Bibliographie Des Éditions Originales D'auteurs Français Des XVI, XVII Et XVIII Siècles PDF Download
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Author: Antonin Rochebilière
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 320
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Book Description
Author: Antonin Rochebilière
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 320
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Book Description
Author: Jules Vannérus
Publisher:
ISBN:
Category : Luxembourg
Languages : en
Pages : 820
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Book Description
Author: George Herbert Powell
Publisher: London, Lawrence & bullen
ISBN:
Category : Book collecting
Languages : en
Pages : 306
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Book Description
Author: W. McAllister Johnson
Publisher: Kingston [Ont.] : Agnes Etherington Art Centre, Queen's University
ISBN:
Category : Artists
Languages : en
Pages : 224
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Book Description
Author: Jay M. Smith
Publisher: Harvard University Press
ISBN: 0674047168
Category : History
Languages : en
Pages : 392
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Book Description
In 1764 a peasant girl was killed and partially eaten while tending sheep. Eventually, over a hundred victims fell prey to a mysterious creature whose deadly efficiency mesmerized Europe. Monsters of the Gévaudan revisits this spellbinding tale and offers the definitive explanation for its mythic status in French folklore.
Author: Michael Hüttler
Publisher: Hollitzer Wissenschaftsverlag
ISBN: 399012076X
Category : Music
Languages : en
Pages : 404
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Book Description
The book series "Ottomania" researches cultural transfers between the Ottoman Empire and Europe, with the performing arts as its focus. The fifth volume of the sub-series Ottoman Empire and European Theatre focuses on The Turkish Subject in Ballet and Dance from the seventeenth century to the time of Christoph W. Gluck (1714-1787). The Turkish theme was a popular topic on European ballet stages throughout the seventeenth and eighteenth centuries, and most influential choreographers had 'Turkish' ballets in their repertoire. Taking as its departure point Ch. W. Gluck and Gasparo Angiolini (1741-1803), succesful composer and choreographer of ballets at the French theatre in Vienna, this publication discusses the topic from a historical perspective, presents new findings, and introduces the latest scholarly achievements of the research field. Contributions by Emre Aracı, Bruce Alan Brown, David Chataignier, Sibylle Dahms, Vera Grund, Bert Gstettner, Bent Holm, Michael Hüttler, Evren Kutlay, Dóra Kiss, Laura Naudeix, Strother Purdy, Katalin Rumpler, Käthe Springer-Dissmann, Dirk Van Waelderen, Hans Ernst Weidinger
Author: Mary Louise Roberts
Publisher: University of Chicago Press
ISBN: 022636075X
Category : History
Languages : en
Pages : 366
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Book Description
In fin-de-siècle France, politics were in an uproar, and gender roles blurred as never before. Into this maelstrom stepped the "new women," a group of primarily urban, middle-class French women who became the objects of intense public scrutiny. Some remained single, some entered nontraditional marriages, and some took up the professions of medicine and law, journalism and teaching. All of them challenged traditional notions of womanhood by living unconventional lives and doing supposedly "masculine" work outside the home. Mary Louise Roberts examines a constellation of famous new women active in journalism and the theater, including Marguerite Durand, founder of the women's newspaper La Fronde; the journalists Séverine and Gyp; and the actress Sarah Bernhardt. Roberts demonstrates how the tolerance for playacting in both these arenas allowed new women to stage acts that profoundly disrupted accepted gender roles. The existence of La Fronde itself was such an act, because it demonstrated that women could write just as well about the same subjects as men—even about the volatile Dreyfus Affair. When female reporters for La Fronde put on disguises to get a scoop or wrote under a pseudonym, and when actresses played men on stage, they demonstrated that gender identities were not fixed or natural, but inherently unstable. Thanks to the adventures of new women like these, conventional domestic femininity was exposed as a choice, not a destiny. Lively, sophisticated, and persuasive, Disruptive Acts will be a major work not just for historians, but also for scholars of cultural studies, gender studies, and the theater.
Author: Jean Rotrou
Publisher:
ISBN:
Category :
Languages : en
Pages : 450
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Author:
Publisher:
ISBN:
Category : Microcards
Languages : en
Pages : 1004
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Book Description
Author: Randall Rosenfeld
Publisher: Routledge
ISBN: 1351557688
Category : Music
Languages : en
Pages : 473
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Book Description
The interdisciplinary approach of Music and Medieval Manuscripts is modeled on the work of the scholar to whom the book is dedicated. Professor Andrew Hughes is recognized internationally for his work on medieval manuscripts, combining the areas of paleography, performance, liturgy and music. All these areas of research are represented in this collection with an emphasis on the continuity between the physical characteristics of medieval manuscripts and their different uses. Albert Derolez provides a landmark and controversial essay on the origins of pre-humanistic script, while Margaret Bent proposes a new interpretation of a famous passage from a fifteenth-century poem by Martin Le Franc. Timothy McGee contributes an innovative essay on late-medieval music, text and rhetoric. David Hiley discusses musical changes and variation in the offices of a major saint‘s feast, and Craig Wright presents an original study of Guillaume Dufay. Jan Ziolkowski treats the topic of neumed classics, an under-explored aspect of the history of medieval pedagogy and the transmission of texts. The essays that comprise this volume offer a unique focus on medieval manuscripts from a wide range of perspectives, and will appeal to musicologists and medievalists alike.
