Author: William Gilpin
Publisher:
ISBN:
Category :
Languages : en
Pages : 428
Book Description
Remarks on Forest Scenery, and Other Woodland Views, (relative Chiefly to Picturesque Beauty) Illustrated by the Scenes of New-Forest in Hampshire
Author: William Gilpin
Publisher:
ISBN:
Category :
Languages : en
Pages : 428
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 428
Book Description
Remarks on Forest Scenery, and Other Woodland Views, Relative Chiefly to Picturesque Beauty
Author: William Gilpin
Publisher:
ISBN:
Category : Landscape
Languages : en
Pages : 414
Book Description
Publisher:
ISBN:
Category : Landscape
Languages : en
Pages : 414
Book Description
Remarks on forest scenery, and other woodland views, illustr. by the scenes of New-forest in Hampshire
Author: William Gilpin
Publisher:
ISBN:
Category :
Languages : en
Pages : 410
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 410
Book Description
Remarks on Forest Scenery ... The Third Edition, Etc
Author: William GILPIN (Prebendary of Salisbury.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 410
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 410
Book Description
Three Essays: On Picturesque Beauty; On Picturesque Travel; and On Sketching Landscape
Author: William Gilpin
Publisher:
ISBN:
Category : Landscape drawing
Languages : en
Pages : 236
Book Description
Publisher:
ISBN:
Category : Landscape drawing
Languages : en
Pages : 236
Book Description
Three essays: on picturesque beauty; on picturesque travel; and on sketching landscape: to which is added a poem, on landscape painting. To these are now added two essays
Author: William Gilpin
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 238
Book Description
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 238
Book Description
Trees in Nineteenth-Century English Fiction
Author: Anna Burton
Publisher: Routledge
ISBN: 1000367614
Category : Literary Criticism
Languages : en
Pages : 248
Book Description
This is a book about a longstanding network of writers and writings that celebrate the aesthetic, socio-political, scientific, ecological, geographical, and historical value of trees and tree spaces in the landscape; and it is a study of the effect of this tree-writing upon the novel form in the long nineteenth century. Trees in Nineteenth-Century English Fiction: The Silvicultural Novel identifies the picturesque thinker William Gilpin as a significant influence in this literary and environmental tradition. Remarks on Forest Scenery (1791) is formed by Gilpin’s own observations of trees, forests, and his New Forest home specifically; but it is also the product of tree-stories collected from ‘travellers and historians’ that came before him. This study tracks the impact of this accumulating arboreal discourse upon nineteenth-century environmental writers such as John Claudius Loudon, Jacob George Strutt, William Howitt, and Mary Roberts, and its influence on varied dialogues surrounding natural history, agriculture, landscaping, deforestation, and public health. Building upon this concept of an ongoing silvicultural discussion, the monograph examines how novelists in the realist mode engage with this discourse and use their understanding of arboreal space and its cultural worth in order to transform their own fictional environments. Through their novelistic framing of single trees, clumps, forests, ancient woodlands, and man-made plantations, Jane Austen, Elizabeth Gaskell, and Thomas Hardy feature as authors of particular interest. Collectively, in their environmental representations, these novelists engage with a broad range of silvicultural conversation in their writing of space at the beginning, middle, and end of the nineteenth century. This book will be of great interest to students, researchers, and academics working in the environmental humanities, long nineteenth-century literature, nature writing and environmental literature, environmental history, ecocriticism, and literature and science scholarship.
Publisher: Routledge
ISBN: 1000367614
Category : Literary Criticism
Languages : en
Pages : 248
Book Description
This is a book about a longstanding network of writers and writings that celebrate the aesthetic, socio-political, scientific, ecological, geographical, and historical value of trees and tree spaces in the landscape; and it is a study of the effect of this tree-writing upon the novel form in the long nineteenth century. Trees in Nineteenth-Century English Fiction: The Silvicultural Novel identifies the picturesque thinker William Gilpin as a significant influence in this literary and environmental tradition. Remarks on Forest Scenery (1791) is formed by Gilpin’s own observations of trees, forests, and his New Forest home specifically; but it is also the product of tree-stories collected from ‘travellers and historians’ that came before him. This study tracks the impact of this accumulating arboreal discourse upon nineteenth-century environmental writers such as John Claudius Loudon, Jacob George Strutt, William Howitt, and Mary Roberts, and its influence on varied dialogues surrounding natural history, agriculture, landscaping, deforestation, and public health. Building upon this concept of an ongoing silvicultural discussion, the monograph examines how novelists in the realist mode engage with this discourse and use their understanding of arboreal space and its cultural worth in order to transform their own fictional environments. Through their novelistic framing of single trees, clumps, forests, ancient woodlands, and man-made plantations, Jane Austen, Elizabeth Gaskell, and Thomas Hardy feature as authors of particular interest. Collectively, in their environmental representations, these novelists engage with a broad range of silvicultural conversation in their writing of space at the beginning, middle, and end of the nineteenth century. This book will be of great interest to students, researchers, and academics working in the environmental humanities, long nineteenth-century literature, nature writing and environmental literature, environmental history, ecocriticism, and literature and science scholarship.
Green and Pleasant Land
Author: Amanda Gilroy
Publisher: Peeters Publishers
ISBN: 9789042914384
Category : Art
Languages : en
Pages : 224
Book Description
The present volume, number VIII in the series Groningen Studies in Cultural Change, offers a selection of papers presented at a workshop organised by Amanda Gilroy and Wil Verhoeven entitled Green and Pleasant Land: English Culture and the Romantic Countryside. The contributions in this volume illuminate the ideological investments of particular ways of experiencing the English countryside of the Romantic era. While their analyses of cultural change are historically specific, they explore, too, the conflicted present-day legacies of romantic landscapes.
Publisher: Peeters Publishers
ISBN: 9789042914384
Category : Art
Languages : en
Pages : 224
Book Description
The present volume, number VIII in the series Groningen Studies in Cultural Change, offers a selection of papers presented at a workshop organised by Amanda Gilroy and Wil Verhoeven entitled Green and Pleasant Land: English Culture and the Romantic Countryside. The contributions in this volume illuminate the ideological investments of particular ways of experiencing the English countryside of the Romantic era. While their analyses of cultural change are historically specific, they explore, too, the conflicted present-day legacies of romantic landscapes.
The British Aesthetic Tradition
Author: Timothy M. Costelloe
Publisher: Cambridge University Press
ISBN: 1139618989
Category : Philosophy
Languages : en
Pages : 361
Book Description
The British Aesthetic Tradition: From Shaftesbury to Wittgenstein is the first single volume to offer readers a comprehensive and systematic history of aesthetics in Britain from its inception in the early eighteenth century to major developments in Britain and beyond in the late twentieth century. The book consists of an introduction and eight chapters, and is divided into three parts. The first part, The Age of Taste, covers the eighteenth-century approaches of internal sense theorists, imagination theorists and associationists. The second, The Age of Romanticism, takes readers from debates over the picturesque through British Romanticism to late Victorian criticism. The third, The Age of Analysis, covers early twentieth-century theories of Formalism and Expressionism to conclude with Wittgenstein and a number of views inspired by his thought.
Publisher: Cambridge University Press
ISBN: 1139618989
Category : Philosophy
Languages : en
Pages : 361
Book Description
The British Aesthetic Tradition: From Shaftesbury to Wittgenstein is the first single volume to offer readers a comprehensive and systematic history of aesthetics in Britain from its inception in the early eighteenth century to major developments in Britain and beyond in the late twentieth century. The book consists of an introduction and eight chapters, and is divided into three parts. The first part, The Age of Taste, covers the eighteenth-century approaches of internal sense theorists, imagination theorists and associationists. The second, The Age of Romanticism, takes readers from debates over the picturesque through British Romanticism to late Victorian criticism. The third, The Age of Analysis, covers early twentieth-century theories of Formalism and Expressionism to conclude with Wittgenstein and a number of views inspired by his thought.
The First Proofs of the Universal Catalogue of Books on Art
Author: ohne Autor
Publisher: BoD – Books on Demand
ISBN: 3846048313
Category : Art
Languages : en
Pages : 1034
Book Description
Reprint of the original, first published in 1870.
Publisher: BoD – Books on Demand
ISBN: 3846048313
Category : Art
Languages : en
Pages : 1034
Book Description
Reprint of the original, first published in 1870.