Resistance, Parody and Double Consciousness in African American Theatre, 1895-19 PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Resistance, Parody and Double Consciousness in African American Theatre, 1895-19 PDF full book. Access full book title Resistance, Parody and Double Consciousness in African American Theatre, 1895-19 by NA NA. Download full books in PDF and EPUB format.
Author: NA NA
Publisher: Palgrave Macmillan
ISBN: 9780312173630
Category : Performing Arts
Languages : en
Pages : 218
Get Book Here
Book Description
The history of African American performance and theatre is a topic that few scholars have closely studied or discussed as a critical part of American culture. In this fascinating interdisciplinary volume, David Krasner reveals such a history to be a tremendously rich one, focusing particularly on the end of the nineteenth and the beginning of the 20th century. The fields of history, black literary theory, cultural studies, performance studies and postcolonial theory are utilized in an examination of several major productions. In addition, Krasner looks at the aesthetic significance of African American performers on the American stage and the meaning of the technique entitled "cakewalking." Investigating expressions of protest within the theatre, Krasner reveals that this period was replete with moments of resistance to racism, parodies of the minstrel tradition, and double consciousness on the part of performers. An enlightening work which unveils new information about its subject, Resistance, Parody, and Double Consciousness in African American Theatre offers insights into African American artistry during an era of racism and conflict.
Author: NA NA
Publisher: Palgrave Macmillan
ISBN: 9780312173630
Category : Performing Arts
Languages : en
Pages : 218
Get Book Here
Book Description
The history of African American performance and theatre is a topic that few scholars have closely studied or discussed as a critical part of American culture. In this fascinating interdisciplinary volume, David Krasner reveals such a history to be a tremendously rich one, focusing particularly on the end of the nineteenth and the beginning of the 20th century. The fields of history, black literary theory, cultural studies, performance studies and postcolonial theory are utilized in an examination of several major productions. In addition, Krasner looks at the aesthetic significance of African American performers on the American stage and the meaning of the technique entitled "cakewalking." Investigating expressions of protest within the theatre, Krasner reveals that this period was replete with moments of resistance to racism, parodies of the minstrel tradition, and double consciousness on the part of performers. An enlightening work which unveils new information about its subject, Resistance, Parody, and Double Consciousness in African American Theatre offers insights into African American artistry during an era of racism and conflict.
Author: David Krasner
Publisher: Palgrave Macmillan
ISBN: 9780312219253
Category : Drama
Languages : en
Pages : 252
Get Book Here
Book Description
The history of African American performance and theatre is a topic that few scholars have closely studied or discussed as a critical part of American culture. In this fascinating interdisciplinary volume, David Krasner reveals such a history to be a tremendously rich one, focusing particularly on the end of the nineteenth and the beginning of the 20th century. The fields of history, black literary theory, cultural studies, performance studies and postcolonial theory are utilized in an examination of several major productions. In addition, Krasner looks at the aesthetic significance of African American performers on the American stage and the meaning of the technique entitled "cakewalking." Investigating expressions of protest within the theatre, Krasner reveals that this period was replete with moments of resistance to racism, parodies of the minstrel tradition, and double consciousness on the part of performers. An enlightening work which unveils new information about its subject, Resistance, Parody, and Double Consciousness in African American Theatre offers insights into African American artistry during an era of racism and conflict.
Author: David Krasner
Publisher:
ISBN:
Category :
Languages : en
Pages : 341
Get Book Here
Book Description
Author: Rashida Z. Shaw McMahon
Publisher: Routledge
ISBN: 1351401629
Category : Social Science
Languages : en
Pages : 319
Get Book Here
Book Description
The Black Circuit: Race, Performance, and Spectatorship in Black Popular Theatre presents the first book-length study of Chitlin Circuit theatre, the most popular and controversial form of Black theatre to exist outside the purview of Broadway since the 1980s. Through historical and sociological research, Rashida Z. Shaw McMahon links the fraught racial histories in American slave plantations and early African American cuisine to the performance sites of nineteenth-century minstrelsy, early-twentieth-century vaudeville, and mid-twentieth-century gospel musicals. The Black Circuit traces this rise of a Black theatrical popular culture that exemplifies W. E. B. Du Bois’s 1926 parameters of "for us, near us, by us, and about us," with critical differences that, McMahon argues, complicate our understanding of performance and spectatorship in African American theatre. McMahon shows how an integrated and evolving network of consumerism, culture, circulation, exchange, ideologies, and meaning making has emerged in the performance environments of Chitlin Circuit theatre that is reflective of the broader influences at play in acts of minority spectatorship. She labels this network the Black Circuit.
Author: Harry Justin Elam
Publisher: Oxford University Press, USA
ISBN: 9780195127256
Category : Literary Criticism
Languages : en
Pages : 390
Get Book Here
Book Description
An anthology of critical writings that explores the intersections of race, theater, and performance in America.
Author: Diana Rebekkah Paulin
Publisher: U of Minnesota Press
ISBN: 0816670986
Category : Literary Criticism
Languages : en
Pages : 346
Get Book Here
Book Description
Highlights the interplay of race, literature, and nation-building in U.S. history
Author: Kimberly Nichele Brown
Publisher: Indiana University Press
ISBN: 0253004705
Category : Literary Criticism
Languages : en
Pages : 294
Get Book Here
Book Description
Kimberly Nichele Brown examines how African American women since the 1970s have found ways to move beyond the "double consciousness" of the colonized text to develop a healthy subjectivity that attempts to disassociate black subjectivity from its connection to white culture. Brown traces the emergence of this new consciousness from its roots in the Black Aesthetic Movement through important milestones such as the anthology The Black Woman and Essence magazine to the writings of Angela Davis, Toni Cade Bambara, and Jayne Cortez.
Author: Arthur Knight
Publisher: Duke University Press
ISBN: 0822384108
Category : Performing Arts
Languages : en
Pages : 352
Get Book Here
Book Description
From the earliest sound films to the present, American cinema has represented African Americans as decidedly musical. Disintegrating the Musical tracks and analyzes this history of musical representations of African Americans, from blacks and whites in blackface to black-cast musicals to jazz shorts, from sorrow songs to show tunes to bebop and beyond. Arthur Knight focuses on American film’s classic sound era, when Hollywood studios made eight all-black-cast musicals—a focus on Afro-America unparalleled in any other genre. It was during this same period that the first black film stars—Paul Robeson, Louis Armstrong, Lena Horne, Harry Belafonte, Dorothy Dandridge—emerged, not coincidentally, from the ranks of musical performers. That these films made so much of the connection between African Americans and musicality was somewhat ironic, Knight points out, because they did so in a form (song) and a genre (the musical) celebrating American social integration, community, and the marriage of opposites—even as the films themselves were segregated and played before even more strictly segregated audiences. Disintegrating the Musical covers territory both familiar—Show Boat, Stormy Weather, Porgy and Bess—and obscure—musical films by pioneer black director Oscar Micheaux, Lena Horne’s first film The Duke Is Tops, specialty numbers tucked into better-known features, and lost classics like the short Jammin’ the Blues. It considers the social and cultural contexts from which these films arose and how African American critics and audiences responded to them. Finally, Disintegrating the Musical shows how this history connects with the present practices of contemporary musical films like O Brother, Where Art Thou? and Bamboozled.
Author: W. Fitzhugh Brundage
Publisher: UNC Press Books
ISBN: 0807878022
Category : Social Science
Languages : en
Pages : 384
Get Book Here
Book Description
This collection of thirteen essays, edited by historian W. Fitzhugh Brundage, brings together original work from sixteen scholars in various disciplines, ranging from theater and literature to history and music, to address the complex roles of black performers, entrepreneurs, and consumers in American mass culture during the early twentieth century. Moving beyond the familiar territory of blackface and minstrelsy, these essays present a fresh look at the history of African Americans and mass culture. With subjects ranging from representations of race in sheet music illustrations to African American interest in Haitian culture, Beyond Blackface recovers the history of forgotten or obscure cultural figures and shows how these historical actors played a role in the creation of American mass culture. The essays explore the predicament that blacks faced at a time when white supremacy crested and innovations in consumption, technology, and leisure made mass culture possible. Underscoring the importance and complexity of race in the emergence of mass culture, Beyond Blackface depicts popular culture as a crucial arena in which African Americans struggled to secure a foothold as masters of their own representation and architects of the nation's emerging consumer society. The contributors are: Davarian L. Baldwin, Trinity College W. Fitzhugh Brundage, University of North Carolina at Chapel Hill Clare Corbould, University of Sydney Susan Curtis, Purdue University Stephanie Dunson, Williams College Lewis A. Erenberg, Loyola University Chicago Stephen Garton, University of Sydney John M. Giggie, University of Alabama Grace Elizabeth Hale, University of Virginia Robert Jackson, University of Tulsa David Krasner, Emerson College Thomas Riis, University of Colorado at Boulder Stephen Robertson, University of Sydney John Stauffer, Harvard University Graham White, University of Sydney Shane White, University of Sydney
Author: Elizabeth L. Sanderson
Publisher: McFarland
ISBN: 1476636958
Category : Performing Arts
Languages : en
Pages : 225
Get Book Here
Book Description
Spike Lee's challenging film Bamboozled (2000) is often read as a surface level satire of blackface minstrelsy. Careful analysis, however, gives way to a complex and nuanced study of the history of black performance. This book analyzes the work of five men, minstrel performer Bert Williams, director Oscar Micheaux, writer Ralph Ellison, painter Michael Ray Charles, and director Spike Lee, all through the lens of this misunderstood film. Equal parts biography and cultural analysis, this book examines the intersections of these five artists and Bamboozled, and investigates their shared legacy of resistance against misrepresentation.
