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Author: Brian Best
Publisher: Pen and Sword
ISBN: 1473842743
Category : History
Languages : en
Pages : 346
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Book Description
When the war was declared in August 1914, one of the first acts to be implemented by the politicians and military was a strict censorship on the newspapers. As the poacher turned gamekeeper, Winston Churchill said: The war is going to be fought in a fog and the best place for correspondence about the war is London, The military sought to have one of their officers, dubbed “Eyewitness”, to be the official spokesman to enable them to control what the newspapers could print. In the early stages of the war, there were many reporters on the Continent who were evading military arrest and sending back reports about the reality of the situation. Several volunteered with the various ambulance services just to disguise their real purpose, but all were eventually banished. Having finally cleared all reporters from fighting area, the military was persuaded to allow a small number of accredited war reporters to be chaperoned around the battle fronts. They were closely watched and their reports thoroughly scrutinised, until they eventually became almost a part of the Headquarters hierarchy. Later, diaries and letters revealed how many of them really felt and they had to bear the post-war shame of not writing the truth. The Western Front was not the only front in this world war. Reporters found censorship less rigidly applied on the Eastern Front, Palestine and Italy. One correspondent, whose reports famously brought about the sacking of the campaign commander and the ending of the fruitless and bloody Gallipoli Expedition, bravely broke ranks and was finished as a war reporter. War reporting was not confined to print. The emergence of photographers and cinematographers on the battlefield has left us with an extraordinary record. Unlike their writing brothers, the photographers could get close to the action and shoot what they liked. The resultant film was, of course, censored but thankfully nothing was discarded and museum archives are full of their stunning work. Having been the pre-war stars of their newspapers, the war reporters experienced a post-war wave of anger and cynicism which took years to overcome.
Author: Peter Arnett
Publisher: Simon and Schuster
ISBN: 0684800365
Category : Biography & Autobiography
Languages : en
Pages : 484
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Book Description
From his controversial coverage of Vietnam, which incurred the wrath of President Johnson but won him a Pulitzer Prize, to his unforgettable and daring on-the-ground reporting of the Gulf War during one of the greatest airborne assaults in history, Peter Arnett has established himself as the leading voice of American war reportage. In Live from the Battlefield, one of the most highly celebrated journalistic memoirs ever written, Peter Arnett gives us an engrossing account of the Vietnam era, as well as an indispensable portrait of battlefield reporting. Live from the Battlefield captures the adventures, gambles, and glories that have marked this master journalist's life with a vividness and intelligence rare in any memoir. But more than that, Arnett provides an insider's view of some of the greatest and most tragic events of the century in a book of singular and enduring importance.
Author: Brian Best
Publisher: Pen and Sword
ISBN: 1473842743
Category : History
Languages : en
Pages : 346
Get Book Here
Book Description
When the war was declared in August 1914, one of the first acts to be implemented by the politicians and military was a strict censorship on the newspapers. As the poacher turned gamekeeper, Winston Churchill said: The war is going to be fought in a fog and the best place for correspondence about the war is London, The military sought to have one of their officers, dubbed “Eyewitness”, to be the official spokesman to enable them to control what the newspapers could print. In the early stages of the war, there were many reporters on the Continent who were evading military arrest and sending back reports about the reality of the situation. Several volunteered with the various ambulance services just to disguise their real purpose, but all were eventually banished. Having finally cleared all reporters from fighting area, the military was persuaded to allow a small number of accredited war reporters to be chaperoned around the battle fronts. They were closely watched and their reports thoroughly scrutinised, until they eventually became almost a part of the Headquarters hierarchy. Later, diaries and letters revealed how many of them really felt and they had to bear the post-war shame of not writing the truth. The Western Front was not the only front in this world war. Reporters found censorship less rigidly applied on the Eastern Front, Palestine and Italy. One correspondent, whose reports famously brought about the sacking of the campaign commander and the ending of the fruitless and bloody Gallipoli Expedition, bravely broke ranks and was finished as a war reporter. War reporting was not confined to print. The emergence of photographers and cinematographers on the battlefield has left us with an extraordinary record. Unlike their writing brothers, the photographers could get close to the action and shoot what they liked. The resultant film was, of course, censored but thankfully nothing was discarded and museum archives are full of their stunning work. Having been the pre-war stars of their newspapers, the war reporters experienced a post-war wave of anger and cynicism which took years to overcome.
Author: Christopher Paul
Publisher: Rand Corporation
ISBN: 083304057X
Category : Political Science
Languages : en
Pages : 175
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Book Description
Focusing on the embedded press system deployed during Operation Iraqi Freedom, this book attempts to answer the following questions: How effective was the embedded press system in meeting the needs of the three main constituencies-the press, the military, and the citizens of the United States? What policy history led to the innovation of an embedded press system? Where are press-military relations likely to go in the future?
Author: James M. Perry
Publisher:
ISBN:
Category : History
Languages : en
Pages : 328
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Book Description
Focusing on a self-proclaimed "bohemian brigade" of Civil War journalists, this volume considers the nature of combat correspondence. Perry describes how competition drove journalists to file stories prematurely, sometimes erroneously predicting the outcome of battles. He also considers army commanders' distrust of war correspondents in spite of their sometimes important contributions.
Author: Tom Reilly
Publisher:
ISBN:
Category : History
Languages : en
Pages : 360
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Book Description
The first book to tell the history of the Mexican war through the eyes of the American reporters--the nation's first war correspondents--who covered it on the ground. Provides an up-close, richly detailed, comprehensive account of the war, as well as insights into the rise of modern commercial journalism, its impact on public perceptions, and its entanglement with national politics.
Author: Elizabeth Becker
Publisher: Black Inc.
ISBN: 1743821662
Category : History
Languages : en
Pages : 320
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Book Description
The long-buried story of three extraordinary female journalists who permanently shattered the barriers to women covering war Kate Webb, an Australian iconoclast, Catherine Leroy, a French daredevil photographer, and Frances FitzGerald, a blue-blood American intellectual, arrived in Vietnam with starkly different life experiences but one shared purpose: to report on the most consequential story of the decade. At a time when women were considered unfit to be foreign reporters, Frankie, Catherine and Kate challenged the rules imposed on them by the military, ignored the belittlement of their male peers, and ultimately altered the craft of war reportage for generations. In You Don’t Belong Here, Elizabeth Becker uses these women’s work and lives to illuminate the Vietnam War from the 1965 American buildup, the expansion into Cambodia, and the American defeat and its aftermath. Arriving herself in the last years of the war, Becker writes as a historian and a witness of the times. What emerges is an unforgettable story of three journalists forging their place in a land of men, often at great personal sacrifice. Deeply reported and filled with personal letters, interviews, and profound insight, You Don’t Belong Here fills a void in the history of women and of war. ‘A riveting read with much to say about the nature of war and the different ways men and women correspondents cover it. Frank, fast-paced, often enraging, You Don’t Belong Here speaks to the distance travelled and the journey still ahead.’ —Geraldine Brooks, Pulitzer Prize–winning author of March, former Wall Street Journal foreign correspondent ‘Riveting, powerful and transformative, Elizabeth Becker’s You Don’t Belong Here tells the stories of three astonishing women. This is a timely and brilliant work from one of our most extraordinary war correspondents.’ —Madeleine Thien, Booker Prize finalist and author of Do Not Say We Have Nothing
Author: Jeff Gannon
Publisher:
ISBN: 9780595462353
Category : History
Languages : en
Pages : 256
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Book Description
Liberal media bias is an established fact, and Jeff Gannon witnessed it first hand while serving "behind enemy lines" in the White House press corps. Gannon's story of how he was driven out of the White House illustrates the challenges conservative journalists face in a profession that is institutionally and genetically liberal. Part of this book is an account of what members of the Old Media, Democrats and liberal activists will do to keep conservatives out of mainstream journalism. It serves as a warning to all journalists as to what can happen when politicians and activists object to their reporting. What they said about Jeff Gannon: U. S. House Speaker Nancy Pelosi-"must be stopped" Vice President Al Gore-"pseudo-reporter" Assistant Senate Majority Leader Dick Durbin-"non-journalist using a false name" House Judiciary Chairman Rep. John Conyers-"sham journalist" Clinton senior advisor Sidney Blumenthal-"a hireling and fraud" Rep. Sheila Jackson Lee (D-TX)-"mouthpiece for the White House" Veteran columnist and reporter Helen Thomas-"a propagandist, a flack for the White House" MSNBC Countdown host Keith Olbermann-"fake reporter" New York Times columnist Frank Rich-"lapdog reporter" PBS host Bill Moyers-"phony journalist"
Author: Bill Katovsky
Publisher: Globe Pequot
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 456
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Book Description
Contains over sixty highly personal perspectives about the media at war in Iraq.
Author: Chris Dubbs (Military historian)
Publisher: U of Nebraska Press
ISBN: 1496200179
Category : Biography & Autobiography
Languages : en
Pages : 329
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Book Description
When war erupted in Europe in 1914, American journalists hurried across the Atlantic ready to cover it the same way they had covered so many other wars. However, very little about this war was like any other. Its scale, brutality, and duration forced journalists to write their own rules for reporting and keeping the American public informed. American Journalists in the Great War tells the dramatic stories of the journalists who covered World War I for the American public. Chris Dubbs draws on personal accounts from contemporary newspaper and magazine articles and books to convey the experiences of the journalists of World War I, from the western front to the Balkans to the Paris Peace Conference. Their accounts reveal the challenges of finding the war news, transmitting a story, and getting it past the censors. Over the course of the war, reporters found that getting their scoop increasingly meant breaking the rules or redefining the very meaning of war news. Dubbs shares the courageous, harrowing, and sometimes humorous stories of the American reporters who risked their lives in war zones to record their experiences and send the news to the people back home.
Author: Tad Bartimus
Publisher: Random House Trade Paperbacks
ISBN: 0375757821
Category : Reporters and reporting
Languages : en
Pages : 322
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Book Description
For the first time, the women who are legends in the world of journalism talk about professional and personal experiences as young reporters who lived, worked, and loved surrounded by war. These stories not only introduce a remarkable group; they give an entirely new perspective on the most controversial war in our history.
