Renaissance Mysteries Volume I PDF Download
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Author: Michael Price
Publisher: Page Publishing, Incorporated
ISBN: 9781682139073
Category :
Languages : en
Pages :
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Book Description
The two volumes are an in-depth examination of a lost painting tradition. The books examine how the physical properties of natural and mineral pigments such as azurite, lapis lazuli, malachite, or cinnabar used by artists of the European Renaissance shaped a painting process in which each painting required a thorough plan or composition which began with the geometry of the format (i.e. the proportion of height to width of a rectangle). Volume 1 presents the artist as a painter-craftsman with the preparation of natural colour from rocks and crystals and their application in appropriate binding mediums. The difference in colour quality between natural mineral pigments and modern synthetic paint is examined. Chapters include comprehensive step-by-step instruction for the contemporary artist and conservation scientist on how to prepare and paint with the incomparably luminous colours of the Renaissance palette, as well as the preparation of historical painting supports and grounds. Volume 2, the artist as a creative intellectual, links the painter's craft with the creative process and elucidates the degree of compositional planning starting with the painting's rectangular format. The demonstrated evidence for the application of Euclidean geometry is based upon exact measurements of painted surfaces on panels, X-radiographs, and infrared images from paintings. The final chapter concludes with the reasons for the demise of this painting tradition and how industrialization and the standardization of art materials led to a new painting tradition from the nineteenth century.
Author: Michael Price
Publisher: Page Publishing, Incorporated
ISBN: 9781682139073
Category :
Languages : en
Pages :
Get Book Here
Book Description
The two volumes are an in-depth examination of a lost painting tradition. The books examine how the physical properties of natural and mineral pigments such as azurite, lapis lazuli, malachite, or cinnabar used by artists of the European Renaissance shaped a painting process in which each painting required a thorough plan or composition which began with the geometry of the format (i.e. the proportion of height to width of a rectangle). Volume 1 presents the artist as a painter-craftsman with the preparation of natural colour from rocks and crystals and their application in appropriate binding mediums. The difference in colour quality between natural mineral pigments and modern synthetic paint is examined. Chapters include comprehensive step-by-step instruction for the contemporary artist and conservation scientist on how to prepare and paint with the incomparably luminous colours of the Renaissance palette, as well as the preparation of historical painting supports and grounds. Volume 2, the artist as a creative intellectual, links the painter's craft with the creative process and elucidates the degree of compositional planning starting with the painting's rectangular format. The demonstrated evidence for the application of Euclidean geometry is based upon exact measurements of painted surfaces on panels, X-radiographs, and infrared images from paintings. The final chapter concludes with the reasons for the demise of this painting tradition and how industrialization and the standardization of art materials led to a new painting tradition from the nineteenth century.
Author: Joyce and Jim Lavene
Publisher: Penguin
ISBN: 1101139994
Category : Fiction
Languages : en
Pages : 248
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Book Description
At her glass-blowing apprenticeship, Renaissance reveler Jessie Morton?s crabby boss and his creepy nephew are causing her problems. But when the man playing the Grim Reaper is killed, Jess has to find the lady, lord or serf whodunit.
Author: Nekesa Afia
Publisher: Penguin
ISBN: 059319912X
Category : Fiction
Languages : en
Pages : 305
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Book Description
Named a 2022 People Magazine best book of the summer! A riveting Harlem Renaissance Mystery featuring Louise Lloyd, a young Black woman working in a hot new speakeasy when she gets caught up in a murder that hits too close to home... Harlem, 1927. Twenty-seven-year-old Louise Lloyd has found the perfect job! She is the new manager of the Dove, a club owned by her close friend Rafael Moreno. There Louise meets Nora Davies, one of the girls she was kidnapped with a decade ago. The two women—along with Rafael and his sister, Louise’s girlfriend, Rosa Maria—spend the night at the Dove, drinking and talking. The next morning, Rosa Maria wakes up covered in blood, with no memory of the previous night. Nora is lying dead in the middle of the dance floor. Louise knows Rosa Maria couldn’t have killed Nora, but the police have a hard time believing that no one can remember anything at all about what happened. When Louise and Rosa Maria return to their apartment after being questioned by the police, they find the word GUILTY written across the living room wall in paint that looks a lot like blood. Someone has gone to great lengths to frame and terrify Rosa Maria, and Louise will stop at nothing to clear the woman she loves.
Author: Jeffrey Marks
Publisher:
ISBN: 9781936363711
Category :
Languages : en
Pages : 0
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Book Description
A discussion of several American women mystery authors during the time of spy novels and paperback originals. Each chapter focuses on a different author of domestic noir and that author's works.
Author: Nekesa Afia
Publisher: Penguin
ISBN: 0593199111
Category : Fiction
Languages : en
Pages : 337
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Book Description
“In this terrific series opener, Afia evokes the women’s lives in all their wayward and beautiful glory, especially the abruptness with which their dreams, hopes and fears cease to exist.”--The New York Times The start of an exciting new historical mystery series set during the Harlem Renaissance from debut author Nekesa Afia Harlem, 1926. Young Black women like Louise Lloyd are ending up dead. Following a harrowing kidnapping ordeal when she was in her teens, Louise is doing everything she can to maintain a normal life. She’s succeeding, too. She spends her days working at Maggie’s Café and her nights at the Zodiac, Harlem’s hottest speakeasy. Louise’s friends, especially her girlfriend, Rosa Maria Moreno, might say she’s running from her past and the notoriety that still stalks her, but don’t tell her that. When a girl turns up dead in front of the café, Louise is forced to confront something she’s been trying to ignore—two other local Black girls have been murdered in the past few weeks. After an altercation with a police officer gets her arrested, Louise is given an ultimatum: She can either help solve the case or wind up in a jail cell. Louise has no choice but to investigate and soon finds herself toe-to-toe with a murderous mastermind hell-bent on taking more lives, maybe even her own....
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
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Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Author: Linda Lacour Hobar
Publisher: Bright Ideas Press
ISBN: 9781892427045
Category : Education
Languages : en
Pages : 486
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Book Description
Author: Linda Lacour Hobar
Publisher:
ISBN: 9781892427083
Category : Church history
Languages : en
Pages : 441
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Book Description
Author: Glenn Parris
Publisher: Xlibris Corporation
ISBN: 1483633012
Category : Fiction
Languages : en
Pages : 404
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Book Description
This is the story of Anita Thomas and Jack Wheaton, two young doctors unwittingly in possession of a designer antibody for the treatment of fibromyalgia syndrome. The new drug is effective, but dangerously flawed. The problem is Anita Thomas has developed a cheap, safe alternative agent. Naturally, after expenditure of a fortune in development, the drug manufactures are not at all pleased with her. The pieces unfold, as we follow Anita and Jack from beautiful upscale midtown to the seedier downtown counterparts of Boston and Atlanta over shadowed by deadly stalkers and embellished by amorous often comically frustrating misadventures. The Renaissance of Aspirin is peppered with industrial espionage, suspense and passion as the chase is on for the first cure for fibromyalgia. Entangled with colorful comrades such as Dasher Clay; Stormi Seales and Khandi Barr in their camp, Anita and Jack barely keep ahead of the treacherous cabal of nemeses; Luciana Velasquez and Jason Brasil led by the Über-villain, Orson Quirk. Paced in the tradition of The Pelican Brief, Coma or a contemporary Maltese Falcon, The Renaissance of Aspirin is both plot and character driven with a ly credible McGuffin at its core. These complex characters are funny, mean, desperate, lonely and at the same time very humanly imperfect. Readers will find their prickly exploits thoroughly entertaining.
Author: Chloë R. Reddaway
Publisher: Brepols Publishers
ISBN: 9782503581200
Category : Christian art and symbolism
Languages : en
Pages : 0
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Book Description
How do you paint a figure who is fully human and fully divine? How do you paint Christ? Strangeness and Recognition takes a fresh look at well-known Renaissance paintings of Christ and shows how surprising and deeply 'strange' they can be. This book brings an imaginative and affective theological perspective to the viewing experience as it explores the twin roles played by 'strangeness' and 'recognition' in responding to the challenge of creating and relating to images of Christ. By confounding expectations and defamiliarising subject matter, the ambiguity and mystery of these paintings disturbs viewers' expectations and reconnects them with the extraordinary mystery of the Incarnation. While neither words nor images can fully describe God, through a questioning, challenging dialogue with paintings, whose visual language disrupts itself, viewers can be brought to the limits of their own understanding and can enter into transformative and personlike relationships with paintings. These personal exchanges lead through estrangement to the rediscovery of the familiar within the strange and the renewed within the familiar, and to the ultimately unspeakable, unpaintable, mystery of the Incarnation. Drawing on a diverse range of theologians, philosophers, art historians and art theorists, and building on her own earlier work, Chloe Reddaway shows the theological potential of Christian images, even when they are far removed from their original contexts. A major contribution to the emerging field of visual theology, this book will appeal to scholars of theology and art history alike, as well as to the museum-going public.
