Author: Kia Lindroos
Publisher: Sophi Academic Press
ISBN: 9789513903411
Category : Art
Languages : en
Pages : 0
Book Description
Lindroos constructs an alternative interpretation on history, time, politics and art, approached through the moment of the Now (Jetztzeit). In the first section, she elaborates the critique of chronologic-linear way of understanding history. Through a close reading of Benjamin's "Work of Art" essay, the second section examines the problems of origins, authenticity and traditions of art through the ideas of artistic avant-garde and politicization of aesthetics. The end of the book discusses the concept of image and the new images as an Image-Space (Bildraum) of action.
Now-time Image-space
Author: Kia Lindroos
Publisher: Sophi Academic Press
ISBN: 9789513903411
Category : Art
Languages : en
Pages : 0
Book Description
Lindroos constructs an alternative interpretation on history, time, politics and art, approached through the moment of the Now (Jetztzeit). In the first section, she elaborates the critique of chronologic-linear way of understanding history. Through a close reading of Benjamin's "Work of Art" essay, the second section examines the problems of origins, authenticity and traditions of art through the ideas of artistic avant-garde and politicization of aesthetics. The end of the book discusses the concept of image and the new images as an Image-Space (Bildraum) of action.
Publisher: Sophi Academic Press
ISBN: 9789513903411
Category : Art
Languages : en
Pages : 0
Book Description
Lindroos constructs an alternative interpretation on history, time, politics and art, approached through the moment of the Now (Jetztzeit). In the first section, she elaborates the critique of chronologic-linear way of understanding history. Through a close reading of Benjamin's "Work of Art" essay, the second section examines the problems of origins, authenticity and traditions of art through the ideas of artistic avant-garde and politicization of aesthetics. The end of the book discusses the concept of image and the new images as an Image-Space (Bildraum) of action.
Newsreels in Film Archives
Author: Roger B. N. Smither
Publisher: Kendall Hunt
ISBN: 9780838636961
Category : Performing Arts
Languages : en
Pages : 248
Book Description
This volume brings together some 30 essays and other contributions on the subject of the newsreel from international members of the Federation Internationale des Archives du Film/International Federation of Film Archives (FIAF) and other experts.
Publisher: Kendall Hunt
ISBN: 9780838636961
Category : Performing Arts
Languages : en
Pages : 248
Book Description
This volume brings together some 30 essays and other contributions on the subject of the newsreel from international members of the Federation Internationale des Archives du Film/International Federation of Film Archives (FIAF) and other experts.
The French Cinema Book
Author: Michael Temple
Publisher: Bloomsbury Publishing
ISBN: 1838718869
Category : Performing Arts
Languages : en
Pages : 743
Book Description
This thoroughly revised and expanded edition of a key textbook offers an innovative and accessible account of the richness and diversity of French film history and culture from the 1890s to the present day. The contributors, who include leading historians and film scholars, provide an indispensable introduction to key topics and debates in French film history. Each chronological section addresses seven key themes – people, business, technology, forms, representations, spectators and debates, providing an essential overview of the cinema industry, the people who worked in it, including technicians and actors as well as directors, and the culture of cinema going in France from the beginnings of cinema to the contemporary period.
Publisher: Bloomsbury Publishing
ISBN: 1838718869
Category : Performing Arts
Languages : en
Pages : 743
Book Description
This thoroughly revised and expanded edition of a key textbook offers an innovative and accessible account of the richness and diversity of French film history and culture from the 1890s to the present day. The contributors, who include leading historians and film scholars, provide an indispensable introduction to key topics and debates in French film history. Each chronological section addresses seven key themes – people, business, technology, forms, representations, spectators and debates, providing an essential overview of the cinema industry, the people who worked in it, including technicians and actors as well as directors, and the culture of cinema going in France from the beginnings of cinema to the contemporary period.
The Cambridge History of the Novel in French
Author: Adam Watt
Publisher: Cambridge University Press
ISBN: 1108758045
Category : Literary Criticism
Languages : en
Pages : 848
Book Description
This History is the first in a century to trace the development and impact of the novel in French from its beginnings to the present. Leading specialists explore how novelists writing in French have responded to the diverse personal, economic, socio-political, cultural-artistic and environmental factors that shaped their worlds. From the novel's medieval precursors to the impact of the internet, the History provides fresh accounts of canonical and lesser-known authors, offering a global perspective beyond the national borders of 'the Hexagon' to explore France's colonial past and its legacies. Accessible chapters range widely, including the French novel in Sub-Saharan Africa, data analysis of the novel system in the seventeenth century, social critique in women's writing, Sade's banned works and more. Highlighting continuities and divergence between and within different periods, this lively volume offers routes through a diverse literary landscape while encouraging comparison and connection-making between writers, works and historical periods.
Publisher: Cambridge University Press
ISBN: 1108758045
Category : Literary Criticism
Languages : en
Pages : 848
Book Description
This History is the first in a century to trace the development and impact of the novel in French from its beginnings to the present. Leading specialists explore how novelists writing in French have responded to the diverse personal, economic, socio-political, cultural-artistic and environmental factors that shaped their worlds. From the novel's medieval precursors to the impact of the internet, the History provides fresh accounts of canonical and lesser-known authors, offering a global perspective beyond the national borders of 'the Hexagon' to explore France's colonial past and its legacies. Accessible chapters range widely, including the French novel in Sub-Saharan Africa, data analysis of the novel system in the seventeenth century, social critique in women's writing, Sade's banned works and more. Highlighting continuities and divergence between and within different periods, this lively volume offers routes through a diverse literary landscape while encouraging comparison and connection-making between writers, works and historical periods.
The Oxford Companion to Film
Author: Liz-Anne Bawden
Publisher: New York : Oxford University Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 802
Book Description
World-wide in scope and covering all aspects of film from "AA" certificate and Bud Abbott to Zoom, Zorro and Andre Zvoboda the Companion ranges from silent movies and the beginnings of film to the mid 1970's and includes a wide array of information
Publisher: New York : Oxford University Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 802
Book Description
World-wide in scope and covering all aspects of film from "AA" certificate and Bud Abbott to Zoom, Zorro and Andre Zvoboda the Companion ranges from silent movies and the beginnings of film to the mid 1970's and includes a wide array of information
French Cinema
Author: Richard Abel
Publisher:
ISBN: 9780691008134
Category : Business & Economics
Languages : en
Pages : 672
Book Description
The Description for this book, French Cinema: The First Wave, 1915-1929, will be forthcoming.
Publisher:
ISBN: 9780691008134
Category : Business & Economics
Languages : en
Pages : 672
Book Description
The Description for this book, French Cinema: The First Wave, 1915-1929, will be forthcoming.
The Fascination of Evil
Author: Florian Zeller
Publisher:
ISBN: 1906548048
Category : Fiction
Languages : en
Pages : 161
Book Description
Suspense fiction. Winner of the prestigious Prix Interallie. Cultural clash between Islam and Western civilisation.
Publisher:
ISBN: 1906548048
Category : Fiction
Languages : en
Pages : 161
Book Description
Suspense fiction. Winner of the prestigious Prix Interallie. Cultural clash between Islam and Western civilisation.
The Impresario from Smyrna
Author: Carlo Goldoni
Publisher:
ISBN: 9781502984265
Category : Performing Arts
Languages : en
Pages : 68
Book Description
First produced in Venice in 1761, The Impresario From Smyrna is a comedy depicting the vanities of eighteenth century Italian opera singers. Ali, a wealthy merchant from Smyrna, is planning to introduce Italian opera into Turkey and has enlisted the aid of two agents, Count Lasca and Nibio. Ali is attracted to three pretty sopranos, Lucrezia, Tognina and Annina, but their constant bickering over who is to be considered the prima donna and the exorbitant demands of all concerned make him reconsider his plans. He returns to the relative peace of his Smyrna harem, leaving the company a small sum of money, which they decide to spend on launching a theatre.From the performers to the impresario, the play is a funny look at behind-the-scene rivalries, diva fits, casting couches and audition gossip but it is also about the beautiful vulnerability of the romanticized artistic personae and the mythologies that surround stage life."
Publisher:
ISBN: 9781502984265
Category : Performing Arts
Languages : en
Pages : 68
Book Description
First produced in Venice in 1761, The Impresario From Smyrna is a comedy depicting the vanities of eighteenth century Italian opera singers. Ali, a wealthy merchant from Smyrna, is planning to introduce Italian opera into Turkey and has enlisted the aid of two agents, Count Lasca and Nibio. Ali is attracted to three pretty sopranos, Lucrezia, Tognina and Annina, but their constant bickering over who is to be considered the prima donna and the exorbitant demands of all concerned make him reconsider his plans. He returns to the relative peace of his Smyrna harem, leaving the company a small sum of money, which they decide to spend on launching a theatre.From the performers to the impresario, the play is a funny look at behind-the-scene rivalries, diva fits, casting couches and audition gossip but it is also about the beautiful vulnerability of the romanticized artistic personae and the mythologies that surround stage life."
Twinkle, Twinkle, Little Star
Author: Dick Moore
Publisher: HarperCollins Publishers
ISBN:
Category : Child actors
Languages : en
Pages : 328
Book Description
With contributions from fellow onetime child stars, the author recalls life and work in Hollywood during the 1930s and 1940s and the attitudes of the child stars toward each other, adults, directors, and producers.
Publisher: HarperCollins Publishers
ISBN:
Category : Child actors
Languages : en
Pages : 328
Book Description
With contributions from fellow onetime child stars, the author recalls life and work in Hollywood during the 1930s and 1940s and the attitudes of the child stars toward each other, adults, directors, and producers.
Hollywood on the Hudson
Author: Richard Koszarski
Publisher: Rutgers University Press
ISBN: 9780813542935
Category : Motion picture industry
Languages : en
Pages : 592
Book Description
Thomas Edison invented his motion picture system in New Jersey in the 1890s, and within a few years most American filmmakers could be found within a mile or two of the Hudson River. They planted themselves here because they needed the artistic and entrepreneurial energy that D. W. Griffith realized New York had in abundance. But as the going rate for land and labor skyrocketed and their business grew more industrialized, most of them moved out. The way most historians explain it, the role of New York in the development of American film ends here. In Hollywood on the Hudson, Richard Koszarski rewrites an important part of the history of American cinema. During the 1920s and 1930s, film industry executives had centralized the mass production of feature pictures in a series of gigantic film factories scattered across Southern California, while maintaining New York as the economic and administrative center. But as Koszarski reveals, many writers, producers, and directors also continued to work here, especially if their independent vision was too big for the Hollywood production line. East Coast filmmakers-Oscar Micheaux, Rudolph Valentino, Ben Hecht, Charles MacArthur, Paul Robeson, Gloria Swanson, Max Fleischer, and others-quietly created a studio system without back-lots, long-term contracts or seasonal production slates. They substituted "newsreel photography" for Hollywood glamour, targeted niche audiences instead of middle-American families, ignored accepted dramatic conventions, and pushed the boundaries of motion picture censorship. Rebellious and unconventional, they saw the New York studios as laboratories, not factories-and used them to pioneer the development of new technologies (from talkies to television), new genres, new talent, and ultimately, an entirely new vision of commercial cinema.
Publisher: Rutgers University Press
ISBN: 9780813542935
Category : Motion picture industry
Languages : en
Pages : 592
Book Description
Thomas Edison invented his motion picture system in New Jersey in the 1890s, and within a few years most American filmmakers could be found within a mile or two of the Hudson River. They planted themselves here because they needed the artistic and entrepreneurial energy that D. W. Griffith realized New York had in abundance. But as the going rate for land and labor skyrocketed and their business grew more industrialized, most of them moved out. The way most historians explain it, the role of New York in the development of American film ends here. In Hollywood on the Hudson, Richard Koszarski rewrites an important part of the history of American cinema. During the 1920s and 1930s, film industry executives had centralized the mass production of feature pictures in a series of gigantic film factories scattered across Southern California, while maintaining New York as the economic and administrative center. But as Koszarski reveals, many writers, producers, and directors also continued to work here, especially if their independent vision was too big for the Hollywood production line. East Coast filmmakers-Oscar Micheaux, Rudolph Valentino, Ben Hecht, Charles MacArthur, Paul Robeson, Gloria Swanson, Max Fleischer, and others-quietly created a studio system without back-lots, long-term contracts or seasonal production slates. They substituted "newsreel photography" for Hollywood glamour, targeted niche audiences instead of middle-American families, ignored accepted dramatic conventions, and pushed the boundaries of motion picture censorship. Rebellious and unconventional, they saw the New York studios as laboratories, not factories-and used them to pioneer the development of new technologies (from talkies to television), new genres, new talent, and ultimately, an entirely new vision of commercial cinema.