Recherches Théâtrales Au Canada PDF Download
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Author:
Publisher:
ISBN:
Category : Canadian drama
Languages : en
Pages : 332
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Book Description
Author:
Publisher:
ISBN:
Category : Canadian drama
Languages : en
Pages : 332
Get Book Here
Book Description
Author: Diana Brydon
Publisher: University of Toronto Press
ISBN: 9780802036551
Category : Drama
Languages : en
Pages : 518
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Book Description
Is there a distinctly Canadian Shakespeare? What is the status and function of Shakespeare in various locations within the nation: at Stratford, on CBC radio, in regional and university theatres, in Canadian drama and popular culture? Shakespeare in Canada brings insights from a little explored but extensive archive to contemporary debates about the cultural uses of Shakespeare and what it means to be Canadian. Canada's long history of Shakespeare productions and reception, including adaptations, literary reworkings, and parodies, is analysed and contextualized within the four sections of the book. A timely addition to the growing field that studies the transnational reach of Shakespeare across cultures, this collection examines the political and cultural agendas invoked not only by Shakespeare's plays, but also by his very name. In part a historical and regional survey of Shakespeare in performance, adaptation, and criticism, this is the first work to engage Shakespeare with distinctly Canadian debates addressing nationalism, separatism, cultural appropriation, cultural nationalism, feminism, and postcolonialism.
Author: Shelley Scott
Publisher: Athabasca University Press
ISBN: 1897425554
Category : Drama
Languages : en
Pages : 347
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Book Description
Nightwood Theatre is the longest-running and most influential feminist theatre company in Canada. Since 1979, the company has produced works by Canadian women, providing new opportunities for women theatre artists. It has also been the "home company" for some of the biggest names in Canadian theatre, such as Ann-Marie MacDonald. In Nightwood Theatre, Scott describes the company?s journey toward defining itself as a feminist theatre establishment, highlighting its artistic leadership based on its relevance to diverse communities of women. She also traces Nightwood?s relationship with the media and places the theatre in an international context by comparing its history to that of like companies in the U.K. and the U.S
Author: Natalie Alvarez
Publisher: University of Michigan Press
ISBN: 0472053752
Category : Art
Languages : en
Pages : 225
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Book Description
How immersive simulations--from a fictional border-crossing site to a mock terrorist training camp--attempt to foster understanding across cultures
Author: Per K. Brask
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 268
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Book Description
In light of Canada's changing demographics and cultural fragmentation, fifteen essayists cover such issues as queer culture, feminist perspectives, Native and Asian theatre, regionalism and cultural immediacy in contemporary Canadian theatre.
Author: Kailin Wright
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228003237
Category : Literary Criticism
Languages : en
Pages : 265
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Book Description
In Canada, adaptation is a national mode of survival, but it is also a way to create radical change. Throughout history, Canadians have been inheritors and adaptors: of political systems, stories, and customs from the old world and the new. More than updating popular narratives, adaptation informs understandings of culture, race, gender, and sexuality, as well as individual experiences. In Political Adaptation in Canadian Theatre Kailin Wright investigates adaptations that retell popular stories with a political purpose and examines how they acknowledge diverse realities and transform our past. Political Adaptation in Canadian Theatre explores adaptations of Canadian history, Shakespeare, Greek mythologies, and Indigenous history by playwrights who identify as English-Canadian, African-Canadian, French-Canadian, French, Kuna Rappahannock, and Delaware from the Six Nations. Along with new considerations of the activist potential of popular Canadian theatre, this book outlines eight strategies that adaptors employ to challenge conceptions of what it means to be Indigenous, Black, queer, or female. Recent cancellations of theatre productions whose creators borrowed elements from minority cultures demonstrate the need for a distinction between political adaptation and cultural appropriation. Wright builds on Linda Hutcheon's definition of adaptation as repetition with difference and applies identification theory to illustrate how political adaptation at once underlines and undermines its canonical source. An exciting intervention in adaptation studies, Political Adaptation in Canadian Theatre unsettles the dynamics of popular and political theatre and rethinks the ways performance can contribute to how one country defines itself.
Author: Kym Bird
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773526110
Category : Art
Languages : en
Pages : 283
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Book Description
Focusing on a body of lost and forgotten plays by women and situating them in the context of the early women's movement and its major discourses on suffrage, higher education, and social gospel, Kym Bird challenges the male-defined focus of recent historical studies into 19th-century Canadian drama. She argues that in a society that preferred to think of men and women as part of separate but complimentary spheres the woman naturally suited for the private world of the home and motherhood and the man for the public world of work and politics these plays advanced two forms of feminist politics. Liberal or equality feminism demanded the same rights and privileges for women as those accorded men; domestic or maternal feminism justified women's participation in the public sphere based on their natural materialism and moral superiority. the contradictory relations within these forms of feminism: on the one hand they represent women's social and political emancipation and, on the other, they affirm patriarchal structures and the status quo. Implicitly, this study calls into question what traditionally constitutes drama by treating plays written in non-canonical forms, mounted in nonprofessional venues, and published by marginal presses or not at all as important literary, theatrical, and historical documents.
Author: Ric Knowles
Publisher: Cambridge University Press
ISBN: 1316517241
Category : Drama
Languages : en
Pages : 331
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Book Description
A far-reaching examination of how international theatre festivals shape 21st-century intercultural negotiation and exchange.
Author: Ric Knowles
Publisher: Cambridge University Press
ISBN: 1108425488
Category : Drama
Languages : en
Pages : 371
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Book Description
An up-to-date, contextualized assessment of the impact of the 'festivalization' of culture around the world.
Author: Erin Hurley
Publisher: University of Toronto Press
ISBN: 1442660171
Category : Performing Arts
Languages : en
Pages : 257
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Book Description
In National Performance, Erin Hurley examines the complex relationship between performance and national identity. How do theatrical performances represent the nation in which they were created? How is Quebecois performance used to define Quebec as a nation and to cultivate a sense of 'Quebec-ness' for audiences both within and outside the province? In exploring Expo 67, the critical response to Michel Tremblay's Les Belles Soeurs, Carbone 14's image-theatre, Marco Micone's writing practices, Celine Dion's popular music, and feminist performance of the 1970s and 80s, Hurley reveals the ways in which certain performances come to be understood as 'national' while others are relegated to sub-national or outsider status. Each chapter focuses on a particular historical moment in Quebec's modern history and a genre of performance emblematic of the moment, and uses these to elaborate the nature of the national performances. Winner of the Northeast Modern Language Association's Book Prize, National Performance is sophisticated yet accessible, seeking to enlarge the parameters of what counts as 'Quebecois' performance, while providing a thorough introduction to changing discourses of nation-ness in Quebec.
