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Author: Rev. Anthony Ruff, O.S.B.
Publisher: LiturgyTrainingPublications
ISBN: 1618330306
Category : Religion
Languages : en
Pages : 802
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Book Description
Anthony Ruff, O.S.B., has written a brilliant, comprehensive, well-researched book about the treasures of the Church's musical tradition, and about the transformations brought about by liturgical reform. The liturgy constitution Sacrosanctum Concilium stated many revolutionary principles of liturgical reform. Regarding liturgical music, the Council's decrees mandated, on the one hand, the preservation of the inherited treasury of sacred music, and on the other hand, advocated adaptation and expansion of this treasury to meet the changed requirements of the reformed liturgy. In clear, precise language, he retrieves the Council's neglected teachings on the preservation of the inherited music treasury. He clearly shows that this task is not at odds with good pastoral practice, but is rather an integral part of it. The book proposes an alternate hermeneutic for understanding the Second Vatican Council's teachings on worship music.
Author: Rev. Anthony Ruff, O.S.B.
Publisher: LiturgyTrainingPublications
ISBN: 1618330306
Category : Religion
Languages : en
Pages : 802
Get Book Here
Book Description
Anthony Ruff, O.S.B., has written a brilliant, comprehensive, well-researched book about the treasures of the Church's musical tradition, and about the transformations brought about by liturgical reform. The liturgy constitution Sacrosanctum Concilium stated many revolutionary principles of liturgical reform. Regarding liturgical music, the Council's decrees mandated, on the one hand, the preservation of the inherited treasury of sacred music, and on the other hand, advocated adaptation and expansion of this treasury to meet the changed requirements of the reformed liturgy. In clear, precise language, he retrieves the Council's neglected teachings on the preservation of the inherited music treasury. He clearly shows that this task is not at odds with good pastoral practice, but is rather an integral part of it. The book proposes an alternate hermeneutic for understanding the Second Vatican Council's teachings on worship music.
Author: John Wyeth
Publisher:
ISBN:
Category :
Languages : en
Pages : 132
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Book Description
Author: John Wyeth
Publisher:
ISBN:
Category : Choruses, Sacred, Unaccompanied
Languages : en
Pages : 131
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Book Description
Author: Supply Belcher
Publisher: Taylor & Francis
ISBN: 9780815324270
Category : Literary Collections
Languages : en
Pages : 218
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Book Description
First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Marion J. Hatchett
Publisher: Univ. of Tennessee Press
ISBN: 9781572332034
Category : History
Languages : en
Pages : 532
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Book Description
"The shape-note tradition first flourished in the small towns and rural areas of early America. Church-sponsored "singing schools" taught a form of musical notation in which the notes were assigned different shapes to indicate variations in pitch; this method worked well with congregants who had little knowledge of standard musical notation. Today many enthusiasts carry on the shape-note tradition, and The New Harp of Columbia (recently published in a "restored edition" by the University of Tennessee Press) is one of five shape-note singing-manuals still in use."--Jacket.
Author: Euing Musical Library
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 282
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Book Description
Author: Gilbert Chase
Publisher: University of Illinois Press
ISBN: 9780252062759
Category : Music
Languages : en
Pages : 768
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Book Description
A history of American music, its diversity, and the cultural influences that helped it develop.
Author: Allen D. Carden
Publisher: Missouri History Museum
ISBN: 9781883982546
Category : History
Languages : en
Pages : 392
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Book Description
With a history dating back to 1820, The Missouri Harmony was the most popular of all frontier shape-note tune books. The 185 songs in the collection were favorites used in Protestant churches and singing schools, and many were already deeply rooted in American culture by the time of its first publication. The story of the book is the story of a burgeoning nation, with its origins in a St. Louis school (where it was introduced by singing master Allen Carden) and its spread along the Mississippi River and its tributaries. It's said that even Abraham Lincoln and his sweetheart Ann Rutledge sang from The Missouri Harmony at her father's tavern in Illinois. Compilations such as The Missouri Harmony not only helped teach midwesterners to read music but also carried a uniquely American heritage of shaped notes, a system of musical notation that grew out of the singing school movement in eighteenth-century New England. Furthermore, this heritage would be, according to composer Virgil Thomson, "the musical basis of almost everything we make, of Negro spirituals, of cowboy songs, of popular ballads, of blues, of hymns, of doggerel ditties, and all our operas and symphonies." Yet, despite its significance, the tune book was until now unavailable to contemporary choral and church music groups, including the thriving community of shape-note folksingers. This updated and expanded version of Allen D. Carden's 1820 volume now contains more than 300 pages of original and traditional music compositions collected by the St. Louis Shape Note Singers. An introductory text explains and illuminates the shape-note tradition and the history of the book. With this compilation, published nearly two hundred years after its inception, the heritage of a very different, yet ever influential, America thrives, and its songs, rich with our country's history, live on.
Author: University of Glasgow
Publisher:
ISBN:
Category :
Languages : en
Pages : 272
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Book Description
Author: Stephen A. Marini
Publisher: University of Illinois Press
ISBN: 9780252028007
Category : History
Languages : en
Pages : 418
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Book Description
In Sacred Song in America, Stephen A. Marini explores the full range of American sacred music and demonstrates how an understanding of the meanings and functions of this musical expression can contribute to a greater understanding of religious culture.Marini examines the role of sacred song across the United States, from the musical traditions of Native Americans and the Hispanic peoples of the Southwest, to the Sacred Harp singers of the rural South and the Jewish music revival to the music of the Mormon, Catholic, and Black churches. Including chapters on New Age and Neo-Pagan music, gospel music, and hymnals as well as interviews with iconic composers of religious music, Sacred Song in America pursues a historical, musicological, and theoretical inquiry into the complex roles of ritual music in the public religious culture of contemporary America.
