Report of the National Board of Censorship of Motion Pictures

Report of the National Board of Censorship of Motion Pictures PDF Author: National Board of Review of Motion Pictures (U.S.)
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 26

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Report of the National Board of Censorship of Motion Pictures

Report of the National Board of Censorship of Motion Pictures PDF Author: National Board of Review of Motion Pictures (U.S.)
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 16

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The National Board of Censorship (Review) of Motion Pictures, 1909-1922

The National Board of Censorship (Review) of Motion Pictures, 1909-1922 PDF Author: Charles Matthew Feldman
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 258

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Report of the National Board of Censorship of Motion Pictures

Report of the National Board of Censorship of Motion Pictures PDF Author: National Board of Review of Motion Pictures (U.S.)
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 32

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State Censorship of Motion Pictures

State Censorship of Motion Pictures PDF Author: James Richard Rutland
Publisher:
ISBN:
Category : Censorship
Languages : en
Pages : 190

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Freedom of the Movies

Freedom of the Movies PDF Author: Commission on Freedom of the Press
Publisher: Chicago : University of Chicago Press
ISBN:
Category : Motion picture industry
Languages : en
Pages : 262

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Censoring Racial Ridicule

Censoring Racial Ridicule PDF Author: M. Alison Kibler
Publisher: UNC Press Books
ISBN: 1469618370
Category : History
Languages : en
Pages : 329

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A drunken Irish maid slips and falls. A greedy Jewish pawnbroker lures his female employee into prostitution. An African American man leers at a white woman. These and other, similar images appeared widely on stages and screens across America during the early twentieth century. In this provocative study, M. Alison Kibler uncovers, for the first time, powerful and concurrent campaigns by Irish, Jewish and African Americans against racial ridicule in popular culture at the turn of the twentieth century. Censoring Racial Ridicule explores how Irish, Jewish, and African American groups of the era resisted harmful representations in popular culture by lobbying behind the scenes, boycotting particular acts, and staging theater riots. Kibler demonstrates that these groups' tactics evolved and diverged over time, with some continuing to pursue street protest while others sought redress through new censorship laws. Exploring the relationship between free expression, democracy, and equality in America, Kibler shows that the Irish, Jewish, and African American campaigns against racial ridicule are at the roots of contemporary debates over hate speech.

Selected Articles on Censorship of the Theater and Moving Pictures

Selected Articles on Censorship of the Theater and Moving Pictures PDF Author: Lamar Taney Beman
Publisher: Jerome S. Ozer Publishers
ISBN:
Category : Performing Arts
Languages : en
Pages : 400

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Motion Picture Commission

Motion Picture Commission PDF Author: United States. Congress. House. Committee on Education
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 244

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Monitoring the Movies

Monitoring the Movies PDF Author: Jennifer Fronc
Publisher: University of Texas Press
ISBN: 1477313958
Category : History
Languages : en
Pages : 202

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Book Description
As movies took the country by storm in the early twentieth century, Americans argued fiercely about whether municipal or state authorities should step in to control what people could watch when they went to movie theaters, which seemed to be springing up on every corner. Many who opposed the governmental regulation of film conceded that some entity—boards populated by trusted civic leaders, for example—needed to safeguard the public good. The National Board of Review of Motion Pictures (NB), a civic group founded in New York City in 1909, emerged as a national cultural chaperon well suited to protect this emerging form of expression from state incursions. Using the National Board's extensive files, Monitoring the Movies offers the first full-length study of the NB and its campaign against motion-picture censorship. Jennifer Fronc traces the NB's Progressive-era founding in New York; its evolving set of "standards" for directors, producers, municipal officers, and citizens; its "city plan," which called on citizens to report screenings of condemned movies to local officials; and the spread of the NB's influence into the urban South. Ultimately, Monitoring the Movies shows how Americans grappled with the issues that arose alongside the powerful new medium of film: the extent of the right to produce and consume images and the proper scope of government control over what citizens can see and show.