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Author: Pakistan. Film Fact Finding Committee
Publisher:
ISBN:
Category : Motion picture industry
Languages : en
Pages : 434
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Book Description
Author: Pakistan. Film Fact Finding Committee
Publisher:
ISBN:
Category : Motion picture industry
Languages : en
Pages : 434
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Book Description
Author: Estados Unidos. Congress. House. Committee on Un-American Activities
Publisher:
ISBN:
Category : Foreign agents
Languages : en
Pages : 1368
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Book Description
Author: Estados Unidos. Congress. House. Committee on Un-American Activities
Publisher:
ISBN:
Category :
Languages : en
Pages : 1774
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Book Description
Author: United States. Congress. House. Committee on Un-American Activities
Publisher:
ISBN:
Category : Associations, institutions, etc
Languages : en
Pages : 296
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Book Description
Author: United States. Congress. House. Committee on Un-American Activities
Publisher:
ISBN:
Category : Associations, institutions, etc
Languages : en
Pages : 298
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Book Description
Author: United States. Congress. House. Committee on Un-American Activities
Publisher:
ISBN:
Category : Associations, institutions, etc
Languages : en
Pages : 294
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Book Description
Author:
Publisher:
ISBN:
Category : Communism
Languages : en
Pages : 1072
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Book Description
Author: United States. Congress. House. Committee on Un-American Activities
Publisher:
ISBN:
Category : Internal security
Languages : en
Pages : 304
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Book Description
Author: United States. Congress
Publisher:
ISBN:
Category :
Languages : en
Pages : 2366
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Book Description
Author: Salma Siddique
Publisher: Cambridge University Press
ISBN: 1009175521
Category : Performing Arts
Languages : en
Pages : 280
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Book Description
This new history of partition and South Asian cinema is narrated through the careers of émigré film personnel, as well as through the distinctive genres and ancillary ventures that accompanied the aftershocks of partition. Moving beyond arguments about social contingency and political intent, the book suggests that the creative energies, production and subsequent circulation of popular cinema can offer fresh insights into partition. Pointing to regional connections across national boundaries, this book asserts that the cinemas of India and Pakistan must be explored in tandem to uncover the legacy of partition for the culture industries of the region, one that is not hewn out of national erasures. The leitmotifs of émigré personnel, gossip and satire in film print culture, the partisan repertoire of a theatre company, the film genres of the Muslim social, romantic comedies and charba (remakes), and the unruly film archives of postcolonial nation–states, when accessed through the lens of a divisive decolonization, reveal the parallaxes and confabulations of the 'national' on both sides.
