Three Essays: On Picturesque Beauty; On Picturesque Travel; and On Sketching Landscape PDF Download
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Author: William Gilpin
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 236
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Book Description
Author: William Gilpin
Publisher: London : Printed for R. Blamire, Strand
ISBN:
Category : Forests and forestry
Languages : en
Pages : 404
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Book Description
Author: William Gilpin
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 236
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Book Description
Author: Anna Burton
Publisher: Routledge
ISBN: 1000367614
Category : Literary Criticism
Languages : en
Pages : 231
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Book Description
This is a book about a longstanding network of writers and writings that celebrate the aesthetic, socio-political, scientific, ecological, geographical, and historical value of trees and tree spaces in the landscape; and it is a study of the effect of this tree-writing upon the novel form in the long nineteenth century. Trees in Nineteenth-Century English Fiction: The Silvicultural Novel identifies the picturesque thinker William Gilpin as a significant influence in this literary and environmental tradition. Remarks on Forest Scenery (1791) is formed by Gilpin’s own observations of trees, forests, and his New Forest home specifically; but it is also the product of tree-stories collected from ‘travellers and historians’ that came before him. This study tracks the impact of this accumulating arboreal discourse upon nineteenth-century environmental writers such as John Claudius Loudon, Jacob George Strutt, William Howitt, and Mary Roberts, and its influence on varied dialogues surrounding natural history, agriculture, landscaping, deforestation, and public health. Building upon this concept of an ongoing silvicultural discussion, the monograph examines how novelists in the realist mode engage with this discourse and use their understanding of arboreal space and its cultural worth in order to transform their own fictional environments. Through their novelistic framing of single trees, clumps, forests, ancient woodlands, and man-made plantations, Jane Austen, Elizabeth Gaskell, and Thomas Hardy feature as authors of particular interest. Collectively, in their environmental representations, these novelists engage with a broad range of silvicultural conversation in their writing of space at the beginning, middle, and end of the nineteenth century. This book will be of great interest to students, researchers, and academics working in the environmental humanities, long nineteenth-century literature, nature writing and environmental literature, environmental history, ecocriticism, and literature and science scholarship.
Author: Carol Bolton
Publisher: Routledge
ISBN: 1317242904
Category : Literary Collections
Languages : en
Pages : 731
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Book Description
In 1807 Robert Southey published a pseudonymous account of a journey made through England by a fictitious Spanish tourist, ‘Don Manuel Alvarez Espriella’. Letters from England (1807) relates Espriella’s travels. On his journey Espriella comments on every aspect of British society, from fashions and manners, to political and religious beliefs.
Author: Sylvanus Urban (pseud. van Edward Cave.)
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 1064
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Author: Charles Davies (bookseller, of Coleman st.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 598
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Book Description
Author: Paul Readman
Publisher: Cambridge University Press
ISBN: 1108424732
Category : History
Languages : en
Pages : 355
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Book Description
The relationship between landscape and identity is explored to reveal how Englishness encompasses the urban and rural, and the north and south.
Author: Francis George Heath
Publisher:
ISBN:
Category : Burnham Beeches (Buckinghamshire)
Languages : en
Pages : 136
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Book Description
Author: Faculty of Advocates (Scotland). Library
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 846
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Book Description
Author: Vittoria Di Palma
Publisher: Yale University Press
ISBN: 0300197799
Category : Architecture
Languages : en
Pages : 281
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Book Description
In an eloquent history of landscape and land use, Vittoria Di Palma takes on the “anti-picturesque”—how landscapes that elicit fear and disgust have shaped our conceptions of beauty and the sublime.
