Original Drawings by Rembrandt Harmensz van Rijn PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Original Drawings by Rembrandt Harmensz van Rijn PDF full book. Access full book title Original Drawings by Rembrandt Harmensz van Rijn by Rembrandt Harmensz Van Rijn. Download full books in PDF and EPUB format.
Author: Rembrandt Harmensz Van Rijn
Publisher: Springer
ISBN: 9401526788
Category : Art
Languages : en
Pages : 56
Get Book Here
Book Description
Author: Rembrandt Harmensz Van Rijn
Publisher: Springer
ISBN: 9401526788
Category : Art
Languages : en
Pages : 56
Get Book Here
Book Description
Author: Emile Michel
Publisher: Parkstone International
ISBN: 1780423004
Category : Art
Languages : en
Pages : 160
Get Book Here
Book Description
Rembrandt is completely mysterious in his spirit, his character, his life, his work and his method of painting. What we can divine of his essential nature comes through his painting and the trivial or tragic incidents of his unfortunate life; his penchant for ostentatious living forced him to declare bankruptcy. His misfortunes are not entirely explicable, and his oeuvre reflects disturbing notions and contradictory impulses emerging from the depths of his being, like the light and shade of his pictures. In spite of this, nothing perhaps in the history of art gives a more profound impression of unity than his paintings, composed though they are of such different elements, full of complex significations. One feels as if his intellect, that genial, great, free mind, bold and ignorant of all servitude and which led him to the loftiest meditations and the most sublime reveries, derived from the same source as his emotions. From this comes the tragic element he imprinted on everything he painted, irrespective of subject; there was inequality in his work as well as the sublime, which may be seen as the inevitable consequence of such a tumultuous existence. It seems as though this singular, strange, attractive and almost enigmatic personality was slow in developing, or at least in attaining its complete expansion. Rembrandt showed talent and an original vision of the world early, as evidenced in his youthful etchings and his first self-portraits of about 1630. In painting, however, he did not immediately find the method he needed to express the still incomprehensible things he had to say, that audacious, broad and personal method which we admire in the masterpieces of his maturity and old age. In spite of its subtlety, it was adjudged brutal in his day and certainly contributed to alienate his public. From the time of his beginnings and of his successes, however, lighting played a major part in his conception of painting and he made it the principal instrument of his investigations into the arcana of interior life. It already revealed to him the poetry of human physiognomy when he painted The Philosopher in Meditation or the Holy Family, so deliciously absorbed in its modest intimacy, or, for example, in The Angel Raphael leaving Tobias. Soon he asked for something more. The Night Watch marks at once the apotheosis of his reputation. He had a universal curiosity and he lived, meditated, dreamed and painted thrown back on himself. He thought of the great Venetians, borrowing their subjects and making of them an art out of the inner life of profound emotion. Mythological and religious subjects were treated as he treated his portraits. For all that he took from reality and even from the works of others, he transmuted it instantly into his own substance.
Author: Rembrandt Harmensz Van Rijn
Publisher: Springer
ISBN: 9401526702
Category : Art
Languages : en
Pages : 56
Get Book Here
Book Description
Author: Rembrandt Harmenszoon van Rijn
Publisher: Leningrad : Aurora Art Publishers
ISBN:
Category :
Languages : en
Pages : 200
Get Book Here
Book Description
The National Gallery of Victoria (NGV), located in Melbourne, Australia, features a brief biographical sketch about the Dutch painter Rembrandt Harmenszoon van Rijn (1606-1669). Rembrandt went to Amsterdam to study painting. After mastering everything he had been taught, Rembrandt opened a large studio and taught pupils. While Rembrandt was very successful with his paintings, his personal life was marked with tragedy. Some of Rembrandt's famous works include "The Abduction of Ganymede" (1635), "The Blinding of Samson" (1636), and "The Night Watch" (1642).
Author: Stephanie Schrader
Publisher: Getty Publications
ISBN: 1606065521
Category : Art
Languages : en
Pages : 162
Get Book Here
Book Description
This sumptuously illustrated volume examines the impact of Indian art and culture on Rembrandt (1606–1669) in the late 1650s. By pairing Rembrandt’s twenty-two extant drawings of Shah Jahan, Jahangir, Dara Shikoh, and other Mughal courtiers with Mughal paintings of similar compositions, the book critiques the prevailing notion that Rembrandt “brought life” to the static Mughal art. Written by scholars of both Dutch and Indian art, the essays in this volume instead demonstrate how Rembrandt’s contact with Mughal painting inspired him to draw in an entirely new, refined style on Asian paper—an approach that was shaped by the Dutch trade in Asia and prompted by the curiosity of a foreign culture. Seen in this light, Rembrandt’s engagement with India enriches our understanding of collecting in seventeenth-century Amsterdam, the Dutch global economy, and Rembrandt’s artistic self-fashioning. A close examination of the Mughal imperial workshop provides new insights into how Indian paintings came to Europe as well as how Dutch prints were incorporated into Mughal compositions.
Author: Emile Michel
Publisher:
ISBN:
Category :
Languages : en
Pages : 390
Get Book Here
Book Description
Author: Vladimir Levinson-Lessing
Publisher:
ISBN:
Category :
Languages : en
Pages : 28
Get Book Here
Book Description
Author: Rembrandt
Publisher:
ISBN: 9780500181577
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: Susan Grange
Publisher: Flame Tree Illustrated
ISBN: 9781783619085
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
Rembrandt Harmenszoon van Rijn was the leading painter and graphic artist of the ‘Golden Age of Dutch Art’. He excelled in imbuing his art with the ‘deepest and most lifelike emotion’, with rich detail and stunning lighting. This richly enjoyable book gives the reader an illuminating overview of the life, work and influences of the artist, before going on to showcase the most stunning and varied examples of his oeuvre, broken down into themes – Portraits, Landscape & Narrative, Self-portraits, and Etchings & Drawings. Discover his versatility in the range of works selected, from the electric The Storm on the Sea of Galilee to the treasured The Night Watch, with its triumph in chiaroscuro and energy. A visual feast, it will underline the artist’s status as a true master.
Author: Joachim von Sandrart
Publisher: Getty Publications
ISBN: 1606065629
Category : Art
Languages : en
Pages : 116
Get Book Here
Book Description
The prodigious talent of Rembrandt Harmensz van Rijn (ca. 1606–1669), along with his disregard for many of the artistic conventions of his day, astonished, delighted, and dismayed his contemporaries. The full gamut of their reactions is revealed in these three biographies, which were first published in the decades following Rembrandt’s death and appear here in English for the first time in their entirety. These extraordinary documents, by German, Italian, and Dutch authors schooled in the conventions of neoclassicism, provide richly varied accounts of Rembrandt’s impact on the art world of his time. While the authors for the most part acknowledge his brilliance, sometimes grudgingly, they are wary of Rembrandt’s reliance on personal talent rather than on the rules of art. So, too, are they annoyed at his skill in manipulating the art market. Filled with colorful and amusing anecdotes, these critiques, handsomely complemented here with vivid illustrations, bring into sharper focus the originality and psychological acuity that remain Rembrandt’s trademark to this day. An informative introduction by the scholar Charles Ford situates these texts in the art-historical context of the seventeenth century.
