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Languages : en
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Author: Babette Bohn
Publisher: John Wiley & Sons
ISBN: 9781444337266
Category : Art
Languages : en
Pages : 0
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Book Description
A Companion to Renaissance and Baroque Art provides a diverse, fresh collection of accessible, comprehensive essays addressing key issues for European art produced between 1300 and 1700, a period that might be termed the beginning of modern history. Presents a collection of original, in-depth essays from art experts that address various aspects of European visual arts produced from circa 1300 to 1700 Divided into five broad conceptual headings: Social-Historical Factors in Artistic Production; Creative Process and Social Stature of the Artist; The Object: Art as Material Culture; The Message: Subjects and Meanings; and The Viewer, the Critic, and the Historian: Reception and Interpretation as Cultural Discourse Covers many topics not typically included in collections of this nature, such as Judaism and the arts, architectural treatises, the global Renaissance in arts, the new natural sciences and the arts, art and religion, and gender and sexuality Features essays on the arts of the domestic life, sexuality and gender, and the art and production of tapestries, conservation/technology, and the metaphor of theater Focuses on Western and Central Europe and that territory's interactions with neighboring civilizations and distant discoveries Includes illustrations as well as links to images not included in the book
Author: Leo Steinberg
Publisher: University of Chicago Press
ISBN: 022669013X
Category : Art
Languages : en
Pages : 316
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Book Description
Leo Steinberg was one of the most original art historians of the twentieth century, known for taking interpretive risks that challenged the profession by overturning reigning orthodoxies. In essays and lectures ranging from old masters to contemporary art, he combined scholarly erudition with an eloquent prose that illuminated his subject and a credo that privileged the visual evidence of the image over the literature written about it. His writings, sometimes provocative and controversial, remain vital and influential reading. Steinberg’s perceptions evolved from long, hard looking at his objects of study. Almost everything he wrote included passages of formal analysis, but always put into the service of interpretation. This volume begins and ends with thematic essays on two fundamental precepts of Steinberg’s art history: how dependence on textual authority mutes the visual truths of images and why artists routinely copy or adapt earlier artworks. In between are fourteen chapters on masterpieces of renaissance and baroque art, with bold and enlightening interpretations of works by Mantegna, Filippo Lippi, Pontormo, El Greco, Caravaggio, Steen and, finally, Velázquez. Four chapters are devoted to some of Velázquez’s best-known paintings, ending with the famously enigmatic Las Meninas. Renaissance and Baroque Art is the third volume in a series that presents Steinberg’s writings, selected and edited by his longtime associate Sheila Schwartz.
Author: Professor Lisa M Rafanelli
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472444736
Category : Art
Languages : en
Pages : 305
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Book Description
Taking the Noli me tangere and Doubting Thomas episodes as a focal point, this study examines how visual representations of two of the most compelling and related Christian stories engaged with changing devotional and cultural ideals in Renaissance and Baroque Italy. By reuniting their visual examples with important, often little-known textual sources, the authors reveal a complex relationship between visual imagery, the senses, contemporary attitudes toward gender, and the shaping of belief.
Author: Gauvin A. Bailey
Publisher: Springer Science & Business
ISBN: 9780802037213
Category : Architecture
Languages : en
Pages : 534
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Book Description
Between Renaissance and Baroque is a stunning achievement - the first book to be written about the original painting commissions of the Jesuits in Rome. Offering a uniquely comprehensive and comparative analysis of the paintings and stuccoes which adorned all of the Jesuit foundations in the city during their first half century of existence, the study treats some of the most crucial monuments of late Renaissance painting including the original decorations of the church of the Gesù and the Collegio Romano, and the martyrdom frescoes at S. Stefano Rotondo. Based on extensive new archival research from Rome, Florence, Parma, and Perugia, Gauvin Alexander Bailey's study presents an original, revisionist treatment of Italian painting in the last four decades of the sixteenth century, a critical transitional period between Renaissance and Baroque. Bailey relates the Jesuit painting cycles to the great religious and intellectual climate of the period, isolates the new stylistic trends which appeared after the Council of Trent, and looks at the different ways in which artists met the challenges for devotional art made by the religious climate of the post-Tridentine period. Bailey also succeeds in providing the first ever written reconstructions of the Jesuit churches of S. Tommaso di Canterbury, S. Saba, and S. Apollinare, and the original novitiate complex of S. Andrea al Quirinale, the site of the most complex and original hospital decoration in late Renaissance Italy. Through these reconstructions, Bailey sheds new light on such works as Louis Richeôme's meditation manual on the paintings at S. Andrea, Le peinture spirituelle, a lively and detailed treatise on late Renaissance art that has never before been the subject of a thorough study. Ultimately, Bailey provides us with a new understanding of the stylistic and iconographic strands which shortly afterward were woven together to form the Baroque.
Author: Urszula Szulakowska
Publisher: Cambridge Scholars Publishing
ISBN: 1527527433
Category : Art
Languages : en
Pages : 459
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Book Description
This monograph serves as an introduction to the art, architecture and literary culture of the Eastern Polish-Lithuanian Commonwealth in the 16th and 17th centuries. The geographical area under discussion comprises the regions of contemporary Lithuania, western Belarus and western Ukraine. The introduction of the Renaissance and Baroque classical revival into these lands is considered here within the political context of nationalistic and religious loyalties, as well as economic status and class. The central discussion focuses on the issue of national identity and religious loyalty in the inter-relation between the Byzantine inheritance of the Lithuanian and Ruthenian populace and the Polonizing Catholic influences entering from the west. A close study is made of the royal, noble and urban patronage of the richly-diverse visual and literary modes developed in these two centuries, as well as examining the cultural achievements of the many national groups in the Eastern Commonwealth, including Ruthenians, Lithuanians, Poles, Armenians, Jews, Karaite and Islamic Tatars. A major issue explored here is the problem of restoring and conserving the vast amount of devastated material culture in these regions, particularly in Belarus.
Author: Geraldine A. Johnson
Publisher:
ISBN: 9780521562768
Category : Art
Languages : en
Pages : 321
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Book Description
Interdisciplinary approach to the history of women and Renaissance and Baroque Italy.
Author: Helen Diane Russell
Publisher: Feminist Press
ISBN: 9781558610392
Category : Art
Languages : en
Pages : 238
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Book Description
Reproduced here are over 150 prints by male artists from 1460 to the later 17th century. The collection represents the development of printmaking throughout western Europe and reflects the changing perception of gender that accompanied the Protestant Reformation and the rise of capitalism.
Author: Hilliard T. Goldfarb
Publisher: Editions Hazan, Paris
ISBN: 9780300197921
Category : Art
Languages : en
Pages : 0
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Book Description
Artistic and musical creativity thrived in the Venetian Republic between the early 16th century and the close of the 18th century. The city-state was known for its superb operas and splendid balls, and the acoustics of the architecture led to complex polyphony in musical composition. Accordingly, notable composers, including Antonio Vivaldi and Adrian Willaert, developed styles that were distinct from those of other Italian cultures. The Venetian music scene, in turn, influenced visual artists, inspiring paintings by artists such as Jacopo Bassano, Canaletto, Francesco Guardi, Pietro Longhi, Bernardo Strozzi, Giambattista and Domenico Tiepolo, Tintoretto, and Titian. Together, art and music served larger aims, whether social, ceremonial, or even political. Lavishly illustrated, Art and Music in Venice brings Venice's golden age to life through stunning images of paintings, drawings, prints, manuscripts, textbooks, illuminated choir books, musical scores and instruments, and period costumes. New scholarship into these objects by a team of distinguished experts gives a fresh perspective on the cultural life and creative output of the era. Distributed for Editions Hazan, Paris Exhibition Schedule: Montreal Museum of Fine Arts (10/12/13-01/19/14) Portland Art Museum (03/07/14-06/18/14)
Author: Carole Collier Frick
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 280
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Book Description
Surveying the women painters, engravers and sculptors working in 16th and 17th century Italy, this text examines their artistic practices and achievements.
