Music from the Middle Ages Through the Twentieth Century PDF Download
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Author: Gwynn S. McPeek
Publisher: Taylor & Francis
ISBN: 9782881242168
Category : Music
Languages : en
Pages : 412
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Book Description
First Published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Gwynn S. McPeek
Publisher: Taylor & Francis
ISBN: 9782881242168
Category : Music
Languages : en
Pages : 412
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Book Description
First Published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.
Author: John Wyeth
Publisher:
ISBN:
Category : Choruses, Sacred
Languages : en
Pages : 160
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Book Description
Author: John Ogasapian
Publisher: Mercer University Press
ISBN: 9780881460261
Category : Music
Languages : en
Pages : 306
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Book Description
The history of American church music is a particularly fascinating and challenging subject, if for no other reason than because of the variety of diverse religious groups that have immigrated and movements that have sprung up in American. Indeed, for the first time in modern history-possibly the only time since the rule of medieval Iberia under the Moors-different faiths have co-existed here with a measure of peace- sometimes ill-humored, occasionally hostile, but more often amicable or at least tolerant-influencing and even weaving their traditions into the fabric of one another's worship practices even as they competed for converts in the free market of American religion. This overview traces the musical practices of several of those groups from their arrival on these shores up to the present, and the way in which those practices and traditions influenced each other, leading to the diverse and multi-hued pattern that is American church music at the beginning of the twenty-first century. The tone is non-technical; there are no musical examples, and the musical descriptions are clear and concise. In short, it is a book for interested laymen as well as professional church musicians, for pastors and seminarians as well as students of American religious culture and its history.
Author: Stephen A. Marini
Publisher: University of Illinois Press
ISBN: 9780252028007
Category : History
Languages : en
Pages : 418
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Book Description
In Sacred Song in America, Stephen A. Marini explores the full range of American sacred music and demonstrates how an understanding of the meanings and functions of this musical expression can contribute to a greater understanding of religious culture.Marini examines the role of sacred song across the United States, from the musical traditions of Native Americans and the Hispanic peoples of the Southwest, to the Sacred Harp singers of the rural South and the Jewish music revival to the music of the Mormon, Catholic, and Black churches. Including chapters on New Age and Neo-Pagan music, gospel music, and hymnals as well as interviews with iconic composers of religious music, Sacred Song in America pursues a historical, musicological, and theoretical inquiry into the complex roles of ritual music in the public religious culture of contemporary America.
Author: John Wyeth
Publisher:
ISBN:
Category :
Languages : en
Pages : 132
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Book Description
Author: Rev. Anthony Ruff, O.S.B.
Publisher: LiturgyTrainingPublications
ISBN: 1618330306
Category : Religion
Languages : en
Pages : 802
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Book Description
Anthony Ruff, O.S.B., has written a brilliant, comprehensive, well-researched book about the treasures of the Church's musical tradition, and about the transformations brought about by liturgical reform. The liturgy constitution Sacrosanctum Concilium stated many revolutionary principles of liturgical reform. Regarding liturgical music, the Council's decrees mandated, on the one hand, the preservation of the inherited treasury of sacred music, and on the other hand, advocated adaptation and expansion of this treasury to meet the changed requirements of the reformed liturgy. In clear, precise language, he retrieves the Council's neglected teachings on the preservation of the inherited music treasury. He clearly shows that this task is not at odds with good pastoral practice, but is rather an integral part of it. The book proposes an alternate hermeneutic for understanding the Second Vatican Council's teachings on worship music.
Author: Richard C. Von Ende
Publisher: Scarecrow Press
ISBN: 9780810812710
Category : Music
Languages : en
Pages : 482
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Book Description
No descriptive material is available for this title.
Author: Marion J. Hatchett
Publisher: Univ. of Tennessee Press
ISBN: 9781572332034
Category : History
Languages : en
Pages : 532
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Book Description
"The shape-note tradition first flourished in the small towns and rural areas of early America. Church-sponsored "singing schools" taught a form of musical notation in which the notes were assigned different shapes to indicate variations in pitch; this method worked well with congregants who had little knowledge of standard musical notation. Today many enthusiasts carry on the shape-note tradition, and The New Harp of Columbia (recently published in a "restored edition" by the University of Tennessee Press) is one of five shape-note singing-manuals still in use."--Jacket.
Author: John Wyeth
Publisher:
ISBN:
Category : Choruses, Sacred, Unaccompanied
Languages : en
Pages : 131
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Book Description
Author: David Warren Steel
Publisher: University of Illinois Press
ISBN: 0252053958
Category : Music
Languages : en
Pages : 354
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Book Description
This authoritative reference work investigates the roots of the Sacred Harp, the central collection of the deeply influential and long-lived southern tradition of shape-note singing. Where other studies of the Sacred Harp have focused on the sociology of present-day singers and their activities, David Warren Steel and Richard H. Hulan concentrate on the regional culture that produced the Sacred Harp in the nineteenth century and delve deeply into history of its authors and composers. They trace the sources of every tune and text in the Sacred Harp, from the work of B. F. White, E. J. King, and their west Georgia contemporaries who helped compile the original collection in 1844 to the contributions by various composers to the 1936 to 1991 editions. The Makers of the Sacred Harp also includes analyses of the textual influences on the music--including metrical psalmody, English evangelical poets, American frontier preachers, camp meeting hymnody, and revival choruses--and essays placing the Sacred Harp as a product of the antebellum period with roots in religious revivalism. Drawing on census reports, local histories, family Bibles and other records, rich oral interviews with descendants, and Sacred Harp Publishing Company records, this volume reveals new details and insights about the history of this enduring American musical tradition.
