Related Problems in the Production of a Public Relations Motion Picture Film PDF Download
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Author: Francis E. Murphy
Publisher:
ISBN:
Category :
Languages : en
Pages : 69
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Book Description
Author: Francis E. Murphy
Publisher:
ISBN:
Category :
Languages : en
Pages : 69
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Book Description
Author: Ronald Gottesman
Publisher: Ardent Media
ISBN: 9780030852923
Category : Performing Arts
Languages : en
Pages : 244
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Book Description
Author: Federal Council of the Churches of Christ in America. Department of Research and Education
Publisher:
ISBN:
Category : Motion picture industry
Languages : en
Pages : 170
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Book Description
Author:
Publisher:
ISBN:
Category : Documentary films
Languages : en
Pages : 228
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Book Description
Author: Walter Thomas Mathews
Publisher:
ISBN:
Category : Actors, Black
Languages : en
Pages : 266
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Book Description
Author:
Publisher:
ISBN:
Category : Trademarks
Languages : en
Pages : 930
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Book Description
Author:
Publisher:
ISBN:
Category : Motion pictures in education
Languages : en
Pages : 318
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Book Description
Author: Fred Goldberg
Publisher: Butterworth-Heinemann
ISBN: 9780240800776
Category : Technology & Engineering
Languages : en
Pages : 240
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Book Description
The only book of its kind that deals with the real world of selling movies. Provides the tools necessary to successfully market and distribute a movie. Topics include when to begin promoting the film, what to include in a press kit, examples of paperwork, budgets, ads and contracts, how to create and develop advertising concepts and how to work with the director and producer to create effective advertising and publicity material. It also examines how international markets must be accounted for during a promotional campaign.
Author: Thomas Doherty
Publisher: Columbia University Press
ISBN: 0231512848
Category : Performing Arts
Languages : en
Pages : 441
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Book Description
From 1934 to 1954 Joseph I. Breen, a media-savvy Victorian Irishman, reigned over the Production Code Administration, the Hollywood office tasked with censoring the American screen. Though little known outside the ranks of the studio system, this former journalist and public relations agent was one of the most powerful men in the motion picture industry. As enforcer of the puritanical Production Code, Breen dictated "final cut" over more movies than anyone in the history of American cinema. His editorial decisions profoundly influenced the images and values projected by Hollywood during the Great Depression, World War II, and the Cold War. Cultural historian Thomas Doherty tells the absorbing story of Breen's ascent to power and the widespread effects of his reign. Breen vetted story lines, blue-penciled dialogue, and excised footage (a process that came to be known as "Breening") to fit the demands of his strict moral framework. Empowered by industry insiders and millions of like-minded Catholics who supported his missionary zeal, Breen strove to protect innocent souls from the temptations beckoning from the motion picture screen. There were few elements of cinematic production beyond Breen's reach he oversaw the editing of A-list feature films, low-budget B movies, short subjects, previews of coming attractions, and even cartoons. Populated by a colorful cast of characters, including Catholic priests, Jewish moguls, visionary auteurs, hardnosed journalists, and bluenose agitators, Doherty's insightful, behind-the-scenes portrait brings a tumultuous era and an individual both feared and admired to vivid life.
Author: Catherine Jurca
Publisher: Univ of California Press
ISBN: 0520271807
Category : Business & Economics
Languages : en
Pages : 284
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Book Description
“While 1938 may have been a turkey of a year for Hollywood cinema, Catherine Jurca’s book is a genuine feast. Hollywood 1938 is both an intense, up-close study of the big budget films and box office tactics behind the film industry’s annus horribilis, and a savvy meditation on the whole swoop and scope of cinema in Hollywood’s Golden Age. Scrupulously researched and engagingly written, Jurca captures the industry infighting, publicity battles, and audience responses to Hollywood’s ‘greatest year’ with easy erudition and penetrating insight.”—Thomas Doherty, author of Hollywood's Censor: Joseph I. Breen and the Production Code Administration. “Catherine Jurca has taken a nearly forgotten event in the history of Hollywood and demonstrated how much it can tell us about the state of the motion picture industry and its frailties, as well as its relationship with its audience, at a critical moment in its development. She deftly challenges claims about the centrality of Hollywood to American culture in the 1930s, questions its relationship with the public, and examines the ways in which the industry’s perceptions of that public shaped how it made and marketed movies. This is both excellent scholarship and marvelous storytelling.”—Richard Maltby, author of Hollywood Cinema.
