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Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher:
ISBN:
Category : Art, German
Languages : en
Pages : 12
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Book Description
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher:
ISBN:
Category : Art, German
Languages : en
Pages : 12
Get Book Here
Book Description
Author: Metropolitan Museum of Art
Publisher:
ISBN:
Category :
Languages : en
Pages : 12
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Book Description
Author: New York Metropolitan Museum of Art
Publisher: Forgotten Books
ISBN: 9780666605924
Category : Reference
Languages : en
Pages : 20
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Book Description
Excerpt from Reception on the Opening of an Exhibition of Contemporary German Art: Monday, January the Fourth, 1909 Direction of the German Com mission, with an Introduction by Pro fessor Paul Clemen, of Bonn, and biogra phical notices of the artists represented by Professor Justi, Secretary of the Royal Academy of Berlin. It has been printed in octavo form at the Imperial Press in Berlin, in two editions, one con taining about Sixty illustrations, made by the best German processes of repro duction, under the supervision of the artists, and the other containing the same text but no illustrations. The catalogue may be purchased at the cata logue stands. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Metropolitan Museum Of Art
Publisher: Hardpress Publishing
ISBN: 9781313847216
Category :
Languages : en
Pages : 24
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Book Description
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher:
ISBN:
Category : Art, German
Languages : en
Pages : 12
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Book Description
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 488
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Book Description
New ser. v. 6-29 include 77th-100th Annual report of the Trustees of the Metropolitan Museum of Art, 1946-1969-70 (previously and subsequently published separately).
Author: Susan King Obarski
Publisher:
ISBN:
Category : Art, German
Languages : en
Pages : 584
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Book Description
Author: Lucy Wasensteiner
Publisher: Routledge
ISBN: 1351004123
Category : Art
Languages : en
Pages : 234
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Book Description
This book represents the first study dedicated to Twentieth Century German Art, the 1938 London exhibition that was the largest international response to the cultural policies of National Socialist Germany and the infamous Munich exhibition Degenerate Art. Provenance research into the catalogued exhibits has enabled a full reconstruction of the show for the first time: its contents and form, its contributors and their motivations, and its impact both in Britain and internationally. Presenting the research via six case-study exhibits, the book sheds new light on the exhibition and reveals it as one of the largest émigré projects of the period, which drew contributions from scores of German émigré collectors, dealers, art critics, and from the ‘degenerate’ artists themselves. The book explores the show’s potency as an anti-Nazi statement, which prompted a direct reaction from Hitler himself.
Author: Michaela Watrelot
Publisher: Taylor & Francis
ISBN: 1003825400
Category : Art
Languages : en
Pages : 338
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Book Description
Based on an extensive and very meticulous study of different archives and the evaluation of original, previously unpublished, archival material, this book highlights the key aspects and trends of the European and American art markets in the late nineteenth and early twentieth centuries. In particular, the book focuses on how these markets influenced each other from the viewpoint of one of the most prominent museum directors of this period, Wilhelm von Bode (1845–1929). Given the complexity of the topic, the book is structured into two parts. The first part focuses on Bode’s interactions with the German banker and dedicated art collector based in Paris, Rudolphe Kann (1845–1905). The second part follows the sale of the Kann Collection to the dealer Joseph Duveen and follows on the relationship between Bode, Duveen and the American collectors. The book will be of interest to scholars working in art history, museum studies, and the art market.
Author: Ruth E Iskin
Publisher: Taylor & Francis
ISBN: 1317275047
Category : Art
Languages : en
Pages : 311
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Book Description
Re-envisioning the Contemporary Art Canon: Perspectives in a Global World seeks to dissect and interrogate the nature of the present-day art field, which has experienced dramatic shifts in the past 50 years. In discussions of the canon of art history, the notion of ‘inclusiveness’, both at the level of rhetoric and as a desired practice is on the rise and gradually replacing talk of ‘exclusion’, which dominated critiques of the canon up until two decades ago. The art field has dramatically, if insufficiently, changed in the half-century since the first protests and critiques of the exclusion of ‘others’ from the art canon. With increased globalization and shifting geopolitics, the art field is expanding beyond its Euro-American focus, as is particularly evident in the large-scale international biennales now held all over the globe. Are canons and counter-canons still relevant? Can they be re-envisioned rather than merely revised? Following an introduction that discusses these issues, thirteen newly commissioned essays present case studies of consecration in the contemporary art field, and three commissioned discussions present diverse positions on issues of the canon and consecration processes today. This volume will be of interest to instructors and students of contemporary art, art history, and museum and curatorial studies.
