Redefining the Chicano cultural identity in the film "Tortilla soup" (2001). El Nuevo Latino PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Redefining the Chicano cultural identity in the film "Tortilla soup" (2001). El Nuevo Latino PDF full book. Access full book title Redefining the Chicano cultural identity in the film "Tortilla soup" (2001). El Nuevo Latino by Tetyana Lysenko. Download full books in PDF and EPUB format.
Author: Tetyana Lysenko
Publisher: GRIN Verlag
ISBN: 3346451445
Category : Literary Collections
Languages : en
Pages : 22
Get Book
Book Description
Seminar paper from the year 2015 in the subject American Studies - Culture and Applied Geography, grade: 1,7, Bielefeld University, language: English, abstract: While reading about Chicano nationalist movement, I found out that this struggle of Mexican-Americans against an economic and social oppression by the dominant U.S. society, afterwards has not disappeared completely. Until today it inspires Mexican-American intellectuals, artists, cineastes and writers to continue the path of ethnic/cultural self-affirmation. Thus, I was intrigued about how Mexican-Americans would define their ethnical identity today in backdrop of the current demographic shift, which manifests itself in the transforming from Latino minority into the majority population. This phenomenon which the U.S. media called "browning" or "latinization" of America, was evoked due to the immigration boom in the 1990s and early 2000s along with higher birth rates among U.S. Latino minorities. In the face of this fact, the state and its institutions became more aware of its multicultural and multiracial future, and that pushed them to redefine, reaffirm or, applying terminology of Anderson, to re-imagine itself once again as a nation. Yet it is still unclear what would it mean for future majority population. According to Stephen Bochner "the cultural identity of a society is defined by its majority group, and this group is usually quite distinguishable from the minority sub-groups with whom they share the physical environment and the territory that they inhabit". Well, would this claim also be legitimate in case of the U.S. demographic shift? How are Mexican-Americans perceiving this change? Whether there are changes in their mindsets and ways they represent themselves on social and cultural levels too? It should not be forgotten that Mexican-American community lived over the history under the labels of sub-group, temporal nation builders or just minority which in subtext implies less important.
Author: Tetyana Lysenko
Publisher: GRIN Verlag
ISBN: 3346451445
Category : Literary Collections
Languages : en
Pages : 22
Get Book
Book Description
Seminar paper from the year 2015 in the subject American Studies - Culture and Applied Geography, grade: 1,7, Bielefeld University, language: English, abstract: While reading about Chicano nationalist movement, I found out that this struggle of Mexican-Americans against an economic and social oppression by the dominant U.S. society, afterwards has not disappeared completely. Until today it inspires Mexican-American intellectuals, artists, cineastes and writers to continue the path of ethnic/cultural self-affirmation. Thus, I was intrigued about how Mexican-Americans would define their ethnical identity today in backdrop of the current demographic shift, which manifests itself in the transforming from Latino minority into the majority population. This phenomenon which the U.S. media called "browning" or "latinization" of America, was evoked due to the immigration boom in the 1990s and early 2000s along with higher birth rates among U.S. Latino minorities. In the face of this fact, the state and its institutions became more aware of its multicultural and multiracial future, and that pushed them to redefine, reaffirm or, applying terminology of Anderson, to re-imagine itself once again as a nation. Yet it is still unclear what would it mean for future majority population. According to Stephen Bochner "the cultural identity of a society is defined by its majority group, and this group is usually quite distinguishable from the minority sub-groups with whom they share the physical environment and the territory that they inhabit". Well, would this claim also be legitimate in case of the U.S. demographic shift? How are Mexican-Americans perceiving this change? Whether there are changes in their mindsets and ways they represent themselves on social and cultural levels too? It should not be forgotten that Mexican-American community lived over the history under the labels of sub-group, temporal nation builders or just minority which in subtext implies less important.
Author: Sofie Renner
Publisher: GRIN Verlag
ISBN: 3638939677
Category : Biography & Autobiography
Languages : en
Pages : 38
Get Book
Book Description
Seminar paper from the year 2003 in the subject American Studies - Literature, grade: 2 (B), University of Tubingen (English Seminar), course: HS Literature: Latino Images in U.S. Latino Film, 16 entries in the bibliography, language: English, abstract: I. Introduction In the following written analysis, I am going to deal with the topic "The film "Tortilla Soup" in context of Mexican Life in America and Type and Stereotype of Chicanos and Latinos in Film". In the main body, I am going to show II.1 Mexico with the points II.1.1 Mexican history, II.1.2 Mexican American Migration and II.1.3 Mexican Life in America. The next point will deal with the film "Tortilla Soup", II.2 About the film. I will divide this point into II.2.1 Plot, II.2.2 Major characters and actors and II.2.3 The picture of food in connection with family in "Tortilla Soup". After that, I will talk about II.3.1 Latinos and chicanos. This point will be divided into II.3.1 Type and Stereotype: Chicano Images in Film, II.3.2 What it means to be Latino in 2000 and II.3.4 Contemporary Latino films - the end of stereotypes?. The last point will be III. Conclusion. I think that the historical embedding of a film is extremely important to gain a better understanding of a film. I wanted to focus on Mexico first with its history, migration and the life of Mexicans in America. Then I wanted to talk about the film itself with the plot, main characters and the picture of food in connection with family in the film. And in the end, I wanted to deal with the topic of Chicano Images in Film, Latinos in the year 2000 and contemporary Latino films with a possible ending of stereotypes.
Author: Dominik Lorenz
Publisher: GRIN Verlag
ISBN: 3640211057
Category : Language Arts & Disciplines
Languages : en
Pages : 30
Get Book
Book Description
Seminar paper from the year 2008 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 1,7, University of Freiburg, course: Mexicans in the US, 29 entries in the bibliography, language: English, abstract: In this term paper, negative stereotypes of Mexicans and Chicanos in the U.S. media will be examined. These stereotypes include violent, criminal and vile behavior while wearing a wide-brimmed sombrero with a bottle of tequila in hand. Why do they exist? What are the reasons for this? Berg argues that one prominent source for the dominant stereotype of Chicanos is the media, primarily the globally dominant U.S. media, and specifically - though not exclusively - Hollywood movies. According to the psychologist Yueh-Ting Lee, "stereotypes are probabilistic belief [which we] use to categorize people, objects, and events and we have to have them in order to deal with all the information in a world with which we are often uncertain as well as unfamiliar." A dangerous character is ascribed to stereotypes when we consider Bower's statement that stereotyping can be seen as a "breeding soil for errant generalizations about others that easily [merge] into racism, sexism, and other forms of bigotry." Since a complete presentation of the existing stereotypes would stretch the point, I will focus on the most popular stereotypes ascribed to Chicanos. Furthermore, the origin of these negative stereotypes towards this minority will be analysed. In order to explore this, I will place emphasis on stereotypes in American news, movies and in advertisement. Last but not least, I will talk about multicultural picture books and stereotypes therein. In the first part of this term paper, I will talk about blurred coverage in American news. Syque states that in creating stereotypes "we often mistakenly assume things are correlated when they are not; when we make this mistake, we will find ways to 'prove' it or simply believe and assert the correlation
Author: Markus Widmer
Publisher: GRIN Verlag
ISBN: 3640202716
Category : Biography & Autobiography
Languages : en
Pages : 29
Get Book
Book Description
Seminar paper from the year 1998 in the subject American Studies - Literature, grade: 2 (B), University of Aberdeen (English Department), course: Chicano Fiction, 9 entries in the bibliography, language: English, abstract: In this essay, I will address the question of Chicano identity by investigating two very different texts, that both deal with a quest for identity in a Mexican-American context: Tomás Rivera's ...And the Earth Did Not Devour Him and Richard Rodriguez' Hunger of Memory: The Education of Richard Rodriguez. I will first discuss the contextual differences between the two works. Then I will consider the definitions of identity upon which the texts are based. Going deeper into the works themselves, I will finally discuss along which lines the two quests for identity develop. In conclusion, I will connect my investigations to the question of whether Chicano identity is unified or fragmented. Both Tomás Rivera's ...And the Earth Did Not Devour Him and Richard Rodriguez' Hunger of Memory are about an individual searching for his identity. In both works, the protagonist is a Mexican-American or 'Chicano'. However, the differences between the two books are huge. The generic difference is most obvious: Rivera's work is a fictional narrative, which Héctor Calderón termed 'novel-as-tales'.1 Rodriguez, referring to his book, speaks of '[e]ssays impersonating an autobiography' (p. 7). This entails that the subject searching for identity is, in Rodriguez' case, the author himself, or rather his literary image. In Rivera's case, the subject is purely fictional, although some critics have identified this literary subject with the author.
Author: Lauren H. Derby
Publisher: Duke University Press
ISBN: 0822390868
Category : History
Languages : en
Pages : 430
Get Book
Book Description
The dictatorship of Rafael Trujillo, who ruled the Dominican Republic from 1930 until his assassination in 1961, was one of the longest and bloodiest in Latin American history. The Dictator’s Seduction is a cultural history of the Trujillo regime as it was experienced in the capital city of Santo Domingo. Focusing on everyday forms of state domination, Lauren Derby describes how the regime infiltrated civil society by fashioning a “vernacular politics” based on popular idioms of masculinity and fantasies of race and class mobility. Derby argues that the most pernicious aspect of the dictatorship was how it appropriated quotidian practices such as gossip and gift exchange, leaving almost no place for Dominicans to hide or resist. Drawing on previously untapped documents in the Trujillo National Archives and interviews with Dominicans who recall life under the dictator, Derby emphasizes the role that public ritual played in Trujillo’s exercise of power. His regime included the people in affairs of state on a massive scale as never before. Derby pays particular attention to how events and projects were received by the public as she analyzes parades and rallies, the rebuilding of Santo Domingo following a major hurricane, and the staging of a year-long celebration marking the twenty-fifth year of Trujillo’s regime. She looks at representations of Trujillo, exploring how claims that he embodied the popular barrio antihero the tíguere (tiger) stoked a fantasy of upward mobility and how a rumor that he had a personal guardian angel suggested he was uniquely protected from his enemies. The Dictator’s Seduction sheds new light on the cultural contrivances of autocratic power.
Author: Anthony W. Fontes
Publisher: Univ of California Press
ISBN: 0520969596
Category : Social Science
Languages : en
Pages : 336
Get Book
Book Description
The fear of violent crime dominates Guatemala City. In the midst of unprecedented levels of postwar violence, Guatemalans struggle to fathom the myriad forces that have made life in this city so deeply insecure. Born out of histories of state terror, migration, and US deportation, maras (transnational gangs) have become the face of this new era of violence. They are brutal organizations engaged in extortion, contract killings, and the drug trade, and yet they have also become essential to the emergence of a certain kind of social order. Drawing on years of fieldwork inside prisons, police precincts, and gang-dominated neighborhoods, Anthony W. Fontes demonstrates how gang violence has become indissoluble from contemporary social imaginaries and how these gangs provide cover for a host of other criminal actors. Ethnographically rich and unflinchingly critical, Mortal Doubt illuminates the maras’ role in making and mooring collective terror in Guatemala City while tracing the ties that bind this violence to those residing in far safer environs.
Author: Manuel G. Gonzales
Publisher: Indiana University Press
ISBN: 0253221250
Category : History
Languages : en
Pages : 408
Get Book
Book Description
Newly revised and updated, Mexicanos tells the rich and vibrant story of Mexicans in the United States. Emerging from the ruins of Aztec civilization and from centuries of Spanish contact with indigenous people, Mexican culture followed the Spanish colonial frontier northward and put its distinctive mark on what became the southwestern United States. Shaped by their Indian and Spanish ancestors, deeply influenced by Catholicism, and tempered by an often difficult existence, Mexicans continue to play an important role in U.S. society, even as the dominant Anglo culture strives to assimilate them. Thorough and balanced, Mexicanos makes a valuable contribution to the understanding of the Mexican population of the United States—a growing minority who are a vital presence in 21st-century America.
Author: Sophia A. McClennen
Publisher: Springer
ISBN: 3319570609
Category : Performing Arts
Languages : en
Pages : 544
Get Book
Book Description
Studying the case of Latin American cinema, this book analyzes one of the most public - and most exportable- forms of postcolonial national culture to argue that millennial era globalization demands entirely new frameworks for thinking about the relationship between politics, culture, and economic policies. Concerns that globalization would bring the downfall of national culture were common in the 1990s as economies across the globe began implementing neoliberal, free market policies and abolishing state protections for culture industries. Simultaneously, new technologies and the increased mobility of people and information caused others to see globalization as an era of heightened connectivity and progressive contact. Twenty-five years later, we are now able to examine the actual impact of globalization on local and regional cultures, especially those of postcolonial societies. Tracing the full life-cycle of films and studying blockbusters like City of God, Motorcycle Diaries, and Children of Men this book argues that neoliberal globalization has created a highly ambivalent space for cultural expression, one willing to market against itself as long as the stories sell. The result is an innovative and ground-breaking text suited to scholars interested in globalization studies, Latin-American studies and film studies.
Author: Stephanie Fetta
Publisher: Arte Publico Press
ISBN: 1611923034
Category : Literary Collections
Languages : en
Pages : 352
Get Book
Book Description
ñDavid is mine!î Mrs. Renteria shouts out to her neighbors gathered about the dead but handsome young man found in the dry riverbed next to their homes in a Los Angeles barrio. ñDavid?î Tiburcio asked. ñSince when is his name David? He looks to me more like a î Tiburcio glanced at the manÍs face, ñ a Luis.î Mrs. RenteriaÍs neighbors call out a litany of names that better suit the mysterious corpse: Roberto, Antonio, Henry, Enrique, Miguel, Roy, Rafael. The very first winner of the Chicano / Latino Literary Prize in 1974, Ron AriasÍ ñThe Wetbackî uses dark humor to reflect on the appearance of a dead brown man in their midst. This landmark collection of prize-winning fiction, poetry, and drama paints a historical and aesthetic panorama of Chicana/o and Latina/o letters over a twenty-five-year period beginning in 1974 and ending in 1999. Most, but not all, of the winning entries are featured in this anthology, which also includes second- and third-place winners, as well as honorable mentions. Now entering its thirty-first year, the award has recognized a wide variety of writers, from established ones such as Juan Felipe Herrera, Michael Nava, and Helena Maria Viramontes, to those that are lesser known. Many of the pieces in this anthology are considered to be foundational texts of Chicana/o and Latina/o literature, and those that are not as widely recognized deserve more serious study and attention. Presented in chronological order, the selected writings are primarily in English, although some are written in Spanish, and others in Spanglish. Some, like Francisco X. AlarconÍs poem ñRaices / Roots,î appear in both languages: ñMis raices / las cargo / siempre / conmigo / enrolladas / me sirven / de almohada.î ñI carry / my roots / with me / all the time / rolled up / I use them / as my pillow.î In addition to the diverse array of authors, styles, and genres, the works included in this collection cover a wide range of themes, from more political issues of ethnic, gender, and class.
Author: Subcomandante Marcos
Publisher: Seven Stories Press
ISBN: 1609800443
Category : Literary Collections
Languages : en
Pages : 518
Get Book
Book Description
In this landmark book, Seven Stories Press presents a powerful collection of literary, philosophical, and political writings of the masked Zapatista spokesperson, Subcomandante Insurgente Marcos. Introduced by Nobel Prize winner José Saramago, and illustrated with beautiful black and white photographs, Our Word Is Our Weapon crystallizes "the passion of a rebel, the poetry of a movement, and the literary genius of indigenous Mexico." Marcos first captured world attention on January 1, 1994, when he and an indigenous guerrilla group calling themselves "Zapatistas" revolted against the Mexican government and seized key towns in Mexico's southernmost state of Chiapas. In the six years that have passed since their uprising, Marcos has altered the course of Mexican politics and emerged an international symbol of grassroots movement-building, rebellion, and democracy. The prolific stream of poetic political writings, tales, and traditional myths that Marcos has penned since January 1, 1994 fill more than four volumes. Our Word Is Our Weapon presents the best of these writings, many of which have never been published before in English. Throughout this remarkable book we hear the uncompromising voice of indigenous communities living in resistance, expressing through manifestos and myths the universal human urge for dignity, democracy, and liberation. It is the voice of a people refusing to be forgotten the voice of Mexico in transition, the voice of a people struggling for democracy by using their word as their only weapon.
