Renaissance Acting Editions: The Comedie of Errors [The Comedy of Errors] PDF Download
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Author: William Shakespeare
Publisher: Demitra Papadinis
ISBN:
Category : Drama
Languages : en
Pages : 157
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Book Description
Shakespeare's actors did not receive a copy of the entire script but instead worked from "cue-scripts" or "part scripts" which contained only the lines and cues for a single character. The Renaissance Acting Editions provide cue-scripts for those who wish to experiment with the early modern acting process. Each play in the series consists of a set of cue-scripts and an unabridged prompt-script in modern font edited and prepared from William Shakespeare's First Folio of 1623. A "platt" (a.k.a. a "plot," a running list of entrances, exits, and major stage business) and instructions for assembling a cue-script roll are also included. These editions are not direct transcriptions of the First Folio texts. Original spelling, punctuation, and verse lineation have been retained throughout, but minimal revision has been done (e.g., correction of missing entrances and exits, restoration of simultaneous dialogue, etc.) to make the scripts more user-friendly.
![Renaissance Acting Editions: The Comedie of Errors [The Comedy of Errors] PDF](https://books.google.com/books/content/images/frontcover/ERkSaO3B2VgC?fife=w80-h100)
Author: William Shakespeare
Publisher: Demitra Papadinis
ISBN:
Category : Drama
Languages : en
Pages : 157
Get Book Here
Book Description
Shakespeare's actors did not receive a copy of the entire script but instead worked from "cue-scripts" or "part scripts" which contained only the lines and cues for a single character. The Renaissance Acting Editions provide cue-scripts for those who wish to experiment with the early modern acting process. Each play in the series consists of a set of cue-scripts and an unabridged prompt-script in modern font edited and prepared from William Shakespeare's First Folio of 1623. A "platt" (a.k.a. a "plot," a running list of entrances, exits, and major stage business) and instructions for assembling a cue-script roll are also included. These editions are not direct transcriptions of the First Folio texts. Original spelling, punctuation, and verse lineation have been retained throughout, but minimal revision has been done (e.g., correction of missing entrances and exits, restoration of simultaneous dialogue, etc.) to make the scripts more user-friendly.
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 86
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Book Description
Author: William Shakespeare
Publisher: Hal Leonard Corporation
ISBN: 9781557833198
Category : Drama
Languages : en
Pages : 188
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Book Description
(Applause Books). If there has ever been a groundbreaking edition that likewise returns the reader to the original Shakespeare text, it will be THE APPLAUSE FOLIO TEXTS. If there has ever been an accessible version of the Folio, it is this edition, set for the first time in modern fonts. The Folio is the source of all other editions. The Folio text forces us to re-examine the assumptions and prejudices which have encumbered over four hundred years of scholarship and performance. Notes refer the reader to subsequent editorial interventions, and offer the reader a multiplicity of interpretations. Notes also advise the reader on variations between Folios and Quartos. Prepared and annotated by Neil Freeman, Head, Graduate Directing Program, University of British Columbia.
Author: William Shakespeare
Publisher: Read Books Ltd
ISBN: 1528785614
Category : Drama
Languages : en
Pages : 105
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Book Description
Read & Co. Classics presents this new beautiful edition of William Shakespeare's play, "The Comedy of Errors", featuring a specially commissioned new biography of William Shakespeare. Set in the city of Ephesus, the comedy is about the reunion of two sets of long-lost identical twins who were separated in a stormy shipwreck as infants. Each set of twins happens to share the names of the other, giving us two called Antipholus and two Dromio. The play follows the mistaken identities and misadventures encountered on their paths to finding each other. It is Shakespeare’s shortest play and considered the most farcical of all his tales. William Shakespeare (1564 - 1616) was an English playwright, poet, and actor. He is considered to be the greatest writer in the English language and is celebrated as the world's most famous dramatist.
Author: William Shakespeare
Publisher: Samuel French, Inc.
ISBN: 9780573628238
Category :
Languages : en
Pages : 44
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Book Description
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 101
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Book Description
Shakespeare's The Comedy of Errors is the slapstick farce of his youth. In it, the lost twin sons of the old merchant Egeon--both named Antipholus--find themselves in Ephesus, without either one even knowing of the other's existence. Meanwhile, Egeon has arrived in search of the son he thinks is still alive--and has been sentenced to death for the "crime" of being from Syracuse. To add to the confusion, the two Antipholuses have twin servants, both named Dromio. As the four men unwittingly encounter each other, the play is crammed with wildly escalating misunderstandings before the truth emerges and Egeon is pardoned. Shakespeare bases his story on Plautus's Menaechmi, a play about identical twins who accidentally meet after a lifetime apart. He borrows from another Plautus play by having Adriana, the wife of one Antipholus, entertain the other. The spirited Adriana often gives speeches evoking strong emotions--as do other characters at times. Even here, Shakespeare suggests complexities beyond the farce.
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 84
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Book Description
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 109
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Book Description
The Comedy of Errors is probably the most complicated of all Shakespeare's plays, involving two sets of identical twins with multiple identity confusions. It begins with a Syracuse merchant, Egeon, being led to his execution for defying the ban against travel between Syracuse and Ephesus. As he is taken to the gallows he tells Duke Solinus, the Ephesian ruler, that he has come in search of his wife and one of his twin sons, who were lost twenty-five years before in a shipwreck. The other twin is also searching for his mother and brother. The Duke feels sorry for Egeon and gives him a day's stay of execution, to allow him to raise the ransom that would save his life. What Egeon doesn't know is that the son he has raised, Antipholus, and his slave, Dromio, have also arrived in Ephesus and that the missing son lives in Ephesus and has become a prosperous man, involved in the civic life of the city. He is well-known as Antipholus of Ephesus. He also has a slave, called Dromio who is the identical twin brother of Dromio of Syracuse. They had been separated at birth. Antipholus of Ephesus's wife, Adriana, encounters Antipholus of Syracuse and mistakes him for her husband. She insists that he go home with her to dinner. He leaves his slave to guard the door, and when Antipholus of Ephesus comes home, Dromio of Syracuse refuses him entry to the house.
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 128
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Book Description
Author: William Shakespeare
Publisher: Cambridge University Press
ISBN: 1139835319
Category : Literary Collections
Languages : en
Pages : 162
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Book Description
The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. For this second edition of The Comedy of Errors, Ros King has revised T. S. Dorsch's renowned text and commentary and written a completely new introduction to the work. She argues that the play cannot be regarded merely as a farcical romp based on a classical model but that it belongs to the critically misunderstood genre of tragi-comedy. Emphasising the seriousness that underlies the text, she pays special attention to the play's religious imagery and at the same time engages fully with its lightness of touch and its continuing popularity in the theatre. The volume also features accounts of recent and historical performances, and an updated reading list.
