Author: Christoph Lindner
Publisher: Bloomsbury Publishing USA
ISBN: 1501388282
Category : Performing Arts
Languages : en
Pages : 201
Book Description
Beginning with Casino Royale (2006) and ending with No Time to Die (2021), the Daniel Craig era of James Bond films coincides with the rise of various justice movements challenging deeply entrenched systems of inequality and oppression, ranging from sexism, racism, and immigration to 2SLGBTQIA+ rights, reproductive justice and climate change. While focus is often placed on individual actions and institutional policies and practices, it is important to recognize the role that culture plays within these systems. Mainstream film is not simply 'mindless' entertainment but a key part of a global cultural industry that naturalizes and normalizes power structures. Engaging with these issues, Resisting James Bond is a multidisciplinary collection that explores inequality and oppression in the world of 007 through a range of critical and theoretical approaches. The chapters explore the embodiment and disembodiment of power and privilege across the formal, narrative, cultural and geopolitical elements that define the revisionist-reversionist world of Daniel Craig's Bond.
Resisting James Bond
Author: Christoph Lindner
Publisher: Bloomsbury Publishing USA
ISBN: 1501388282
Category : Performing Arts
Languages : en
Pages : 201
Book Description
Beginning with Casino Royale (2006) and ending with No Time to Die (2021), the Daniel Craig era of James Bond films coincides with the rise of various justice movements challenging deeply entrenched systems of inequality and oppression, ranging from sexism, racism, and immigration to 2SLGBTQIA+ rights, reproductive justice and climate change. While focus is often placed on individual actions and institutional policies and practices, it is important to recognize the role that culture plays within these systems. Mainstream film is not simply 'mindless' entertainment but a key part of a global cultural industry that naturalizes and normalizes power structures. Engaging with these issues, Resisting James Bond is a multidisciplinary collection that explores inequality and oppression in the world of 007 through a range of critical and theoretical approaches. The chapters explore the embodiment and disembodiment of power and privilege across the formal, narrative, cultural and geopolitical elements that define the revisionist-reversionist world of Daniel Craig's Bond.
Publisher: Bloomsbury Publishing USA
ISBN: 1501388282
Category : Performing Arts
Languages : en
Pages : 201
Book Description
Beginning with Casino Royale (2006) and ending with No Time to Die (2021), the Daniel Craig era of James Bond films coincides with the rise of various justice movements challenging deeply entrenched systems of inequality and oppression, ranging from sexism, racism, and immigration to 2SLGBTQIA+ rights, reproductive justice and climate change. While focus is often placed on individual actions and institutional policies and practices, it is important to recognize the role that culture plays within these systems. Mainstream film is not simply 'mindless' entertainment but a key part of a global cultural industry that naturalizes and normalizes power structures. Engaging with these issues, Resisting James Bond is a multidisciplinary collection that explores inequality and oppression in the world of 007 through a range of critical and theoretical approaches. The chapters explore the embodiment and disembodiment of power and privilege across the formal, narrative, cultural and geopolitical elements that define the revisionist-reversionist world of Daniel Craig's Bond.
The Bondian Cold War
Author: Martin D. Brown
Publisher: Taylor & Francis
ISBN: 1000934764
Category : History
Languages : en
Pages : 290
Book Description
James Bond, Ian Fleming’s irrepressible and ubiquitous ‘spy,’ is often understood as a Cold Warrior, but James Bond’s Cold War diverged from the actual global conflict in subtle but significant ways. That tension between the real and fictional provides perspectives into Cold War culture transcending ideological and geopolitical divides. The Bondiverse is complex and multi-textual, including novels, films, video games, and even a comic strip, and has also inspired an array of homages, copies, and competitors. Awareness of its rich possibilities only becomes apparent through a multi-disciplinary lens. The desire to consider current trends in Bondian studies inspired a conference entitled ‘The Bondian Cold War,’ convened at Tallinn University, Estonia in June 2019. Conference participants, drawn from three continents and multiple disciplines – film studies, history, intelligence studies, and literature, as well as intelligence practitioners – offered papers on the literary and cinematic aspects of the ‘spy’, discussed fact versus fiction in the Bond canon, went in search of a global Bond, and pondered gender and sexuality across the Bondiverse. This volume of essays inspired by that conference, suitable for students, researchers, and anyone interested in Cold War culture, makes vital contributions to understanding Bond as a global phenomenon, across traditional divisions of East and West, and beyond the end of the Cold War from which he emerged.
Publisher: Taylor & Francis
ISBN: 1000934764
Category : History
Languages : en
Pages : 290
Book Description
James Bond, Ian Fleming’s irrepressible and ubiquitous ‘spy,’ is often understood as a Cold Warrior, but James Bond’s Cold War diverged from the actual global conflict in subtle but significant ways. That tension between the real and fictional provides perspectives into Cold War culture transcending ideological and geopolitical divides. The Bondiverse is complex and multi-textual, including novels, films, video games, and even a comic strip, and has also inspired an array of homages, copies, and competitors. Awareness of its rich possibilities only becomes apparent through a multi-disciplinary lens. The desire to consider current trends in Bondian studies inspired a conference entitled ‘The Bondian Cold War,’ convened at Tallinn University, Estonia in June 2019. Conference participants, drawn from three continents and multiple disciplines – film studies, history, intelligence studies, and literature, as well as intelligence practitioners – offered papers on the literary and cinematic aspects of the ‘spy’, discussed fact versus fiction in the Bond canon, went in search of a global Bond, and pondered gender and sexuality across the Bondiverse. This volume of essays inspired by that conference, suitable for students, researchers, and anyone interested in Cold War culture, makes vital contributions to understanding Bond as a global phenomenon, across traditional divisions of East and West, and beyond the end of the Cold War from which he emerged.
Routledge Handbook of Critical Studies in Whiteness
Author: Shona Hunter
Publisher: Routledge
ISBN: 1000486710
Category : Social Science
Languages : en
Pages : 400
Book Description
This handbook offers a unique decolonial take on the field of Critical Whiteness Studies by rehistoricising and re-spatialising the study of bodies and identities in the world system of coloniality. Situating the critical study of whiteness as a core intellectual pillar in a broadly based project for racial and social justice, the volume understands whiteness as elaborated in global coloniality through epistemology, ideology and governmentality at the intersections with heteropatriarchy and capitalism. The diverse contributions present Black and other racially diverse scholarship as crucial to the field. The focus of inquiry is expanded beyond Northern Anglophone contexts to challenge centre/margin relations, examining whiteness in the Caribbean, South Africa and the African continent, Asia, the Middle East as well as in the United States and parts of Europe. Providing a transdisciplinary approach and addressing debates about knowledges, black and white subjectivities and newly defensive forms of whiteness, as seen in the rise of the Radical Right, the handbook deepens our understanding of power, place, and culture in coloniality. This book will be an invaluable resource for researchers, advanced students, and scholars in the fields of Education, History, Sociology, Anthropology, Psychology, Political Sciences, Philosophy, Critical Race Theory, Feminist and Gender Studies, Postcolonial and Decolonial Studies, Security Studies, Migration Studies, Media Studies, Indigenous Studies, Cultural Studies, Critical Diversity Studies, and African, Latin American, Asian, American, British and European Studies.
Publisher: Routledge
ISBN: 1000486710
Category : Social Science
Languages : en
Pages : 400
Book Description
This handbook offers a unique decolonial take on the field of Critical Whiteness Studies by rehistoricising and re-spatialising the study of bodies and identities in the world system of coloniality. Situating the critical study of whiteness as a core intellectual pillar in a broadly based project for racial and social justice, the volume understands whiteness as elaborated in global coloniality through epistemology, ideology and governmentality at the intersections with heteropatriarchy and capitalism. The diverse contributions present Black and other racially diverse scholarship as crucial to the field. The focus of inquiry is expanded beyond Northern Anglophone contexts to challenge centre/margin relations, examining whiteness in the Caribbean, South Africa and the African continent, Asia, the Middle East as well as in the United States and parts of Europe. Providing a transdisciplinary approach and addressing debates about knowledges, black and white subjectivities and newly defensive forms of whiteness, as seen in the rise of the Radical Right, the handbook deepens our understanding of power, place, and culture in coloniality. This book will be an invaluable resource for researchers, advanced students, and scholars in the fields of Education, History, Sociology, Anthropology, Psychology, Political Sciences, Philosophy, Critical Race Theory, Feminist and Gender Studies, Postcolonial and Decolonial Studies, Security Studies, Migration Studies, Media Studies, Indigenous Studies, Cultural Studies, Critical Diversity Studies, and African, Latin American, Asian, American, British and European Studies.
The James Bond Lexicon
Author: Gillian J Porter
Publisher:
ISBN:
Category :
Languages : en
Pages : 454
Book Description
THE JAMES BOND LEXICON: THE UNOFFICIAL GUIDE TO THE WORLD OF 007 IN MOVIES, NOVELS, AND COMICS 300,000 Words 5,000 Individual entries 200+ stories covered 80+ pieces of original art 6 Years of Research It all adds up to ONE book - THE JAMES BOND LEXICON - the most comprehensive guide to the worlds of James Bond in Movies, Novels, TV, and Comics. Covering 271 James Bond stories released between 1953 and 2019. Written by Alan J. Porter and Gillian J. Porter This husband and wife team are active in the James Bond community and are both members of the Ian Fleming Foundation. Alan J. Porter is the author of JAMES BOND: the illustrated 007 (Hermes Press), the critically acclaimed history of Bond in comics, and has presented shows on the topic at museums, libraries, and various comics and science-fiction conventions. Alan is also a regular show co-host on the On Her Majesty's Secret Podcast channel. Illustrated by Pat Carbajal a prolific artist known for his realistic portraiture and attention to detail, Carbajal has supplied illustrations for several similar pop-culture Lexicon-type projects. He is also a in-demand cover and comics artist.
Publisher:
ISBN:
Category :
Languages : en
Pages : 454
Book Description
THE JAMES BOND LEXICON: THE UNOFFICIAL GUIDE TO THE WORLD OF 007 IN MOVIES, NOVELS, AND COMICS 300,000 Words 5,000 Individual entries 200+ stories covered 80+ pieces of original art 6 Years of Research It all adds up to ONE book - THE JAMES BOND LEXICON - the most comprehensive guide to the worlds of James Bond in Movies, Novels, TV, and Comics. Covering 271 James Bond stories released between 1953 and 2019. Written by Alan J. Porter and Gillian J. Porter This husband and wife team are active in the James Bond community and are both members of the Ian Fleming Foundation. Alan J. Porter is the author of JAMES BOND: the illustrated 007 (Hermes Press), the critically acclaimed history of Bond in comics, and has presented shows on the topic at museums, libraries, and various comics and science-fiction conventions. Alan is also a regular show co-host on the On Her Majesty's Secret Podcast channel. Illustrated by Pat Carbajal a prolific artist known for his realistic portraiture and attention to detail, Carbajal has supplied illustrations for several similar pop-culture Lexicon-type projects. He is also a in-demand cover and comics artist.
Great Kisses
Author: Timothy Knight
Publisher: It Books
ISBN: 9780061438899
Category : Performing Arts
Languages : en
Pages : 116
Book Description
Of all the grand visions conjured by the movies, few captivate us like that moment when the lovers on the big screen finally come together in a passionate kiss—one that pulls at our heartstrings and burns its way into our memories. In these larger-than-life images of romantic abandon, all the cinematic elements align, creating a magical moment full of promise, delicious anticipation, and heartfelt bliss. A truly great movie kiss lingers with us long after the screen fades to black. There is the one that helped us nurse a broken heart. The one that set our pulses racing. And the kiss that inspired us to follow our dreams. Who can forget the way Humphrey Bogart sacrificed his own happiness for his true love Ingrid Bergman in Casablanca? The romantic fireworks generated by Clark Gable and Vivien Leigh in Gone With the Wind? Or the swoon-worthy first kiss of Leonardo DiCaprio and Kate Winslet in Titanic? Great Kisses compiles fifty beloved movie kisses—both classic and contemporary—with the famous lines that accompany them, and is a perfect keepsake for movie buffs and hopeless romantics alike. For in the movies and in Great Kisses, true love conquers all....
Publisher: It Books
ISBN: 9780061438899
Category : Performing Arts
Languages : en
Pages : 116
Book Description
Of all the grand visions conjured by the movies, few captivate us like that moment when the lovers on the big screen finally come together in a passionate kiss—one that pulls at our heartstrings and burns its way into our memories. In these larger-than-life images of romantic abandon, all the cinematic elements align, creating a magical moment full of promise, delicious anticipation, and heartfelt bliss. A truly great movie kiss lingers with us long after the screen fades to black. There is the one that helped us nurse a broken heart. The one that set our pulses racing. And the kiss that inspired us to follow our dreams. Who can forget the way Humphrey Bogart sacrificed his own happiness for his true love Ingrid Bergman in Casablanca? The romantic fireworks generated by Clark Gable and Vivien Leigh in Gone With the Wind? Or the swoon-worthy first kiss of Leonardo DiCaprio and Kate Winslet in Titanic? Great Kisses compiles fifty beloved movie kisses—both classic and contemporary—with the famous lines that accompany them, and is a perfect keepsake for movie buffs and hopeless romantics alike. For in the movies and in Great Kisses, true love conquers all....
Screening #MeToo
Author: Lisa Funnell
Publisher: State University of New York Press
ISBN: 1438487614
Category : Performing Arts
Languages : en
Pages : 308
Book Description
Screening #MeToo offers an important and timely discussion of the pervasive nature of rape culture in Hollywood. Essays in the collection examine films released from the 1960s onward, a broad period that coincides with the end of the Motion Picture Production Code in Hollywood, which resulted in more frequent and increasingly graphic images of sex and violence being included in mainstream movies. Focusing on narratives in which surveillance and sexual violence feature prominently, contributors from North America and Europe examine a variety of film genres, including spy films, teen comedies, kitchen sink dramas, coming-of-age stories, rape/revenge films, and horror films. Reflecting the increasing social and academic awareness of sexual violence in Hollywood film and its transmission and cultivation of rape culture in the United States and abroad, they are concerned not only with the content of the films under scrutiny but also with the clear relationship between the stories, how they are being told, and the culture that produced them. Screening #MeToo challenges readers to look at mainstream Hollywood films differently, in light of attitudes about art and power, sexuality and consent, and the pleasures and frustrations of criticizing "entertainment" films from these perspectives.
Publisher: State University of New York Press
ISBN: 1438487614
Category : Performing Arts
Languages : en
Pages : 308
Book Description
Screening #MeToo offers an important and timely discussion of the pervasive nature of rape culture in Hollywood. Essays in the collection examine films released from the 1960s onward, a broad period that coincides with the end of the Motion Picture Production Code in Hollywood, which resulted in more frequent and increasingly graphic images of sex and violence being included in mainstream movies. Focusing on narratives in which surveillance and sexual violence feature prominently, contributors from North America and Europe examine a variety of film genres, including spy films, teen comedies, kitchen sink dramas, coming-of-age stories, rape/revenge films, and horror films. Reflecting the increasing social and academic awareness of sexual violence in Hollywood film and its transmission and cultivation of rape culture in the United States and abroad, they are concerned not only with the content of the films under scrutiny but also with the clear relationship between the stories, how they are being told, and the culture that produced them. Screening #MeToo challenges readers to look at mainstream Hollywood films differently, in light of attitudes about art and power, sexuality and consent, and the pleasures and frustrations of criticizing "entertainment" films from these perspectives.
Masculinity and Patriarchal Villainy in the British Novel
Author: Sara Martín
Publisher: Routledge
ISBN: 1000763315
Category : Literary Criticism
Languages : en
Pages : 244
Book Description
Masculinity and Patriarchal Villainy in the British Novel: From Hitler to Voldemort sits at the intersection of literary studies and masculinity studies, arguing that the villain, in many works of contemporary British fiction, is a patriarchal figure that embodies an excess of patriarchal power that needs to be controlled by the hero. The villains' stories are enactments of empowerment fantasies and cautionary tales against abusing patriarchal power. While providing readers with in-depth studies of some of the most popular contemporary fiction villans, Sara Martín shows how current representations of the villain are not only measured against previous literary characters but also against the real-life figure of the archvillain Adolf Hitler.
Publisher: Routledge
ISBN: 1000763315
Category : Literary Criticism
Languages : en
Pages : 244
Book Description
Masculinity and Patriarchal Villainy in the British Novel: From Hitler to Voldemort sits at the intersection of literary studies and masculinity studies, arguing that the villain, in many works of contemporary British fiction, is a patriarchal figure that embodies an excess of patriarchal power that needs to be controlled by the hero. The villains' stories are enactments of empowerment fantasies and cautionary tales against abusing patriarchal power. While providing readers with in-depth studies of some of the most popular contemporary fiction villans, Sara Martín shows how current representations of the villain are not only measured against previous literary characters but also against the real-life figure of the archvillain Adolf Hitler.
For His Eyes Only
Author: Lisa Funnell
Publisher: Columbia University Press
ISBN: 0231850921
Category : Performing Arts
Languages : en
Pages : 328
Book Description
The release of Skyfall in 2012 marked the fiftieth anniversary of the James Bond film franchise. It earned over one billion dollars in the worldwide box office and won two Academy Awards. Amid popular and critical acclaim, some have questioned the representation of women in the film. From an aging M to the limited role of the Bond Girl and the characterization of Miss Moneypenny as a defunct field agent, Skyfall develops the legacy of Bond at the expense of women. Since Casino Royale (2006) and its sequels Quantum of Solace (2008) and Skyfall constitute a reboot of the franchise, it is time to question whether there is a place for women in the new world of James Bond and what role they will play in the future of series. This volume answers these questions by examining the role that women have historically played in the franchise, which greatly contributed to the international success of the films. This academic study constitutes the first book-length anthology on femininity and feminism in the Bond series. It covers all twenty-three Eon productions as well as the spoof Casino Royale (1967), considering a range of factors that have shaped the depiction of women in the franchise, including female characterization in Ian Fleming's novels; the vision of producer Albert R. Broccoli and other creative personnel; the influence of feminism; and broader trends in British and American film and television. The volume provides a timely look at women in the Bond franchise and offers new scholarly perspectives on the subject.
Publisher: Columbia University Press
ISBN: 0231850921
Category : Performing Arts
Languages : en
Pages : 328
Book Description
The release of Skyfall in 2012 marked the fiftieth anniversary of the James Bond film franchise. It earned over one billion dollars in the worldwide box office and won two Academy Awards. Amid popular and critical acclaim, some have questioned the representation of women in the film. From an aging M to the limited role of the Bond Girl and the characterization of Miss Moneypenny as a defunct field agent, Skyfall develops the legacy of Bond at the expense of women. Since Casino Royale (2006) and its sequels Quantum of Solace (2008) and Skyfall constitute a reboot of the franchise, it is time to question whether there is a place for women in the new world of James Bond and what role they will play in the future of series. This volume answers these questions by examining the role that women have historically played in the franchise, which greatly contributed to the international success of the films. This academic study constitutes the first book-length anthology on femininity and feminism in the Bond series. It covers all twenty-three Eon productions as well as the spoof Casino Royale (1967), considering a range of factors that have shaped the depiction of women in the franchise, including female characterization in Ian Fleming's novels; the vision of producer Albert R. Broccoli and other creative personnel; the influence of feminism; and broader trends in British and American film and television. The volume provides a timely look at women in the Bond franchise and offers new scholarly perspectives on the subject.
Casino Royale
Author: Ian Fleming
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 154
Book Description
"Casino Royale" by Ian Fleming. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 154
Book Description
"Casino Royale" by Ian Fleming. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Why Didn't We Riot?
Author: Issac J. Bailey
Publisher: Other Press, LLC
ISBN: 1635420288
Category : Social Science
Languages : en
Pages : 193
Book Description
In these impassioned, powerful essays, an award-winning journalist deals forthrightly with what it means to be Black in an America that still supports Trump. South Carolina–based journalist Issac J. Bailey reflects on a wide range of complex, divisive topics—from police brutality and Confederate symbols to respectability politics and white discomfort—which have taken on a fresh urgency with the protest movement sparked by George Floyd’s killing. Bailey has been honing his views on these issues for the past quarter of a century in his professional and private life, which included an eighteen-year stint as a member of a mostly white Evangelical Christian church. Why Didn’t We Riot? speaks to and for the millions of Black and Brown people throughout the United States who were effectively pushed back to the back of the bus in the Trump era by a media that prioritized the concerns and feelings of the white working class and an administration that made white supremacists giddy, and explains why the country’s fate in 2020 and beyond is largely in their hands. It will be an invaluable resource for the everyday reader, as well as political analysts, college professors and students, and political consultants and campaigns vying for high office.
Publisher: Other Press, LLC
ISBN: 1635420288
Category : Social Science
Languages : en
Pages : 193
Book Description
In these impassioned, powerful essays, an award-winning journalist deals forthrightly with what it means to be Black in an America that still supports Trump. South Carolina–based journalist Issac J. Bailey reflects on a wide range of complex, divisive topics—from police brutality and Confederate symbols to respectability politics and white discomfort—which have taken on a fresh urgency with the protest movement sparked by George Floyd’s killing. Bailey has been honing his views on these issues for the past quarter of a century in his professional and private life, which included an eighteen-year stint as a member of a mostly white Evangelical Christian church. Why Didn’t We Riot? speaks to and for the millions of Black and Brown people throughout the United States who were effectively pushed back to the back of the bus in the Trump era by a media that prioritized the concerns and feelings of the white working class and an administration that made white supremacists giddy, and explains why the country’s fate in 2020 and beyond is largely in their hands. It will be an invaluable resource for the everyday reader, as well as political analysts, college professors and students, and political consultants and campaigns vying for high office.