Author: Jennifer Robin Perlmutter
Publisher: Gunter Narr Verlag
ISBN: 9783823362210
Category : Literary Criticism
Languages : en
Pages : 346
Book Description
This volume is devoted to the variety of relationships that defined France and ist citizens. Man's connection with God is explored, the travel raelation and the particular hierarchy that exists between a director and a dramatist, respectively. These themes are further addressed in the articles that follow on relationships of authority, Catholics and Protestants, books and Illustrations, literary genres, travel relations, aesthetics and ethics and family relationships.
Relations & Relationships in Seventeenth-century French Literature
Author: Jennifer Robin Perlmutter
Publisher: Gunter Narr Verlag
ISBN: 9783823362210
Category : Literary Criticism
Languages : en
Pages : 346
Book Description
This volume is devoted to the variety of relationships that defined France and ist citizens. Man's connection with God is explored, the travel raelation and the particular hierarchy that exists between a director and a dramatist, respectively. These themes are further addressed in the articles that follow on relationships of authority, Catholics and Protestants, books and Illustrations, literary genres, travel relations, aesthetics and ethics and family relationships.
Publisher: Gunter Narr Verlag
ISBN: 9783823362210
Category : Literary Criticism
Languages : en
Pages : 346
Book Description
This volume is devoted to the variety of relationships that defined France and ist citizens. Man's connection with God is explored, the travel raelation and the particular hierarchy that exists between a director and a dramatist, respectively. These themes are further addressed in the articles that follow on relationships of authority, Catholics and Protestants, books and Illustrations, literary genres, travel relations, aesthetics and ethics and family relationships.
Love, Power, and Gender in Seventeenth-Century French Fairy Tales
Author: Bronwyn Reddan
Publisher: U of Nebraska Press
ISBN: 1496223950
Category : Fiction
Languages : en
Pages : 265
Book Description
Love is a key ingredient in the stereotypical fairy-tale ending in which everyone lives happily ever after. This romantic formula continues to influence contemporary ideas about love and marriage, but it ignores the history of love as an emotion that shapes and is shaped by hierarchies of power including gender, class, education, and social status. This interdisciplinary study questions the idealization of love as the ultimate happy ending by showing how the conteuses, the women writers who dominated the first French fairy-tale vogue in the 1690s, used the fairy-tale genre to critique the power dynamics of courtship and marriage. Their tales do not sit comfortably in the fairy-tale canon as they explore the good, the bad, and the ugly effects of love and marriage on the lives of their heroines. Bronwyn Reddan argues that the conteuses’ scripts for love emphasize the importance of gender in determining the “right” way to love in seventeenth-century France. Their version of fairy-tale love is historical and contingent rather than universal and timeless. This conversation about love compels revision of the happily-ever-after narrative and offers incisive commentary on the gendered scripts for the performance of love in courtship and marriage in seventeenth-century France.
Publisher: U of Nebraska Press
ISBN: 1496223950
Category : Fiction
Languages : en
Pages : 265
Book Description
Love is a key ingredient in the stereotypical fairy-tale ending in which everyone lives happily ever after. This romantic formula continues to influence contemporary ideas about love and marriage, but it ignores the history of love as an emotion that shapes and is shaped by hierarchies of power including gender, class, education, and social status. This interdisciplinary study questions the idealization of love as the ultimate happy ending by showing how the conteuses, the women writers who dominated the first French fairy-tale vogue in the 1690s, used the fairy-tale genre to critique the power dynamics of courtship and marriage. Their tales do not sit comfortably in the fairy-tale canon as they explore the good, the bad, and the ugly effects of love and marriage on the lives of their heroines. Bronwyn Reddan argues that the conteuses’ scripts for love emphasize the importance of gender in determining the “right” way to love in seventeenth-century France. Their version of fairy-tale love is historical and contingent rather than universal and timeless. This conversation about love compels revision of the happily-ever-after narrative and offers incisive commentary on the gendered scripts for the performance of love in courtship and marriage in seventeenth-century France.
Hellenic Whispers
Author: Susanna Phillippo
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
ISBN: 9783034308519
Category : French drama
Languages : en
Pages : 0
Book Description
This book builds a picture of how Greek literature was reworked by the authors of seventeenth-century French tragedy. The text explores the complex interactions surrounding these adaptations, involving the input of scribes, editors, translators and earlier authors, and asks the important question of what these dramatists conceived of themselves as doing.
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
ISBN: 9783034308519
Category : French drama
Languages : en
Pages : 0
Book Description
This book builds a picture of how Greek literature was reworked by the authors of seventeenth-century French tragedy. The text explores the complex interactions surrounding these adaptations, involving the input of scribes, editors, translators and earlier authors, and asks the important question of what these dramatists conceived of themselves as doing.
Female Intimacies in Seventeenth-Century French Literature
Author: Marianne Legault
Publisher: Routledge
ISBN: 1317136020
Category : Literary Criticism
Languages : en
Pages : 300
Book Description
Examining literary discourses on female friendship and intimacy in seventeenth-century France, this study takes as its premise the view that, unlike men, women have been denied for centuries the possibility of same sex friendship. The author explores the effect of this homosocial and homopriviledged heritage on the deployment and constructions of female friendship and homoerotic relationships as thematic narratives in works by male and female writers in seventeenth-century France. The book consists of three parts: the first surveys the history of male thinkers' denial of female friendship, concluding with a synopsis of the cultural representations of female same-sex practices. The second analyzes female intimacy and homoerotism as imagined, appropriated and finally repudiated by Honoré d'Urfé's pastoral novel, L'Astrée, and Isaac de Benserade's seemingly lesbian-friendly comedy, Iphis et Iante. The third turns to unprecedented depictions of female intimate and homoerotic bonds in Madeleine de Scudéry's novel Mathilde and Charlotte-Rose de Caumont de La Force's fairy tale Plus Belle que Fée. This study reveals a female literary genealogy of intimacies between women in seventeenth-century France, and adds to the research in lesbian and queer studies, fields in which pre-eighteenth-century French literary texts are rare.
Publisher: Routledge
ISBN: 1317136020
Category : Literary Criticism
Languages : en
Pages : 300
Book Description
Examining literary discourses on female friendship and intimacy in seventeenth-century France, this study takes as its premise the view that, unlike men, women have been denied for centuries the possibility of same sex friendship. The author explores the effect of this homosocial and homopriviledged heritage on the deployment and constructions of female friendship and homoerotic relationships as thematic narratives in works by male and female writers in seventeenth-century France. The book consists of three parts: the first surveys the history of male thinkers' denial of female friendship, concluding with a synopsis of the cultural representations of female same-sex practices. The second analyzes female intimacy and homoerotism as imagined, appropriated and finally repudiated by Honoré d'Urfé's pastoral novel, L'Astrée, and Isaac de Benserade's seemingly lesbian-friendly comedy, Iphis et Iante. The third turns to unprecedented depictions of female intimate and homoerotic bonds in Madeleine de Scudéry's novel Mathilde and Charlotte-Rose de Caumont de La Force's fairy tale Plus Belle que Fée. This study reveals a female literary genealogy of intimacies between women in seventeenth-century France, and adds to the research in lesbian and queer studies, fields in which pre-eighteenth-century French literary texts are rare.
Masters and Students
Author: Micah True
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773582002
Category : History
Languages : en
Pages : 205
Book Description
The word "mission" can suggest a distant and dangerous attempt to obtain information for the benefit of the home left behind. However, the term also applies to the movement of information in the opposite direction, as the primary motivation of those on religious missions is not to learn about another culture, but rather to teach their own particular worldview. In Masters and Students, Micah True considers the famous Jesuit Relations (1632-73) from New France as the product of two simultaneous missions, in which the Jesuit priests both extracted information from the poorly understood inhabitants of New France and attempted to deliver Europe's religious knowledge to potential Amerindian converts. This dual position of student and master provides the framework for the author’s reflection on the nature of the Jesuits’ "facts" about Amerindian languages, customs, and beliefs that are recorded in the Relations. Following the missionaries through the process of gaining access to New France, interacting with Amerindian groups, and communicating with Europe about the results of their efforts, Masters and Students explores how the Relations were shaped by the distinct nature of the Jesuit approach to their mission - in both senses of the word.
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773582002
Category : History
Languages : en
Pages : 205
Book Description
The word "mission" can suggest a distant and dangerous attempt to obtain information for the benefit of the home left behind. However, the term also applies to the movement of information in the opposite direction, as the primary motivation of those on religious missions is not to learn about another culture, but rather to teach their own particular worldview. In Masters and Students, Micah True considers the famous Jesuit Relations (1632-73) from New France as the product of two simultaneous missions, in which the Jesuit priests both extracted information from the poorly understood inhabitants of New France and attempted to deliver Europe's religious knowledge to potential Amerindian converts. This dual position of student and master provides the framework for the author’s reflection on the nature of the Jesuits’ "facts" about Amerindian languages, customs, and beliefs that are recorded in the Relations. Following the missionaries through the process of gaining access to New France, interacting with Amerindian groups, and communicating with Europe about the results of their efforts, Masters and Students explores how the Relations were shaped by the distinct nature of the Jesuit approach to their mission - in both senses of the word.
Psychosomatic Disorders in Seventeenth-Century French Literature
Author: Bernadette Höfer
Publisher: Routledge
ISBN: 1317073878
Category : Literary Criticism
Languages : en
Pages : 260
Book Description
Bernadette Höfer's innovative and ambitious monograph argues that the epistemology of the Cartesian mind/body dualism, and its insistence on the primacy of analytic thought over bodily function, has surprisingly little purchase in texts by prominent classical writers. In this study Höfer explores how Surin, Molière, Lafayette, and Racine represent interconnections of body and mind that influence behaviour, both voluntary and involuntary, and that thus disprove the classical notion of the mind as distinct from and superior to the body. The author's interdisciplinary perspective utilizes early modern medical and philosophical treatises, as well as contemporary medical compilations in the disciplines of psychosomatic medicine, neurobiology, and psychoanalysis, to demonstrate that these seventeenth-century French writers established a view of human existence that fully anticipates current thought regarding psychosomatic illness.
Publisher: Routledge
ISBN: 1317073878
Category : Literary Criticism
Languages : en
Pages : 260
Book Description
Bernadette Höfer's innovative and ambitious monograph argues that the epistemology of the Cartesian mind/body dualism, and its insistence on the primacy of analytic thought over bodily function, has surprisingly little purchase in texts by prominent classical writers. In this study Höfer explores how Surin, Molière, Lafayette, and Racine represent interconnections of body and mind that influence behaviour, both voluntary and involuntary, and that thus disprove the classical notion of the mind as distinct from and superior to the body. The author's interdisciplinary perspective utilizes early modern medical and philosophical treatises, as well as contemporary medical compilations in the disciplines of psychosomatic medicine, neurobiology, and psychoanalysis, to demonstrate that these seventeenth-century French writers established a view of human existence that fully anticipates current thought regarding psychosomatic illness.
The Logic of Idolatry in Seventeenth-century French Literature
Author: Ellen McClure
Publisher: Boydell & Brewer
ISBN: 1843845504
Category : Literary Criticism
Languages : en
Pages : 255
Book Description
Idolatry was one of the dominant and most contentious themes of early modern religious polemics. This book argues that many of the best-known literary and philosophical works of the French seventeenth century were deeply engaged and concerned with the theme. In a series of case studies and close readings, it shows that authors used the logic of idolatry to interrogate the fractured and fragile relationship between the divine and the human, with particular attention to the increasingly fraught question of the legitimacy of human agency. Reading d'Urfé, Descartes, La Fontaine, Sévigné, Molire, and Racine through the lens of idolatry reveals heretofore hidden aspects of their work, all while demonstrating the link between the emergent autonomy of literature and philosophy and the confessional conflicts that dominated the period. In so doing, Professor McClure illustrates how religion can become a source of interpretive complexity, and how this dynamism can and should be taken into account in early modern French studies and beyond. ELLEN MCCLURE is Associate Professor of History and French, University of Illinois at Chicago.
Publisher: Boydell & Brewer
ISBN: 1843845504
Category : Literary Criticism
Languages : en
Pages : 255
Book Description
Idolatry was one of the dominant and most contentious themes of early modern religious polemics. This book argues that many of the best-known literary and philosophical works of the French seventeenth century were deeply engaged and concerned with the theme. In a series of case studies and close readings, it shows that authors used the logic of idolatry to interrogate the fractured and fragile relationship between the divine and the human, with particular attention to the increasingly fraught question of the legitimacy of human agency. Reading d'Urfé, Descartes, La Fontaine, Sévigné, Molire, and Racine through the lens of idolatry reveals heretofore hidden aspects of their work, all while demonstrating the link between the emergent autonomy of literature and philosophy and the confessional conflicts that dominated the period. In so doing, Professor McClure illustrates how religion can become a source of interpretive complexity, and how this dynamism can and should be taken into account in early modern French studies and beyond. ELLEN MCCLURE is Associate Professor of History and French, University of Illinois at Chicago.
French Renaissance and Baroque Drama
Author: Michael Meere
Publisher: Rowman & Littlefield
ISBN: 1611495490
Category : Literary Criticism
Languages : en
Pages : 369
Book Description
The fifteen articles in this volume highlight the richness, diversity, and experimental nature of French and Francophone drama before the advent of what would become known as neoclassical French theater of the seventeenth century. In essays ranging from conventional stage plays (tragedies, comedies, pastoral, and mystery plays) to court ballets, royal entrances, and meta- and para-theatrical writings of the period from 1485 to 1640, French Renaissance and Baroque Drama: Text, Performance, Theory seeks to deepen and problematize our knowledge of texts, co-texts, and performances of drama from literary-historical, artistic, political, social, and religious perspectives. Moreover, many of the articles engage with contemporary theory and other disciplines to study this drama, including but not limited to psychoanalysis, gender studies, anthropology, and performance theory. The diversity of the essays in their methodologies and objects of study, none of which is privileged over any other, bespeaks the various types of drama and the numerous ways we can study them.
Publisher: Rowman & Littlefield
ISBN: 1611495490
Category : Literary Criticism
Languages : en
Pages : 369
Book Description
The fifteen articles in this volume highlight the richness, diversity, and experimental nature of French and Francophone drama before the advent of what would become known as neoclassical French theater of the seventeenth century. In essays ranging from conventional stage plays (tragedies, comedies, pastoral, and mystery plays) to court ballets, royal entrances, and meta- and para-theatrical writings of the period from 1485 to 1640, French Renaissance and Baroque Drama: Text, Performance, Theory seeks to deepen and problematize our knowledge of texts, co-texts, and performances of drama from literary-historical, artistic, political, social, and religious perspectives. Moreover, many of the articles engage with contemporary theory and other disciplines to study this drama, including but not limited to psychoanalysis, gender studies, anthropology, and performance theory. The diversity of the essays in their methodologies and objects of study, none of which is privileged over any other, bespeaks the various types of drama and the numerous ways we can study them.
A Woman Who Defends All the Persons of Her Sex
Author: Gabrielle Suchon
Publisher: University of Chicago Press
ISBN: 0226779238
Category : Social Science
Languages : en
Pages : 413
Book Description
During the oppressive reign of Louis XIV, Gabrielle Suchon (1632–1703) was the most forceful female voice in France, advocating women’s freedom and self-determination, access to knowledge, and assertion of authority. This volume collects Suchon’s writing from two works—Treatise on Ethics and Politics (1693) and On the Celibate Life Freely Chosen; or, Life without Commitments (1700)—and demonstrates her to be an original philosophical and moral thinker and writer. Suchon argues that both women and men have inherently similar intellectual, corporeal, and spiritual capacities, which entitle them equally to essentially human prerogatives, and she displays her breadth of knowledge as she harnesses evidence from biblical, classical, patristic, and contemporary secular sources to bolster her claim. Forgotten over the centuries, these writings have been gaining increasing attention from feminist historians, students of philosophy, and scholars of seventeenth-century French literature and culture. This translation, from Domna C. Stanton and Rebecca M. Wilkin, marks the first time these works will appear in English.
Publisher: University of Chicago Press
ISBN: 0226779238
Category : Social Science
Languages : en
Pages : 413
Book Description
During the oppressive reign of Louis XIV, Gabrielle Suchon (1632–1703) was the most forceful female voice in France, advocating women’s freedom and self-determination, access to knowledge, and assertion of authority. This volume collects Suchon’s writing from two works—Treatise on Ethics and Politics (1693) and On the Celibate Life Freely Chosen; or, Life without Commitments (1700)—and demonstrates her to be an original philosophical and moral thinker and writer. Suchon argues that both women and men have inherently similar intellectual, corporeal, and spiritual capacities, which entitle them equally to essentially human prerogatives, and she displays her breadth of knowledge as she harnesses evidence from biblical, classical, patristic, and contemporary secular sources to bolster her claim. Forgotten over the centuries, these writings have been gaining increasing attention from feminist historians, students of philosophy, and scholars of seventeenth-century French literature and culture. This translation, from Domna C. Stanton and Rebecca M. Wilkin, marks the first time these works will appear in English.
Music and the Language of Love
Author: Catherine Gordon-Seifert
Publisher: Indiana University Press
ISBN: 0253000858
Category : Music
Languages : en
Pages : 409
Book Description
Simple songs or airs, in which a male poetic voice either seduces or excoriates a female object, were an influential vocal genre of the French Baroque era. In this comprehensive and interdisciplinary study, Catherine Gordon-Seifert analyzes the style of airs, which was based on rhetorical devices of lyric poetry, and explores the function and meaning of airs in French society, particularly the salons. She shows how airs deployed in both text and music an encoded language that was in sensuous contrast to polite society's cultivation of chaste love, strict gender roles, and restrained discourse.
Publisher: Indiana University Press
ISBN: 0253000858
Category : Music
Languages : en
Pages : 409
Book Description
Simple songs or airs, in which a male poetic voice either seduces or excoriates a female object, were an influential vocal genre of the French Baroque era. In this comprehensive and interdisciplinary study, Catherine Gordon-Seifert analyzes the style of airs, which was based on rhetorical devices of lyric poetry, and explores the function and meaning of airs in French society, particularly the salons. She shows how airs deployed in both text and music an encoded language that was in sensuous contrast to polite society's cultivation of chaste love, strict gender roles, and restrained discourse.