-hating killjoy. Using newly available archival materials and placing Nation in her various historical and cultural contexts, Grace "retells" the crusader's tumultuous life. Brought up in antebellum Kentucky, Nation lived through the devastation of the Civil War and endured a failed marriage to an alcoholic physician. In her early 20s, a single mother and a destitute widow, she experienced a spiritual crisis. Her second marriage, to a much-older David Nation, grew strained under the failure of their Texas farm, her exploration into Holiness religion, and her attempts to work outside the home. When the couple moved to Kansas, Nation's disappointments translated into an agenda for social reform. Frustrated by the rampant violations of the state's prohibition law and empowered by a sense of divine mission, Nation responded with rocks, crowbars, and hatchets. Though much of her last two decades was spent on stage or in jail and in battles with other family members over the future of her unstable adult daughter, she edited two newspapers and founded several homes for abused and needy women. This complexly woven and delightfully written biography adds depth to the popular image of Carry Nation, situating her at the center of major cultural currents in her time. Fran Grace is Assistant Professor of Religious Studies at the University of Redlands. Religion in North AmericaCatherine L. Albanese and Stephen J. Stein, editors May 2001400 pages, 57 b&w photos, 6 1/8 x 9 1/4, bibl., index, append.cloth 0-253-33846-8 $35.00 s / £26.50
Author: Edward Rynearson
Publisher: Routledge
ISBN: 1135057133
Category : Psychology
Languages : en
Pages : 184
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Book Description
This book provides insight and instruction for bereaved readers and those who work with them.
Author: Lara S. Ormiston
Publisher: Simon and Schuster
ISBN: 1628735597
Category : Fiction
Languages : en
Pages : 364
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Book Description
When Elizabeth Bennet first knew Mr. Darcy, she despised him and was sure he felt the same. Angered by his pride and reserve, influenced by the lies of the charming Mr. Wickham, she never troubled herself to believe he was anything other than the worst of men—until, one day, he unexpectedly proposed. Mr. Darcy’s passionate avowal of love causes Elizabeth to reevaluate everything she thought she knew about him. What she knows is that he is rich, handsome, clever, and very much in love with her. She, on the other hand, is poor, and can expect a future of increasing poverty if she does not marry. The incentives for her to accept him are strong, but she is honest enough to tell him that she does not return his affections. He says he can accept that—but will either of them ever be truly happy in a relationship of unequal affection? Diverging from Jane Austen’s classic novel Pride and Prejudice at the proposal in the Hunsford parsonage, this story explores the kind of man Darcy is, even before his “proper humbling,” and how such a man, so full of pride, so much in love, might have behaved had Elizabeth chosen to accept his original proposal.
Author:
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 276
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Book Description
Author: Roy Schafer
Publisher:
ISBN:
Category : Discourse analysis, Narrative
Languages : en
Pages : 356
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Book Description
This new book by the influential psychoanalyst, Roy Schafer focuses on a vacuum that has developed between psychoanalysis and critical thinkers in the social sciences and humanities. Schafer's goal is to weave psychoanalytic discourse into the tapestry of modern trends in intellectual history, notably linguistic and hermeneutic approaches to interpretation.
Author: Curt Thompson
Publisher: InterVarsity Press
ISBN: 0830898743
Category : Religion
Languages : en
Pages : 213
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Book Description
Whether we realize it or not, shame affects every aspect of our lives. But God is telling a different story. Curt Thompson unpacks the soul of shame, revealing its ubiquitous nature and neurobiological roots while providing the theological and practical tools necessary to dismantle shame. Embrace healing and wholeness as you find freedom from the negative messages that bind you.
Author: Robin McKinley
Publisher: Open Road Media
ISBN: 1497673704
Category : Young Adult Fiction
Languages : en
Pages : 165
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Book Description
The New York Times–bestselling author of Rose Daughter reimagines the classic French fairy tale of Beauty and the Beast. I was the youngest of three daughters. Our literal-minded mother named us Grace, Hope, and Honour. . . . My father still likes to tell the story of how I acquired my odd nickname: I had come to him for further information when I first discovered that our names meant something besides you-come-here. He succeeded in explaining grace and hope, but he had some difficulty trying to make the concept of honour understandable to a five-year-old. . . . I said: ‘Huh! I’d rather be Beauty.’ . . . By the time it was evident that I was going to let the family down by being plain, I’d been called Beauty for over six years. . . . I wasn’t really very fond of my given name, Honour, either . . . as if ‘honourable’ were the best that could be said of me. The sisters’ wealthy father loses all his money when his merchant fleet is drowned in a storm, and the family moves to a village far away. Then the old merchant hears what proves to be a false report that one of his ships had made it safe to harbor at last, and on his sad, disappointed way home again he becomes lost deep in the forest and has a terrifying encounter with a fierce Beast, who walks like a man and lives in a castle. The merchant’s life is forfeit, says the Beast, for trespass and the theft of a rose—but he will spare the old man’s life if he sends one of his daughters: “Your daughter would take no harm from me, nor from anything that lives in my lands.” When Beauty hears this story—for her father had picked the rose to bring to her—her sense of honor demands that she take up the Beast’s offer, for “cannot a Beast be tamed?” This “splendid story” by the Newbery Medal–winning author of The Hero and the Crown has been named an ALA Notable Book and a Phoenix Award Honor Book (Publishers Weekly).
Author: Ilan Stavans
Publisher: Restless Books
ISBN: 1632062410
Category : Fiction
Languages : en
Pages : 277
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Book Description
An inspired and urgent prose retelling of the Maya myth of creation by acclaimed Latin American author and scholar Ilan Stavans, gorgeously illustrated by Salvadoran folk artist Gabriela Larios and introduced by renowned author, diplomat, and environmental activist Homero Aridjis. The archetypal creation story of Latin America, the Popol Vuh began as a Maya oral tradition millennia ago. In the mid-sixteenth century, as indigenous cultures across the continent were being threatened with destruction by European conquest and Christianity, it was written down in verse by members of the K’iche’ nobility in what is today Guatemala. In 1701, that text was translated into Spanish by a Dominican friar and ethnographer before vanishing mysteriously. Cosmic in scope and yet intimately human, the Popol Vuh offers invaluable insight into the Maya way of life before being decimated by colonization—their code of ethics, their views on death and the afterlife, and their devotion to passion, courage, and the natural world. It tells the story of how the world was created in a series of rehearsals that included wooden dummies, demi-gods, and eventually humans. It describes the underworld, Xibalba—a place as harrowing as Dante’s hell—and relates the legend of the ultimate king, who, in the face of tragedy, became a spirit that accompanies his people in their struggle for survival. Popol Vuh: A Retelling is a one-of-a-kind prose rendition of this sacred text that is as seminal as the Bible and the Qur’an, the Ramayana and the Odyssey. Award-winning scholar of Latin American literature Ilan Stavans brings a fresh creative energy to the Popol Vuh, giving a new generation of readers the opportunity to connect with this timeless story and with the plight of the indigenous people of the Americas. Praise for Popol Vuh: A Retelling: “Salvadoran illustrator Larios provides lush images to accompany stories of the Earth and the underworld, Xibalba, and the animals and gods that inhabit them…. A beautiful interpretation of pivotal Central American history told through contemporary illustration and language.” —Kirkus Reviews “In these pages you will find an adroit retelling of a complex and often confusing tale with a vast and bewildering cast of characters. Approaching the Popol Vuh with a fresh eye and the necessary erudition, Ilan Stavans, the distinguished scholar of Hispanic culture, nimbly conveys the content and the sense of the original, retaining its magic and fascination, while rendering it more accessible to a wider readership. Popol Vuh: A Retelling artfully presents the case for the centrality of this magisterial story to the cultural consciousness of the Americas and for the urgency of its message.” —Homero Aridjis, from the foreword "At a time when so many of us ask ourselves about the end of the world as we know it, few books could be more relevant than this sacred text of the Maya. In a mesmerizing, illuminating new translation, Ilan Stavans brings to contemporary readers this lyrical epic, with its messages from a lost civilization obsessed, as ours should be, with the inevitable cycles of catastrophe and change. The Popol Vuh encourages us to contemplate the perpetual conflict between truth and falsehood, light and darkness, so that we may find the wisdom to emerge as better people." —Ariel Dorfman, author of Death and the Maiden "Popol Vuh is one of the seminal foundational 'texts' of the Americas before it became 'America'—and one so few of us really know much about. Again, Ilan Stavans is infusing the US of A with the cultures and stories that have been traditionally erased or ignored and forgotten. All I can say is, another amazing Stavans project!" —Julia Alvarez "The Popol Vuh is the great book of creation of the Maya K'iche' culture, and Ilan Stavans has embarked on an intrepid adventure of recreation; he returns to a myth of origin to endow it with vibrant topicality, proving that rewriting a legend is a way of bewitching time." —Juan Villoro, author of God Is Round “Many translators, scholars, and poets have brought us close to the radiant eminence of our Mayan origin story, the Popol Vuh. None touch its wondrous dynamism and epic elegance like Stavans and Larios. Free of the formal constraints of the K’iche’ original, Stavans’s delivers a masterful retelling that invites us into chimeric dreams: from the mischievous first peoples and the quests of those grown from seeds, to hybrid creatures and demi-god twins with battles lost and won. Larios’s dexterous admixture of cool washes and vibrant color palettes along with a K’iche’-inspired line-work aesthetic, further unzip our minds to a shared ancestral imaginary. Only my Guatemalan abuelita could cast such storytelling spells over me. Together, Stavans and Larios invite us all to dance as the children we once were and will become. A gift!” —Frederick Luis Aldama, author of Long Stories Cut Short: Fiction from the Borderlands “Ilan Stavans's retelling of this ancient and sacred story of the Mayan people is as exquisitely written as it is necessary.” —Eduardo Halfon, author of Mourning Praise for Ilan Stavans: “Ilan Stavans is an inventive interpreter of the contemporary cultures of the Americas…. Cantankerous and clever, sprightly and serious, Stavans is a voracious thinker. In his writing, life serves to illuminate literature—and vice versa: he is unafraid to court controversy, unsettle opinions, make enemies. In short, Stavans is an old-fashioned intellectual, a brilliant interpreter of his triple heritage—Jewish, Mexican, and American.” —Henry Louis Gates, Jr. “…in the void created by the death of his compatriot Octavio Paz, Ilan Stavans has emerged as Latin America’s liveliest and boldest critic and most innovative cultural enthusiast.” —The Washington Post “Ilan Stavans has done as much as anyone alive to bridge the hemisphere’s linguistic gaps.” —The Miami Herald “A canon-maker.” —The Chronicle of Higher Education “Ilan Stavans is a maverick intellectual whose canonical work has already produced a whole array of marvels... His incisive essays are redefining Jewish literature.” —The Forward “Ilan Stavans is the rarest of North American writers—he sees the Americas whole. Not since Octavio Paz has Mexico given us an intellectual so able to violate borders, with learning and grace.” —Richard Rodriguez “In the multicultural rainbow that is contemporary America, no one may be more representative of the state of the union than Ilan Stavans.” —Newsday “Ilan Stavans may very well succeed in becoming the Octavio Paz of our age.” —The San Francisco Chronicle “A virtuoso critic with an exuberant, encyclopedic, restless mind.” —The Forward “Ilan Stavans has the sharp eye of the internal exile. Writing about the sometimes reluctant reconquista of North America by Spanish-speaking cultures or the development of his own identity, he deals with both the life of the mind and the life of the streets.” —John Sayles “Lively and intelligent, eclectic, sharp-tongued.” —Peter Matthiessen “I think Stavans has one of the best grips around on what makes Spanish America tick.” —Gregory Rabassa “Ilan Stavans is a disciple of Kafka and Borges. He accepts social identity broadly, in the most cosmopolitan terms… His impulse is to broaden, not to narrow; he finds understanding through complication of identity, not through the easy gestures of ethnic politics.” —The New York Times “Ilan Stavans has established himself as an invaluable commentator of literature.” —Phillip Lopate
