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Author: Emily Kilpatrick
Publisher: Cambridge University Press
ISBN: 1316395707
Category : Music
Languages : en
Pages : 287
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Book Description
Maurice Ravel's operas L'Heure espagnole (1907/1911) and L'Enfant et les sortilèges (1919–25) are pivotal works in the composer's relatively small œuvre. Emerging from periods shaped by very distinct musical concerns and historical circumstances, these two vastly different works nevertheless share qualities that reveal the heart of Ravel's compositional aesthetic. In this comprehensive study, Emily Kilpatrick unites musical, literary, biographical and cultural perspectives to shed new light on Ravel's operas. In documenting the operas' history, setting them within the cultural canvas of their creation and pursuing diverse strands of analytical and thematic exploration, Kilpatrick reveals crucial aspects of the composer's working life: his approach to creative collaboration, his responsiveness to cultural, aesthetic and musical debate, and the centrality of language and literature in his compositional practice. The first study of its kind, this book is an invaluable resource for students, specialists, opera-goers and devotees of French music.
Author: Emily Kilpatrick
Publisher: Cambridge University Press
ISBN: 1316395707
Category : Music
Languages : en
Pages : 287
Get Book Here
Book Description
Maurice Ravel's operas L'Heure espagnole (1907/1911) and L'Enfant et les sortilèges (1919–25) are pivotal works in the composer's relatively small œuvre. Emerging from periods shaped by very distinct musical concerns and historical circumstances, these two vastly different works nevertheless share qualities that reveal the heart of Ravel's compositional aesthetic. In this comprehensive study, Emily Kilpatrick unites musical, literary, biographical and cultural perspectives to shed new light on Ravel's operas. In documenting the operas' history, setting them within the cultural canvas of their creation and pursuing diverse strands of analytical and thematic exploration, Kilpatrick reveals crucial aspects of the composer's working life: his approach to creative collaboration, his responsiveness to cultural, aesthetic and musical debate, and the centrality of language and literature in his compositional practice. The first study of its kind, this book is an invaluable resource for students, specialists, opera-goers and devotees of French music.
Author: Jean F. Tulard
Publisher:
ISBN: 9780828824910
Category :
Languages : en
Pages :
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Book Description
Author: Deborah Mawer
Publisher: Cambridge University Press
ISBN: 9780521648561
Category : Biography & Autobiography
Languages : en
Pages : 316
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Book Description
A comprehensive introduction to the life, music and compositional aesthetic of Maurice Ravel.
Author: Arbie Orenstein
Publisher: Courier Corporation
ISBN: 9780486266336
Category : Biography & Autobiography
Languages : en
Pages : 354
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Book Description
The standard Ravel biography by the world's foremost authority — brilliantly detailed and documented, filled with quotations from letters, interviews with the composer's friends, an illuminating analysis of each of his works, a study of his musical esthetics and language, a complete catalog of his works, and a discography. "Highly recommended" — Choice. Includes 48 illustrations.
Author: Brenda Jagger
Publisher: Canelo
ISBN: 1788633482
Category : Fiction
Languages : en
Pages : 617
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Book Description
A Victorian woman defies convention and follows her heart to freedom in this conclusion to the Barforth Trilogy from the author of Flint and Roses. Grace Agbrigg has ambitions beyond merely ornamenting the home of a rich husband. But Victorian England is still almost wholly a man’s world in which women—rich or poor—must do the bidding of the father, husband or employer. Attracted against her will to the ambitious and ruthless Gideon Chard, Grace instead makes the marriage that is expected of her. But eventually she breaks free of a relationship that is a sham to become the only divorcee in Cullingford. Cast out by society, Grace is faced with a future she never expected—one in which she holds the keys to her own happiness. Set against a background of change and unrest, of dazzling wealth cheek by jowl with bitter poverty, this conclusion to the Barforth Trilogy is perfect for fans of Sandy Taylor, Katie Flynn and Josephine Cox.
Author: Jann Pasler
Publisher: Univ of California Press
ISBN: 0520257405
Category : History
Languages : en
Pages : 812
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Book Description
"Jann Pasler's remarkable Composing the Citizen reaches well beyond what any book concerned with music in society has ever attempted. Concentrating on France of the Third Republic, from the 1870s through the early 1900s, she demonstrates convincingly how music--whether new, old, popular, or élite, whether performed at institutions of state (such as the Opéra), the Folies Bergère, concert halls, or the zoo--helped to redefine what it meant to be French under evolving political circumstances. Equally adept in the languages of history, sociology, political science, reception history, and music analysis, Pasler establishes music's cultural significance and implicitly illuminates the role it can still play in countries like the United States."--Philip Gossett, The University of Chicago and University of Rome, La Sapienza "Composing the Citizen offers nothing less than a new paradigm for the study of musical cultures. Rather than forcing French music into the moulds developed for the Austro-German canon, Pasler simply studies the social uses of music in fin-de-siècle France. Her painstaking archival research allows her to present an astonishingly detailed account of musical practices, tastes, and activities; new names and genres come to the fore to engage in a variety of dynamic artistic scenes most of us never knew--or only thought we did by virtue of having read Proust. A masterwork of a scholar at the very peak of her career."--Susan McClary, MacArthur Fellow 1995 and author of Georges Bizet: Carmen and Modal Subjectivities: Self-Fashioning in the Italian Madgrigal "Utilité publique: a common-sense republican notion of sweeping consequence. In this greatly anticipated volume Jann Pasler uses it as touchstone, showing how and why musical life so mattered in Third-Republic France: layer after layer of it, in a journey that takes us past the Opéra and Conservatoire to the pops concerts, department stores, the zoo, the world's fairs, the overseas colonies. Companionable as a well-worn Baedeker, seductive as Roger Shattuck's The Banquet Years, this exquisitely styled and paced achievement is also a compelling read."--D. Kern Holoman, author of Berlioz and The Société des Concerts du Conservatoire, 1828-1967
Author: Elliott Antokoletz
Publisher: Oxford University Press
ISBN: 0195103831
Category : Biography & Autobiography
Languages : en
Pages : 361
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Book Description
The authors explore the means by which two early 20th-century operas - Debussy's 'Pelléas et Mélisande' (1902) and Bartók's 'Duke Bluebeard's Castle' (1911) - transformed the harmonic structures of the traditional major/minor scale system into a new musical language.
Author: Jolanta T. Pekacz
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754651512
Category : Music
Languages : en
Pages : 260
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Book Description
The contributors to this volume challenge the view that biography has little importance for music history, analysis, and criticism. Collectively, they reassert biography's centrality and relevance, and demonstrate biography's potential to speak not only to the crucial questions that music analysis and criticism raise, but also to more general epistemological questions about the nature of music history itself.
Author: Roy Howat
Publisher: Yale University Press
ISBN: 0300159773
Category : Music
Languages : en
Pages : 417
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Book Description
An essential resource for scholars and performers, this study by a world-renowned specialist illuminates the piano music of four major French composers, in comparative and reciprocal context. Howat explores the musical language and artistic ethos of this repertoire, juxtaposing structural analysis with editorial and performing issues. He also relates his four composers historically and stylistically to such predecessors as Chopin, Schumann, Liszt, the French harpsichord school, and Russian and Spanish music. Challenging long-held assumptions about performance practice, Howat elucidates the rhythmic vitality and invention inherent in French music. In granting Fauré and Chabrier equal consideration with Debussy and Ravel, he redresses a historic imbalance and reshapes our perceptions of this entire musical tradition. Outstanding historical documentation and analysis are supported by Howat’s direct references to performing traditions shaped by the composers themselves. The book balances accessibility with scholarly and analytic rigor, combining a lifetime’s scholarship with practical experience of teaching and the concert platform
Author: Peter Kaminsky
Publisher: University Rochester Press
ISBN: 1580463371
Category : Music
Languages : en
Pages : 354
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Book Description
Collection of critical and analytical scholarly essays on the music of Ravel by prominent scholars. Unmasking Ravel: New Perspectives on the Music fills a unique place in Ravel studies by combining critical interpretation and analytical focus. From the premiere of his works up to the present, Ravel has been associated with masks and the related notions of artifice and imposture. This has led scholars to perceive a lack of depth in his music and, consequently, to discourage investigation of his musical language. This volume balances and interweavesthese modes of inquiry. Part 1, "Orientations and Influences," illuminates the sometimes contradictory aesthetic, biographical, and literary strands comprising Ravel's artistry and our understanding of it. Part 2, "Analytical Case Studies," engages representative works from Ravel's major genres using a variety of methodologies, focusing on structural process and his complex relation to stylistic convention. Part 3, "Interdisciplinary Studies," integratesmusical analysis and art criticism, semiotics, and psychoanalysis in creating novel methodologies. Contributors include prominent scholars of Ravel's and fin-de-siècle music: Elliott Antokoletz, Gurminder Bhogal, Sigrun B. Heinzelmann, Volker Helbing, Steven Huebner, Peter Kaminsky, Barbara Kelly, David Korevaar, Daphne Leong, Michael Puri, and Lauri Suurpää. Peter Kaminsky is Professor of Music at the University of Connecticut, Storrs.
