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Author: Jonathan V. Crewe
Publisher: Bucknell University Press
ISBN: 9780838752234
Category : Critical theory
Languages : en
Pages : 188
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Book Description
Dealing primarily with English and Italian Renaissance texts, and representing the work of emerging and established critics in the Renaissance field, this book reveals some of the polemical and methodological diversity of current Renaissance interpretation.
Author: Jonathan V. Crewe
Publisher: Bucknell University Press
ISBN: 9780838752234
Category : Critical theory
Languages : en
Pages : 188
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Book Description
Dealing primarily with English and Italian Renaissance texts, and representing the work of emerging and established critics in the Renaissance field, this book reveals some of the polemical and methodological diversity of current Renaissance interpretation.
Author: Jill Burke
Publisher: Routledge
ISBN: 1351551116
Category : Art
Languages : en
Pages : 403
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Book Description
The perception that the early sixteenth century saw a culmination of the Renaissance classical revival - only to degrade into mannerism shortly after Raphael's death in 1520 - has been extremely tenacious; but many scholars agree that this tidy narrative is deeply problematic. Exploring how we can reconceptualize the High Renaissance in a way that reflects how we research and teach today, this volume complicates and deepens our understanding of artistic change. Focusing on Rome, the paradigmatic centre of the High Renaissance narrative, each essay presents a case study of a particular aspect of the culture of the city in the early sixteenth century, including new analyses of Raphael's stanze, Michelangelo's Sistine Ceiling and the architectural designs of Bramante. The contributors question notions of periodization, reconsider the Renaissance relationship with classical antiquity, and ultimately reconfigure our understanding of 'high Renaissance style'.
Author: J. N. Stephens
Publisher: Longman Publishing Group
ISBN:
Category : Architecture
Languages : en
Pages : 288
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Book Description
In The Italian Renaissance John Stephens interprets the significance of the immense cultural change which took place in Italy from the time of Petrarch to the Reformation, and considers its wider contribution to Europe beyond the Alps. His important new study (which is designed for students and serious general readers of history as well as the specialist) is not a straight narrative history; rather, it is an examination of the humanists, artists and patrons who were the instruments of this change; the contemporary factors that favoured it; and the elements of ancient thought they revived. Dr. Stephens shows how, following Petrarch's example, the humanists discovered a novel point of view in ancient ethics. It was expressed in a set of assumptions about the scope of free will, the place of man in society, and the work of the intellectual and artist. From the same source they revived a method of induction by which such issues could be analysed. All this, as the book explains, had a powerful impact on political and religious thought in Italy, and on the theory and practice of fine art, as well as influencing classical scholarship and historiography. The book challenges the notion that the humanists were propagandists, or that works of art represented conspicuous consumption by the rich. Instead, by arming themselves with ancient morals and with the culture of antiquity as a whole, the scholars, artists and patrons of the Renaissance consciously used antiquity to enhance the moral and intellectual power of the contemporary lay world. The need of the Italian upper class to prove its fitness to govern made it anxious to show an appreciation of such moral and intellectual virtues, and in doingso it advanced its own education as well as the secular culture it patronised. In this, as Dr. Stephens concludes, the significance of the Italian Renaissance was not so much to 'reflect' society as to shape it. The Italian example was soon to be imitated elsewhere: by 1520 the new outlook and the new learning had spread from Italy far beyond the Alps. The reception of these ideas by the laity in Europe at large prepared society for a new 'world view' which was established in the Reformation. Dr. Stephens seeks to give some impression of this larger inheritance of Renaissance culture, as well as defining its achievement in Italy itself, in this powerful and impressive book.
Author: Emmanuel H. D. De Groof
Publisher: Cambridge University Press
ISBN: 1108603777
Category : Law
Languages : en
Pages : 427
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Book Description
After 1989, the function of transitional governance changed. It became a process whereby transitional authorities introduce a constitutional transformation on the basis of interim laws. In spite of its domestic nature, it also became an international project and one with formidable ambitions: ending war, conflict or crisis by reconfiguring the state order. This model attracted international attention, from the UN Security Council and several regional organisations, and became a playing field of choice in international politics and diplomacy. Also without recourse to armed force, international actors could impact a state apparatus – through state renaissance. This book zooms in on the non-forcible aspects of conflict-related transitional governance while focusing on the transition itself. This study shows that neither transitional actors nor external actors must respect specific rules when realising or contributing to state renaissance. The legal limits to indirectly provoking regime change are also being unveiled.
Author: Denys Hay
Publisher: Cambridge University Press
ISBN: 9780521291040
Category : History
Languages : en
Pages : 274
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Book Description
A fresh and readable account of one of the great epochs in European history.
Author: Ernest Fraser Jacob
Publisher:
ISBN:
Category :
Languages : en
Pages : 16
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Book Description
Author: Niall Atkinson
Publisher: Penn State Press
ISBN: 0271077832
Category : Art
Languages : en
Pages : 280
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Book Description
From the strictly regimented church bells to the freewheeling chatter of civic life, Renaissance Florence was a city built not just of stone but of sound as well. An evocative alternative to the dominant visual understanding of urban spaces, The Noisy Renaissance examines the premodern city as an acoustic phenomenon in which citizens used sound to navigate space and society. Analyzing a range of documentary and literary evidence, art and architectural historian Niall Atkinson creates an “acoustic topography” of Florence. The dissemination of official messages, the rhythm of prayer, and the murmur of rumor and gossip combined to form a soundscape that became a foundation in the creation and maintenance of the urban community just as much as the city’s physical buildings. Sound in this space triggered a wide variety of social behaviors and spatial relations: hierarchical, personal, communal, political, domestic, sexual, spiritual, and religious. By exploring these rarely studied soundscapes, Atkinson shows Florence to be both an exceptional and an exemplary case study of urban conditions in the early modern period.
Author: William McCuaig
Publisher: Princeton University Press
ISBN: 1400860350
Category : History
Languages : en
Pages : 395
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Book Description
William McCuaig explores the intellectual turbulence of the late Italian Renaissance through a full examination of the work of one scholar--the humanist Carlo Sigonio (1523-84), whose insistence on critical methods for reconstructing the past revolutionized the study of ancient Roman history and the Italian Middle Ages. An internationally published scholar caught in the political tension of the Counter-Reformation, Sigonio was harshly censored by ecclesiastical authorities in Rome, who opposed his application of critical methods to the history of the post-classical world. McCuaig traces Sigonio's interactions with his opponents and supporters, both academic and clerical, to provide a fascinating and detailed portrait of a cultural milieu. On a general level, this study of Sigonio's works helps explain how the republican ethos of the Italian Renaissance came to an end and how the modern study of ancient history evolved in Italy and France after 1550. Among many topics, this book emphasizes Sigonio's contributions to social history, and points to parallels between the changing social stratifications of ancient Rome and those of early modern Italy. Interdisciplinary in its approach, the work also touches upon the history of education, political theory, the book trade, and historiography. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Robert Herndon Fife
Publisher:
ISBN:
Category :
Languages : en
Pages : 23
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Book Description
Author: Jill Burke
Publisher: Routledge
ISBN: 1351551108
Category : Art
Languages : en
Pages : 408
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Book Description
The perception that the early sixteenth century saw a culmination of the Renaissance classical revival - only to degrade into mannerism shortly after Raphael's death in 1520 - has been extremely tenacious; but many scholars agree that this tidy narrative is deeply problematic. Exploring how we can reconceptualize the High Renaissance in a way that reflects how we research and teach today, this volume complicates and deepens our understanding of artistic change. Focusing on Rome, the paradigmatic centre of the High Renaissance narrative, each essay presents a case study of a particular aspect of the culture of the city in the early sixteenth century, including new analyses of Raphael's stanze, Michelangelo's Sistine Ceiling and the architectural designs of Bramante. The contributors question notions of periodization, reconsider the Renaissance relationship with classical antiquity, and ultimately reconfigure our understanding of 'high Renaissance style'.
