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Author: Lauren Selfe
Publisher: Women, Gender and Sexuality in German Literature and Culture
ISBN: 9781787079977
Category : German literature
Languages : en
Pages : 0
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Book Description
The figure of the «Muslim» woman or girl performs a crucial role in far-reaching socio-political debates in Germany. Indeed, such figures challenge the boundaries of gender equality and secularism and contest notions of tolerance and integration. The (in)visibility of Muslim women's bodies and their apparent position in Islam function as ostensible indicators of their oppression and of Islam's supposed incompatibility with western values. This book investigates representations of «Muslim» women and girls in German popular culture from 1990 to 2015. The study analyses the discursive function of such figures in German popular culture via three key research questions: what representational practices surround the figure of the Muslim woman or girl in German life writing, young adult literature and film? How do such representations function to produce «non-Muslim» subject positions? What is the function of this figure within narratives of feminism and assertions of gender equality? This study understands itself as an intervention into contemporary racist discourses in Germany and operates within a transdisciplinary framework of intersectional feminism and cultural and German studies. Ultimately, the book aims to make visible and interrogate the underlying hierarchies and agendas that drive representations of Muslim women and girls. This book was the winner of the of the 2017 Early Career Researcher Prize in German Studies, a collaboration between the Institute for German Studies at the University of Birmingham and Peter Lang.
Author: Lauren Selfe
Publisher: Women, Gender and Sexuality in German Literature and Culture
ISBN: 9781787079977
Category : German literature
Languages : en
Pages : 0
Get Book Here
Book Description
The figure of the «Muslim» woman or girl performs a crucial role in far-reaching socio-political debates in Germany. Indeed, such figures challenge the boundaries of gender equality and secularism and contest notions of tolerance and integration. The (in)visibility of Muslim women's bodies and their apparent position in Islam function as ostensible indicators of their oppression and of Islam's supposed incompatibility with western values. This book investigates representations of «Muslim» women and girls in German popular culture from 1990 to 2015. The study analyses the discursive function of such figures in German popular culture via three key research questions: what representational practices surround the figure of the Muslim woman or girl in German life writing, young adult literature and film? How do such representations function to produce «non-Muslim» subject positions? What is the function of this figure within narratives of feminism and assertions of gender equality? This study understands itself as an intervention into contemporary racist discourses in Germany and operates within a transdisciplinary framework of intersectional feminism and cultural and German studies. Ultimately, the book aims to make visible and interrogate the underlying hierarchies and agendas that drive representations of Muslim women and girls. This book was the winner of the of the 2017 Early Career Researcher Prize in German Studies, a collaboration between the Institute for German Studies at the University of Birmingham and Peter Lang.
Author: Stephanie M. Hilger
Publisher: Bloomsbury Publishing
ISBN: 1350296201
Category : Literary Criticism
Languages : en
Pages : 465
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Book Description
The first full-length study to bring together the fields of Health Humanities and German studies, this book features contributions from a range of key scholars and provides an overview of the latest work being done at the intersection of these two disciplines. In addition to surveying the current critical terrain in unparalleled depth, it also explores future directions that these fields may take. Organized around seven sections representing key areas of focus for both disciplines, this book provides important new insights into the intersections between Health Humanities, German Studies, and other fields of inquiry that have been gaining prominence over the past decade in academic and public discourse. In their contributions, the authors engage with disability studies, critical race studies, gender/embodiment studies, trauma studies, as well as animal/environmental studies.
Author: Lorella Viola
Publisher: John Benjamins Publishing Company
ISBN: 9027262705
Category : Language Arts & Disciplines
Languages : en
Pages : 374
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Book Description
The socio-discursive landscape surrounding the migration debate is characterised by a growing sense of crisis in both personal and collective identities. From this viewpoint, discourses about immigration are also always attempts at reconstructing the threatened ‘home identity’ of the respective host society. It is such attempts at reasserting identity-in-crisis (due to migration) that are the focus of the volume Migration and Media: Discourses about identities in crisis. This four-part book explores the representational strategies used to frame current migration debates as crises of identity, collective and individual. It features fourteen case-studies of varying sets of data including print media texts, TV broadcasts, online forums, politicians’ speeches, legal and administrative texts, and oral narratives, drawn from discourses in a range of languages – Croatian, English, French, German, Greek, Italian, Lithuanian, Polish, Russian, Serbian, Slovenian, Spanish, and Ukrainian – , and it employs different discourse-analytical methods, such as Argumentation and Metaphor Analysis, Gendered Language Studies, Corpus-assisted Semantics and Pragmatics, and Proximization Theory. Such a diverse range of sources, languages, and approaches provides innovative methodological and theoretical analysis on migration and identity which will be of interest to scholars, students, and policy makers working in the fields of migration studies, media studies, identity studies, and social and public policy. As of January 2023, this e-book is freely available, thanks to the support of libraries working with Knowledge Unlatched.
Author: Heather Merle Benbow
Publisher: Lexington Books
ISBN: 1498522637
Category : History
Languages : en
Pages : 183
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Book Description
During the first decade of this millennium Germany’s largest ethnic minority—Turkish Germans—began to enjoy a new cultural prominence in German literature, film, television and theater. While controversies around forced marriage and “honor” killings have driven popular interest in the situation of Turkish-German women, popular culture has played a key role in diversifying portrayals of women and men of Turkish heritage. This book documents the significance of marriage in 21st-century Turkish-German culture, unpacking its implications not only for the cultural portrayals of those of Turkish background, but also for understandings of German identity. It sheds light on the interactions of gender, sexuality and ethnicity in contemporary Germany. This book explores four notions of marriage in popular culture: forced marriage; romantic marriage; intercultural marriage; and gay marriage. Over five chapters, the book shows that in popular culture marriage is conventionally portrayed as little more than a form of oppression for Turkish-German women and gay men. The state of Turkish matrimony is seen as characterized by coercion, lack of choice, familial duty and “honor,” even violence. In German culture, by contrast, marriage stands for individual choice, love and equality. However, within comedy genres such as “chick lit”, “ethno-sitcom” and wedding film, there have been attempts to challenge the monolithic power of these gender stereotypes. This study finds that, in grappling with the legacy of these stereotypes, these genres reveal a yearning within German popular culture for the very kinds of “traditional” gender roles Turkish Germans are imagined to inhabit. The book provides a comprehensive account of the multiple ways in which the diverse portrayals of marriage shape views of Turkish Germans in popular culture, and are also revealing of the role of gender in contemporary Germany. It investigates some key genres—autoethnography, chick lit, ethno-sitcom, wedding film, “gay” Bildungsroman, documentary theater—within which questions of gender and cultural difference are “framed”. In new and innovative close readings of literary, filmic, television and dramatic texts, the work reveals the broad significance of cultural portrayals of Turkish-German intimacy.
Author: Petra Kuppinger
Publisher: Berghahn Books
ISBN: 1782386572
Category : Social Science
Languages : en
Pages : 296
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Book Description
In the southern German city of Stuttgart lives a pious Muslim population that has merged with the local population to create a meaningful shared existence. In this ethnographic account, the author introduces and examines the lives of ordinary residents, neighborhoods, and mosque communities to analyze moments and spaces where Muslims and non-Muslims engage with each other and accommodate their respective needs. These accounts show that even in the face of resentment and discrimination, this pious population has indeed become an integral part of the urban community.
Author: Seyda Ozil
Publisher: Göttingen University Press
ISBN: 3863953568
Category : Electronic books
Languages : en
Pages : 212
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Book Description
The articles in this volume bear witness to the productive energy of the interplay between tradition and modernity, whether in theater, literature, or popular culture. At the same time, they emphasize the importance of cultural intermediaries, including translators. The volume thus illustrates that - despite (or precisely because of) political developments in Turkey and Germany, alike - a multitude of Turkish-German themes remain vital in both society and the academy, urging further consideration, investigation, discussion, and presentation.
Author: Andrew N. Weintraub
Publisher: University of Hawaii Press
ISBN: 0824874196
Category : Music
Languages : en
Pages : 377
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Book Description
The emergence of modernity has typically focused on Western male actors and privileged politics and economy over culture. The contributors to this volume successfully unsettle such perspectives by emphasizing the social history, artistic practices, and symbolic meanings of female performers in popular music of Asia. Women surfaced as popular icons in different guises in different Asian countries through different routes of circulation. Often, these women established prominent careers within colonial conditions, which saw Asian societies in rapid transition and the vernacular and familiar articulated with the novel and the foreign. These female performers were not merely symbols of times that were rapidly changing. Nor were they simply the personification of global historical changes. Female entertainers, positioned at the margins of intersecting fields of activities, created something hitherto unknown: they were artistic pioneers of new music, new cinema, new forms of dance and theater, and new behavior, lifestyles, and morals. They were active agents in the creation of local performance cultures, of a newly emerging mass culture, and the rise of a region-wide and globally oriented entertainment industry. Vamping the Stage is the first book-length study of women, modernity, and popular music in Asia, showcasing cutting-edge research conducted by scholars whose methods and perspectives draw from such diverse fields as anthropology, Asian studies, cultural studies, ethnomusicology, and film studies. Led by an impressive introduction written by Weintraub and Barendregt, fourteen contributors analyze the many ways that women performers supported, challenged, and transgressed representations of existing gendered norms in the entertainment industries of China, Japan, India, Indonesia, Iran, Korea, Malaysia, and the Philippines. Placing women’s voices in social and historical contexts, the essays explore salient discourses, representations, meanings, and politics of “voice” in Asian popular music. Historicizing the artistic sounds, lyrical texts, and visual images of female performers, the essays reveal how women used popular music to shape the ideas, practices, and meanings of modernity in various Asian contexts and time frames. The ascendency of women as performers paralleled, and in some cases generated, developments in wider society such as suffrage, social and sexual liberation, women as business entrepreneurs and independent income earners, and particularly as models for new life styles. Women’s voices, mediated through new technologies of film and the phonograph, changed the soundscape of global popular music and resonate today in all spheres of modern life.
Author: Ramyar D. Rossoukh
Publisher: Duke University Press
ISBN: 1478022191
Category : Social Science
Languages : en
Pages : 168
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Book Description
From Bangladesh and Hong Kong to Iran and South Africa, film industries around the world are rapidly growing at a time when new digital technologies are fundamentally changing how films are made and viewed. Larger film industries like Bollywood and Nollywood aim to attain Hollywood's audience and profitability, while smaller, less commercial, and often state-funded enterprises support various cultural and political projects. The contributors to Anthropology, Film Industries, Modularity take an ethnographic and comparative approach to capturing the diversity and growth of global film industries. They outline how modularity—the specialized filmmaking tasks that collectively produce a film—operates as a key feature in every film industry, independent of local context. Whether they are examining the process of dubbing Hollywood films into Hindi, virtual reality filmmaking in South Africa, or on-location shooting in Yemen, the contributors' anthropological methodology brings into relief the universal practices and the local contingencies and deeper cultural realities of film production. Contributors. Steven C. Caton, Jessica Dickson, Kevin Dwyer, Tejaswini Ganti, Lotte Hoek, Amrita Ibrahim, Sylvia J. Martin, Ramyar D. Rossoukh
Author: Peter Morey
Publisher: Harvard University Press
ISBN: 0674048520
Category : Family & Relationships
Languages : en
Pages : 257
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Book Description
In Framing Muslims: Stereotyping and Representation after 9/11, Peter Morey and Amina Yaqin dissect how stereotypes that depict Muslims as an inherently problematic presence in the West are constructed, deployed, and circulated in the public imagination, producing an immense gulf between representation and a considerably more complex reality.
Author: Esra Özyürek
Publisher: Princeton University Press
ISBN: 0691162794
Category : Social Science
Languages : en
Pages : 186
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Book Description
Every year more and more Europeans, including Germans, are embracing Islam. It is estimated that there are now up to one hundred thousand German converts—a number similar to that in France and the United Kingdom. What stands out about recent conversions is that they take place at a time when Islam is increasingly seen as contrary to European values. Being German, Becoming Muslim explores how Germans come to Islam within this antagonistic climate, how they manage to balance their love for Islam with their society's fear of it, how they relate to immigrant Muslims, and how they shape debates about race, religion, and belonging in today’s Europe. Esra Özyürek looks at how mainstream society marginalizes converts and questions their national loyalties. In turn, converts try to disassociate themselves from migrants of Muslim-majority countries and promote a denationalized Islam untainted by Turkish or Arab traditions. Some German Muslims believe that once cleansed of these accretions, the Islam that surfaces fits in well with German values and lifestyle. Others even argue that being a German Muslim is wholly compatible with the older values of the German Enlightenment. Being German, Becoming Muslim provides a fresh window into the connections and tensions stemming from a growing religious phenomenon in Germany and beyond.
