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Author: Arthur Sydney Booth-Clibborn
Publisher:
ISBN:
Category :
Languages : un
Pages : 106
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Author: Arthur Sydney Booth-Clibborn
Publisher:
ISBN:
Category :
Languages : un
Pages : 106
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Book Description
Author: Diana R. Hallman
Publisher: Cambridge University Press
ISBN: 9780521038812
Category : History
Languages : en
Pages : 420
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Book Description
This is a comprehensive critical study of the nineteenth-century French grand opéra La Juive, by Halévy.
Author: Francis James Child
Publisher:
ISBN:
Category : Ballads, English
Languages : en
Pages : 320
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Author: George Grove
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 884
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![Programme D'un Recueil de Chants À L'usage Des Écoles Primaires de France. [With the Notes of the Music.]. PDF](https://books.google.com/books/content/images/frontcover/KTPJmgEACAAJ?fife=w80-h100)
Author: Julien TIERSOT
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Francis James Child
Publisher: Courier Corporation
ISBN: 0486145891
Category : Literary Collections
Languages : en
Pages : 642
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Book Description
This 19th-century collection compiles all the extant ballads with all known variants and features Child's commentaries. Includes Parts IX and X of the original set — ballads 266-305 — plus indexes, glossary.
Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 90
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Author: WilliamAlexander Eddie
Publisher: Routledge
ISBN: 1351572288
Category : Music
Languages : en
Pages : 286
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Book Description
A 'conservative radical' is William Alexander Eddie's description of the French virtuoso composer-pianist Charles Valentin Alkan (1813-1888). Judaic culture, the French baroque and German classicism were the main influences on Alkan's musical style, with more radical musical tendencies found in many of the Esquisses op 63. This comprehensive survey takes as its focus a stylistic analysis of Alkan's compositions from the apprentice works to the later 'massed style' etudes; the latter are of considerable length and pianistic difficulty. There is also consideration of Alkan's achievements as pianist and teacher, and the sections on performance practice in Alkan will be of interest to pianists today. A full investigation of Alkan's reception history is also included and useful appendices provide a guide to further archival research. A list of works and basic discography complete this new study of an important French composer.
Author: Jann Pasler
Publisher: Univ of California Press
ISBN: 0520257405
Category : History
Languages : en
Pages : 812
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Book Description
"Jann Pasler's remarkable Composing the Citizen reaches well beyond what any book concerned with music in society has ever attempted. Concentrating on France of the Third Republic, from the 1870s through the early 1900s, she demonstrates convincingly how music--whether new, old, popular, or élite, whether performed at institutions of state (such as the Opéra), the Folies Bergère, concert halls, or the zoo--helped to redefine what it meant to be French under evolving political circumstances. Equally adept in the languages of history, sociology, political science, reception history, and music analysis, Pasler establishes music's cultural significance and implicitly illuminates the role it can still play in countries like the United States."--Philip Gossett, The University of Chicago and University of Rome, La Sapienza "Composing the Citizen offers nothing less than a new paradigm for the study of musical cultures. Rather than forcing French music into the moulds developed for the Austro-German canon, Pasler simply studies the social uses of music in fin-de-siècle France. Her painstaking archival research allows her to present an astonishingly detailed account of musical practices, tastes, and activities; new names and genres come to the fore to engage in a variety of dynamic artistic scenes most of us never knew--or only thought we did by virtue of having read Proust. A masterwork of a scholar at the very peak of her career."--Susan McClary, MacArthur Fellow 1995 and author of Georges Bizet: Carmen and Modal Subjectivities: Self-Fashioning in the Italian Madgrigal "Utilité publique: a common-sense republican notion of sweeping consequence. In this greatly anticipated volume Jann Pasler uses it as touchstone, showing how and why musical life so mattered in Third-Republic France: layer after layer of it, in a journey that takes us past the Opéra and Conservatoire to the pops concerts, department stores, the zoo, the world's fairs, the overseas colonies. Companionable as a well-worn Baedeker, seductive as Roger Shattuck's The Banquet Years, this exquisitely styled and paced achievement is also a compelling read."--D. Kern Holoman, author of Berlioz and The Société des Concerts du Conservatoire, 1828-1967
Author: Institut national genevois
Publisher:
ISBN:
Category :
Languages : en
Pages : 1580
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Book Description
