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Author: British Guiana. Treasury
Publisher:
ISBN:
Category :
Languages : en
Pages : 532
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Book Description
Author: British Guiana. Treasury
Publisher:
ISBN:
Category :
Languages : en
Pages : 532
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Book Description
Author: American Historical Association
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 524
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Book Description
Author: Pedro Querejazu
Publisher: America's Society Art Gallery
ISBN:
Category : Art
Languages : es
Pages : 156
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Author: National Society of the Colonial Dames of America
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 56
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Book Description
Author: Connecticut Daughters of the American Revolution
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 376
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Author:
Publisher:
ISBN:
Category : Patriotic societies
Languages : en
Pages : 412
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Author: United States. Congress Senate
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 2494
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Author: Donald Kerr
Publisher: Otago University Press
ISBN: 9781877372216
Category : Administrateurs coloniaux - Grande-Bretagne - Biographies
Languages : en
Pages : 0
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Book Description
Sir George Grey, governor of New Zealand, South Australia and the Cape Colony, was an outstanding British colonial statesman in the nineteenth century. Brilliant and inscrutable, Grey, who was in contact with key Victorians from Darwin to Whately throughout his life, played a central role in overseeing the development of British colonies into politically autonomous entities. Less well-known of Grey is that he was also an obsessive collector of rare books and artefacts, which he selflessly bequeathed to the people he governed. This study, written by a former librarian of the Auckland Grey Collection, sheds desperately needed light on the genius and magnanimity of an increasingly controversial figure, demonstrating the complex humanity underlying his apparent remoteness. It is the first study on Grey of its kind.
Author: Clémentine Deliss
Publisher: Hatje Cantz Verlag
ISBN: 3775748016
Category : Art
Languages : en
Pages : 153
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Book Description
For quite some time now, ethnographic museums in Europe have been compelled to legitimate themselves. Their exhibition-making has become a topic of discussion, as has the contentious history of their collections, which have come about through colonial appropriation. Clearly, this cannot continue. That the situation can be different is something that Clémentine Deliss explores in her current publication. She offers an intriguing mix of autobiographically-informed novel and conceptual thesis on contemporary art and anthropology. Reflections on her own work while she was Director of Frankfurt's Weltkulturen Museum (Museum of World Cultures) are interwoven with the explorations of influential filmmakers, artists and writers. She introduces the Metabolic Museum as an interventionist laboratory for remediating ethnographic collections for future generations. CLÉMENTINE DELISS has achieved international renown as a curator, cultural historian and publisher of artist's books. In her role as Director of the Weltkulturen Museum in Frankfurt, as a curator, and as a professor and researcher at eminent institutes and academies, she focuses on transdisciplinary and transcultural exchanges. She is Associate Curator of KW Berlin and Guest Professor at the Academy of Arts, Hamburg.
Author: Geoffrey Robertson
Publisher: Biteback Publishing
ISBN: 1785905422
Category : Art
Languages : en
Pages : 321
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Book Description
The biggest question in the world of art and culture concerns the return of property taken without consent. Throughout history, conquerors or colonial masters have taken artefacts from subjugated peoples, who now want them returned from museums and private collections in Europe and the USA. The controversy rages on over the Elgin Marbles, and has been given immediacy by figures such as France's President Macron, who says he will order French museums to return hundreds of artworks acquired by force or fraud in Africa, and by British opposition leader Jeremy Corbyn, who has pledged that a Labour government would return the Elgin Marbles to Greece. Elsewhere, there is a debate in Belgium about whether the Africa Museum, newly opened with 120,000 items acquired mainly by armed forces in the Congo, should close. Although there is an international convention dated 1970 that deals with the restoration of artefacts stolen since that time, there is no agreement on the rules of law or ethics which should govern the fate of objects forcefully or lawlessly acquired in previous centuries. Who Owns History? delves into the crucial debate over the Elgin Marbles, but also offers a system for the return of cultural property based on human rights law principles that are being developed by the courts. It is not a legal text, but rather an examination of how the past can be experienced by everyone, as well as by the people of the country of origin.
