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Author: Robert Langenfeld
Publisher: University of Rochester Press
ISBN: 9780835719797
Category : Art
Languages : en
Pages : 508
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Book Description
Nine essays present new perspectives on Beardsley's (1872-1898) art and writing. Topics include his use of paradox, influence on modern theater, attitude toward women, and view of the artist/illustrator as literary critic. Half the book is a 1500 item secondary bibliography, the first ever compiled for Beardsley. Contains nearly 90 bandw reproductions. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Robert Langenfeld
Publisher: University of Rochester Press
ISBN: 9780835719797
Category : Art
Languages : en
Pages : 508
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Book Description
Nine essays present new perspectives on Beardsley's (1872-1898) art and writing. Topics include his use of paradox, influence on modern theater, attitude toward women, and view of the artist/illustrator as literary critic. Half the book is a 1500 item secondary bibliography, the first ever compiled for Beardsley. Contains nearly 90 bandw reproductions. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Evanghelia Stead
Publisher: Open Book Publishers
ISBN: 1805113488
Category : Art
Languages : en
Pages : 196
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Book Description
“If I am not grotesque, I am nothing.” This insightful study illuminates previously unexplored aspects of Aubrey Beardsley’s relationship to the grotesque and his use of media, particularly his manipulation of the periodical press. For the first time and with keen intelligence, Evanghelia Stead fully reveals the aesthetic importance of Beardsley’s Bon-Mots vignettes, as well as the relationship between Darwinism, his innovative foetus motif, and Decadence itself. Beautifully illustrated throughout, the book calls on histories of culture and aesthetics to show how the artist reworked traditional imagery and manipulated it beyond recognition—revealing for instance the influence of cathedral grotesques on Beardsley’s own grotesque performances. Stead also demonstrates his major impact on Italian, French, American and German creative minds through the periodical press. Rich in original thought and detailed, comparative analysis, this book is an invigorating and enlightening read for scholars of Aubrey Beardsley, as well as for anyone interested in nineteenth-century visual culture, art history, art criticism, print culture, illustration, grotesque iconography, and cultural history.
Author: Emma Sutton
Publisher:
ISBN: 9780198187325
Category : Art
Languages : en
Pages : 252
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Book Description
Sutton presents a study of the influence of Richard Wagner on the work of Aubrey Beardsley (1872-1898). She explores the role of Wagnerism within British culture of the 1890's, in particular the relations between Wagnerism and the decadent movement.
Author: Joan Navarre
Publisher: Universal-Publishers
ISBN: 1581120362
Category : Art
Languages : en
Pages : 236
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Book Description
This study claims that scholars need to examine all twenty-seven English illustrated editions of Wilde's and Beardsley's Salomë to understand whether Beardsley's compositions do, or do not, illustrate Wilde's words. For the last one hundred years scholars have addressed the aesthetic function of Beardsley's compositions (whether or not Beardsley's compositions illustrate Wilde's words), and each scholar sees something different: Beardsley's compositions are "irrelevant" to Wilde's words; Beardsley's compositions are "relevant" to Wilde's words; Beardsley's compositions are both "irrelevant" and "relevant." What is at issue here is that this traditional dance of signification (scholars' interpretations of the aesthetic function of Beardsley's compositions) relies upon an interpretive strategy that disavows the history of textual transmissions. To put this another way, what scholars "see" depends upon the particular English illustrated edition(s) they read. Beardsley's compositions are physical objects conditioned by a physical setting--i.e., the components of total book design. Yet, for many, the visible appears invisible. The motivation for this study arises from previously unexamined phenomena--the genesis and textual transmission of Beardsley's compositions for Salomë (1894-1994). As historical textual scholarship, this study uses the methodologies central to descriptive bibliography: the English illustrated editions of Wilde's and Beardsley's Salomë are treated as socially constructed physical objects. Binding, format, and paper are a few of the signifying systems described. Specifically, this investigation draws upon the model presented by Philip Gaskell in A New Introduction to Bibliography. The necessary tasks include: transcribing the title-page; analyzing the format; examining the appearance of the binding; detailing the kind of paper used; and noting other information, such as titles. As the centenary of Wilde's and Beardsley's Salomë commences, this is the opportune time to trace the publishing history of Beardsley's compositions, to update existing descriptive bibliographies, and to turn to an empirical method for a socialized model of literary production.
Author: Aubrey Beardsley
Publisher:
ISBN:
Category : Drawing, English
Languages : en
Pages : 150
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Book Description
In her study 'Aubrey Beardsley as Performer; fin-de-siecle or entracte?' Bridget Elliott pays tribute to the artist's status as icon and aesthetic visionary by examining his work within a modern, sociological framework.
Author: Linda Gertner Zatlin
Publisher: Oxford University Press, USA
ISBN: 9780198175063
Category : Art
Languages : en
Pages : 234
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Book Description
In the first serious examination of Aubrey Beardsley's drawings, poetry, and unfinished erotic novel, this book looks beyond dismissals of Beardsley's work, and offers a stimulating reconsideration of his artistic perspective. By examining Beardsley's work within the social, artistic, and literary context of the 1890's, Zatlin demonstrates that behind the choice of his subject matter there was more than simply a desire for sexual exploration: there was also a serious protest against hypocrisy and against the sexist social conventions that fostered that hypocrisy. She explores the various types of women revealed in his art, and argues convincingly that gender relations were Beardsley's overwhelming concern, and that his main achievement emerged as an erotic art which challenged public sexual morality.
Author: Matthew Sturgis
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 440
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Book Description
Draws on new material to examine the life and work of illustrator Beardsley (1872-98), who redefined line drawing and set an important tone for fin de siecle Britain with his journal The Yellow Book and illustrations for Oscar Wilde's Salome. Finds that his most impressive creation was his own public image, through careful manipulation of the press and art community. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Richard Maxwell
Publisher: University of Virginia Press
ISBN: 9780813920979
Category : Art
Languages : en
Pages : 484
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Book Description
US scholars of literature explore how illustrated books became a cultural form of great importance in England and Scotland from the 1830s and 1840s to the end of the century. Some of them consider particular authors or editions, but others look at general themes such as illustrations of time, maps and metaphors, literal illustration, and city scenes. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Heather Calvert
Publisher:
ISBN:
Category :
Languages : en
Pages : 150
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Book Description
Author: Jane Haville Desmarais
Publisher: Routledge
ISBN: 0429802676
Category : Social Science
Languages : en
Pages : 304
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Book Description
First published in 1998, this is the first book to examine the critical reception accorded to Beardsley’s work. For most of his short working life fierce debate raged in Britain over the merit of Aubrey Beardsley’s black and white drawings. Applauded for their technical skill, they were as often deplored for their ‘slimy nastiness’, their fin-de-siècle decadence and their foreign styles. There are ‘tainted whiffs from across the channel which lodge the Gallic germs in our lungs. Our Beardsleys have identical symptoms with Verlaine, Degas, Le Grand, Forain, and might quite well be sick from infection’ stormed Margaret Armour in the Magazine of Art. Jane Haville Desmarais opens with an account of the English response, exploring the fascinating interplay between Beardsley’s exploitation of the new media to shape his public persona and promote his work and the critics’ use of his life and art to articulate the fears and anxieties of the English fin de siècle. The second half of the book moves to France and deals with a different set of preoccupation. The French perceived Beardsley as the natural inheritor of the mantle of Pre-Raphaelitism. His work remained current largely through the interest of the Symbolists and, in particular, Robert de Montesquiou who celebrated Beardsley’s picturing of the fantasy realms of desire. The intriguing study of two very different critical traditions casts light on key issues of art history and literary studies, in particular the relationship between critical response and social perception. With 21 black and white illustrations, the book also has invaluable appendices which include a bibliography of criticism and comment on the work of Aubrey Beardsley between 1893 and 1914.
