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Author: Stephen A. King
Publisher: Univ. Press of Mississippi
ISBN: 1496800397
Category : Music
Languages : en
Pages : 204
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Book Description
Who changed Bob Marley’s famous peace-and-love anthem into “Come to Jamaica and feel all right?” When did the Rastafarian fighting white colonial power become the smiling Rastaman spreading beach towels for American tourists? Drawing on research in social movement theory and protest music, Reggae, Rastafari, and the Rhetoric of Social Control traces the history and rise of reggae and the story of how an island nation commandeered the music to fashion an image and entice tourists. Visitors to Jamaica are often unaware that reggae was a revolutionary music rooted in the suffering of Jamaica’s poor. Rastafarians were once a target of police harassment and public condemnation. Now the music is a marketing tool, and the Rastafarians are no longer a “violent counterculture” but an important symbol of Jamaica’s new cultural heritage. This book attempts to explain how the Jamaican establishment’s strategies of social control influenced the evolutionary direction of both the music and the Rastafarian movement. From 1959 to 1971, Jamaica’s popular music became identified with the Rastafarians, a social movement that gave voice to the country’s poor black communities. In response to this challenge, the Jamaican government banned politically controversial reggae songs from the airwaves and jailed or deported Rastafarian leaders. Yet when reggae became internationally popular in the 1970s, divisions among Rastafarians grew wider, spawning a number of pseudo-Rastafarians who embraced only the external symbolism of this worldwide religion. Exploiting this opportunity, Jamaica’s new Prime Minister, Michael Manley, brought Rastafarian political imagery and themes into the mainstream. Eventually, reggae and Rastafari evolved into Jamaica’s chief cultural commodities and tourist attractions.
Author: Stephen A. King
Publisher: Univ. Press of Mississippi
ISBN: 1496800397
Category : Music
Languages : en
Pages : 204
Get Book Here
Book Description
Who changed Bob Marley’s famous peace-and-love anthem into “Come to Jamaica and feel all right?” When did the Rastafarian fighting white colonial power become the smiling Rastaman spreading beach towels for American tourists? Drawing on research in social movement theory and protest music, Reggae, Rastafari, and the Rhetoric of Social Control traces the history and rise of reggae and the story of how an island nation commandeered the music to fashion an image and entice tourists. Visitors to Jamaica are often unaware that reggae was a revolutionary music rooted in the suffering of Jamaica’s poor. Rastafarians were once a target of police harassment and public condemnation. Now the music is a marketing tool, and the Rastafarians are no longer a “violent counterculture” but an important symbol of Jamaica’s new cultural heritage. This book attempts to explain how the Jamaican establishment’s strategies of social control influenced the evolutionary direction of both the music and the Rastafarian movement. From 1959 to 1971, Jamaica’s popular music became identified with the Rastafarians, a social movement that gave voice to the country’s poor black communities. In response to this challenge, the Jamaican government banned politically controversial reggae songs from the airwaves and jailed or deported Rastafarian leaders. Yet when reggae became internationally popular in the 1970s, divisions among Rastafarians grew wider, spawning a number of pseudo-Rastafarians who embraced only the external symbolism of this worldwide religion. Exploiting this opportunity, Jamaica’s new Prime Minister, Michael Manley, brought Rastafarian political imagery and themes into the mainstream. Eventually, reggae and Rastafari evolved into Jamaica’s chief cultural commodities and tourist attractions.
Author: Stephen A. King
Publisher: Univ. Press of Mississippi
ISBN: 9781578064892
Category : History
Languages : en
Pages : 208
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Book Description
"Visitors to Jamaica are often unaware that reggae was a revolutionary music rooted in the suffering of Jamaica's poor. Rastafarians were once a target of police harassment and public condemnation. Now the music is a marketing tool, and the Rastafarians are no longer a "violent counterculture" but an important symbol of Jamaica's new cultural heritage.".
Author: Velma Pollard
Publisher: McGill-Queen's Press - MQUP
ISBN: 077356828X
Category : Foreign Language Study
Languages : en
Pages : 134
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Book Description
Dread Talk examines the effects of Rastafarian language on Creole in other parts of the Carribean, its influence in Jamaican poetry, and its effects on standard Jamaican English. This revised edition includes a new introduction that outlines the changes that have occurred since the book first appeared and a new chapter, "Dread Talk in the Diaspora," that discusses Rastafarian as used in the urban centers of North America and Europe. Pollard provides a wealth of examples of Rastafarian language-use and definitions, explaining how the evolution of these forms derives from the philosophical position of the Rasta speakers: "The socio-political image which the Rastaman has had of himself in a society where lightness of skin, economic status, and social privileges have traditionally gone together must be included in any consideration of Rastafarian words " for the man making the words is a man looking up from under, a man pressed down economically and socially by the establishment."
Author: Obiagele Lake
Publisher:
ISBN:
Category : Religion
Languages : en
Pages : 220
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Book Description
The subordination of Jamaican Rastafarian women represents a microcosm of women's subordination worldwide. Rastafari Women: Subordination in the Midst of Liberation Theology focuses on the Rastafarians who emerged in 1930 in response to the exploitation and disenfranchisement of African people in Jamaica. Rastafarian cultural ideology includes the belief in the divinity of Haile Selassie and that the salvation of people of African descent lies in their repatriation to Africa. Historically, Rastas have played a leading role in raising racial and anti-colonial consciousness in Jamaica. Yet at the same time, the subordination of women within their own ranks is a central aspect of their belief system. RastafarI Women is the product of years of empirical research and conversations with Rastafarian women whose voices are prominent in this work. They speak on such issues as women's codes of dress and their secondary relationship to men. This book is dauntless in its exposition of Christian religious texts and African traditional practices and the ways in which they constitute the basis for the containment of women. In Rastafari Women Lake analyzes the subordination of Rastafarian women within the larger context of sexism, colonialism, and racism in Jamaica making this book an invaluable resource for any whose work involves the intersection of sex, race, and class.
Author: Stephen A. King
Publisher: Univ. Press of Mississippi
ISBN: 1628469145
Category : Music
Languages : en
Pages : 485
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Book Description
In I’m Feeling the Blues Right Now: Blues Tourism and the Mississippi Delta, Stephen A. King reveals the strategies used by blues promoters and organizers in Mississippi, both African American and white, local and state, to attract the attention of tourists. In the process, he reveals how promotional materials portray the Delta’s blues culture and its musicians. Those involved in selling the blues in Mississippi work to promote the music while often conveniently forgetting the state’s historical record of racial and economic injustice. King’s research includes numerous interviews with blues musicians and promoters, chambers of commerce, local and regional tourism entities, and members of the Mississippi Blues Commission. This book is the first critical account of Mississippi’s blues tourism industry. From the late 1970s until 2000, Mississippi’s blues tourism industry was fragmented, decentralized, and localized, as each community competed for tourist dollars. By 2003–2004, with the creation of the Mississippi Blues Commission, the promotion of the blues became more centralized as state government played an increasing role in promoting Mississippi’s blues heritage. Blues tourism has the potential to generate new revenue in one of the poorest states in the country, repair the state’s public image, and serve as a vehicle for racial reconciliation.
Author: Stephen Davis
Publisher: Chicago Review Press
ISBN: 1556524668
Category : Religion
Languages : en
Pages : 322
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Book Description
Going far beyond the standard imagery of Rasta—ganja, reggae, and dreadlocks—this cultural history offers an uncensored vision of a movement with complex roots and the exceptional journey of a man who taught an enslaved people how to be proud and impose their culture on the world. In the 1920s Leonard Percival Howell and the First Rastas had a revelation concerning the divinity of Haile Selassie, king of Ethiopia, that established the vision for the most popular mystical movement of the 20th century, Rastafarianism. Although jailed, ridiculed, and treated as insane, Howell, also known as the Gong, established a Rasta community of 4,500 members, the first agro-industrial enterprise devoted to producing marijuana. In the late 1950s the community was dispersed, disseminating Rasta teachings throughout the ghettos of the island. A young singer named Bob Marley adopted Howell's message, and through Marley's visions, reggae made its explosion in the music world.
Author: Ian Peddie
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754651147
Category : Music
Languages : en
Pages : 262
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Book Description
This volume examines the various ways popular music has been deployed as anti-establishment and how such opposition both influences and responds to the music produced. The book's contemporary focus (largely post-1975) allows for comprehensive coverage of extremely diverse forms of popular music in relation to the creation of communities of protest. The Resisting Muse examines how the forms and aims of social protest music are contingent upon the audience's ability to invest the music with the 'appropriate' political meaning.
Author: Jeremy Prestholdt
Publisher: Oxford University Press
ISBN: 0190092599
Category : History
Languages : en
Pages : 343
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Book Description
The global icon is an omnipresent but poorly understood element of mass culture. This book asks why audiences around the world have embraced particular iconic figures, how perceptions of these figures have changed, and what this tells us about transnational relations since the Cold War era. Prestholdt addresses these questions by examining one type of icon: the anti-establishment figure. As symbols that represent sentiments, ideals, or something else recognizable to a wide audience, icons of dissent have been integrated into diverse political and consumer cultures, and global audiences have reinterpreted them over time. To illustrate these points the book examines four of the most evocative and controversial figures of the past fifty years: Che Guevara, Bob Marley, Tupac Shakur, and Osama bin Laden. Each has embodied a convergence of dissent, cultural politics, and consumerism, yet popular perceptions of each reveal the dissonance between shared, global references and locally contingent interpretations. By examining four very different figures, Icons of Dissent offers new insights into global symbolic idioms, the mutability of common references, and the commodification of political sentiment in the contemporary world.
Author: Susanna Scarparo
Publisher: Springer
ISBN: 3319965050
Category : Music
Languages : en
Pages : 249
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Book Description
This book explores the significance of reggae and hip hop in Southern Italy from the beginning of the 1980s to the present. Focusing on groups and solo artists located predominantly in the Southern Italian regions of Apulia and Sardinia, it examines the production and distribution of their music, lyrics and video clips. To this end, Reggae and Hip Hop in Southern Italy emphasizes the linguistic aspects of cultural marginalization as well as marginalities linked to geographical location, gender, and to social and political identification. The authors put forward three key arguments, namely: that the Southern Italian transcultural and multilingual musical productions defy the cultural stereotype of the South; that the musicians discussed are creating new alliances and transcultural exchanges that engage critically with the challenges and opportunities offered by globalization; and that these musical productions represent one of Italy’s most significant forms of creative political expression since the 1970s. Reggae and Hip Hop in Southern Italy brings to light the distinctive characteristics of Italy’s independent and marginal musical contexts of reggae and reggae-inflected hip hop. It will serve as an invaluable resource for academics and students of Italian cultural studies, global studies, and the politics of non-hegemonic cultural production. It also provides an engaging reference for those with an interest in southern Italy, Apulia, Sardinia, the southern question and independent and popular music more generally.
Author: Shelene Gomes
Publisher: Springer Nature
ISBN: 3030822729
Category : Social Science
Languages : en
Pages : 217
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Book Description
This is a book about the power of the imagination to move persons from the Global South as they reinvent themselves. This ethnography focuses on Caribbean Rastafari who have undertaken a spiritual repatriation to Ethiopia over several decades particularly, though not exclusively, from Jamaica. Shelene Gomes traces the formation of a Rastafari community located in the multicultural Jamaica Safar or Jamaica neighbourhood in the Ethiopian city of Shashamane following a twentieth century grant of land from the former Ethiopian Emperor, Haile Selassie I. In presenting narratives of spiritual repatriation, everyday behaviours and ritualised events, Gomes provides an ethnographic account of Caribbean cosmopolitan sensibilities. Situated in the historical conditions of colonial West Indian plantations and the asymmetries of freedom and bondage within modernity, a recognition of global positionalities and local situatedness characterises this case of cosmopolitanism from the Global South. Shifting the centre of worldviews from Europe to Africa, Rastafari both challenge global disparities as well as reproduce hierarchies in the local space of the Jamaica Safar. In positioning Ethiopia as the spiritual birthplace of humanity, Rastafari also engage in ontological and epistemological reinvention. This spiritual repatriation, in its emic sense, foregrounds the Caribbeanist contribution to anthropology. Ethnographies of the Caribbean have been at the forefront of anthropological enquiries into global interconnections. This discussion of spiritual repatriation is both specific to the diasporic Caribbean and relevant to wider world-making processes and representations.
