Recent Acquisitions 1960 Through 1962 Walker Art Center PDF Download
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Author: Walker Art Center
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 20
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Book Description
Author: Walker Art Center
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 20
Get Book Here
Book Description
Author: Walker Art Center
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 16
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Book Description
Author: Stephen Pace
Publisher: Spanierman Gallery LLC
ISBN: 1935617117
Category : Art
Languages : en
Pages : 34
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Book Description
Published in conjunction with an exhibition held at Spanierman Modern, New York, NY, Sept. 8-Oct. 1, 2011.
Author: Lawrence Calcagno
Publisher:
ISBN:
Category :
Languages : en
Pages : 52
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Book Description
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 544
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Book Description
Author: Caroline A. Jones
Publisher: Univ of California Press
ISBN: 9780520068421
Category : Art
Languages : en
Pages : 258
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Book Description
"Should be the classic, central, definitive work on the emergence of Bay Area Figurative painting."--Paul Mills, author of The New Figurative Painting of David Park
Author: Walker Art Center
Publisher:
ISBN:
Category : Sculpture, Modern
Languages : en
Pages : 104
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Book Description
Author: Keely Orgeman
Publisher: Yale University Press
ISBN: 0300215185
Category : Art
Languages : en
Pages : 173
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Book Description
A long-overdue publication that restores Wilfred to the art-historical canon Lumia presents a long-overdue reevaluation of the groundbreaking artist Thomas Wilfred (1889-1968), whose unprecedented works prefigured light art in America. As early as 1919, many years before the advent of consumer television and video technology, Wilfred began experimenting with light as his primary artistic medium, developing the means to control and project unique compositions of colorful, undulating light forms, which he referred to collectively as lumia. Manifested as both live performances on a cinematic scale and self-contained structures, Wilfred's innovative displays captivated audiences and influenced generations of artists to come. This publication, the first dedicated to Wilfred in over forty years, draws on the artist's personal archives and includes a number of insightful essays that trace the development of his work and its relation to his cultural milieu. Featuring a foreword by the celebrated artist James Turrell, Lumia helps to secure Wilfred's rightful place within the canon of modern art.
Author: Elizabeth Armstrong
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 200
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Book Description
Author: W. Jackson Rushing
Publisher: University of Oklahoma Press
ISBN: 0806150637
Category : Art
Languages : en
Pages : 202
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Book Description
The work of Chippewa artist George Morrison (1919–2000) has enjoyed widespread critical acclaim. His paintings, drawings, prints, and sculptures have been displayed in numerous public and private exhibitions, and he is one of Minnesota’s most cherished artists. Yet because Morrison’s artwork typically does not include overt references to his Indian heritage, it has stirred debate about what it means to be a Native American artist. This stunning catalogue, featuring 130 color and black-and-white images, showcases Morrison’s work across a spectrum of genres and media, while also exploring the artist’s identity as a modernist within the broader context of twentieth-century American and Native American art. Born and raised near the Grand Portage Indian Reservation in Minnesota, Morrison graduated from the Minnesota School of Art and the Art Students League in New York City. He spent his early career mainly on the East Coast, becoming one of the first Native American artists to exhibit his work extensively in New York. Best known for his landscape paintings and wood collages, he employed a variety of media—paint, wood, ink and metal, paper, and canvas—and developed a unique style that combined elements of cubism, surrealism, and abstract expressionism. In her foreword to Modern Spirit, Cherokee artist Kay WalkingStick describes her personal association with Morrison and admiration for his authentic artistic vision. Kristin Makholm, in her introduction to the volume, explores Morrison’s ties to Minnesota and his legacy within the history of Minnesota art and culture. Then, drawing on extensive primary research and Morrison’s own writings, W. Jackson Rushing III offers an in-depth analysis of Morrison’s artistic evolution against the backdrop of evolving definitions of “Indianness.” By expanding our understanding of Morrison’s singular vision, Modern Spirit invites readers to appreciate more deeply the beauty and complexity of his art.
