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Author: Cary Yee-Wei Liu
Publisher: Yale University Press
ISBN: 9780300107975
Category : Architecture
Languages : en
Pages : 617
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Book Description
The Wu Family shrines, one of the most important cultural monuments of early China, comprise approximately 50 stone slabs from the so-called Wu cemetery in Shandong province. This illustrated book examines the stone slabs and their rubbings, as artifactswith a complex cultural history from the second century to the present.
Author: Cary Yee-Wei Liu
Publisher: Yale University Press
ISBN: 9780300107975
Category : Architecture
Languages : en
Pages : 617
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Book Description
The Wu Family shrines, one of the most important cultural monuments of early China, comprise approximately 50 stone slabs from the so-called Wu cemetery in Shandong province. This illustrated book examines the stone slabs and their rubbings, as artifactswith a complex cultural history from the second century to the present.
Author: Francis Allard
Publisher: Cambridge University Press
ISBN: 1108472575
Category : History
Languages : en
Pages : 311
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Book Description
Applies the 'life history' of objects approach to China's prehistoric, early dynastic and more recent material culture.
Author: Constance Cook
Publisher: BRILL
ISBN: 9047410637
Category : History
Languages : en
Pages : 300
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Book Description
This richly illustrated book provides a glimpse into the belief system and the material wealth of the social elite in pre-Imperial China through a close analysis of tomb contents and excavated bamboo texts. The point of departure is the textual and material evidence found in one tomb of an elite man buried in 316 BCE near a once wealthy middle Yangzi River valley metropolis. Particular emphasis is placed on the role of cosmological symbolism and the nature of the spirit world. The author shows how illness and death were perceived as steps in a spiritual journey from one realm into another. Transmitted textual records are compared with excavated texts. The layout and contents of this multi-chambered tomb are analyzed as are the contents of two texts, a record of divination and sacrifices performed during the last three years of the occupant’s life and a tomb inventory record of mortuary gifts. The texts are fully translated and annotated in the appendices. A first-time close-up view of a set of local beliefs which not only reflect the larger ancient Chinese religious system but also underlay the rich intellectual and artistic life of pre-Imperial China. With first full translations of texts previously unknown to all except a small handful of sinologists.
Author: Miranda Brown
Publisher: State University of New York Press
ISBN: 0791479803
Category : Religion
Languages : en
Pages : 222
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Book Description
The Politics of Mourning in Early China reevaluates the longstanding assumptions about early imperial political culture. According to most explanations, filial piety served as the linchpin of the social and political order, as all political relations were a seamless extension of the relationship between father and son—a relationship that was hierarchical, paternalistic, and personal. Offering a new perspective on the mourning practices and funerary monuments of the Han dynasty, Miranda Brown asks whether the early imperial elite did in fact imagine political participation solely along the lines of the father-son relationship or whether there were alternative visions of political association. The early imperial elite held remarkably varied and contradictory beliefs about political life, and they had multiple templates and changing scripts for political action. This book documents and explains such diversity and variation and shows that the Han dynasty practice of mourning expressed many visions of political life, visions that left lasting legacies.
Author: Timothy M. Davis
Publisher: BRILL
ISBN: 9004306420
Category : History
Languages : en
Pages : 428
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Book Description
In Entombed Epigraphy and Commemorative Culture Timothy M. Davis presents a history of early muzhiming—the most versatile and persistent commemorative form employed in the elite burials of pre-modern China. While previous scholars have largely overlooked the contemporary religious, social, and cultural functions of these epigraphic objects, this study directly addresses these areas of concern, answering such basic questions as: Why were muzhiming buried in tombs? What distinguishes commemorative biography from dynastic history biography? And why did muzhiming develop into an essential commemorative genre esteemed by the upper classes? Furthermore, this study reveals how aspiring families used muzhiming to satisfy their obligations to deceased ancestors, establish a multi-generational sense of corporate identity, and strengthen their claims to elite status.
Author: Chia-Ling Yang
Publisher: Bloomsbury Publishing USA
ISBN: 1501358367
Category : Art
Languages : en
Pages : 359
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Book Description
The pursuit of antiquity was important for scholarly artists in constructing their knowledge of history and cultural identity in late imperial China. By examining versatile trends within paintings in modern China, this book questions the extent to which historical relics have been used to represent the ethnic identity of modern Chinese art. In doing so, this book asks: did the antiquarian movements ultimately serve as a deliberate tool for re-writing Chinese art history in modern China? In searching for the public meaning of inventive private collecting activity, Appropriating Antiquity in Modern Chinese Painting draws on various modes of artistic creation to address how the use of antiquities in early 20th-century Chinese art both produced and reinforced the imaginative links between ancient civilization and modern lives in the late Qing dynasty. Further exploring how these social and cultural transformations were related to the artistic exchanges happening at the time between China, Japan and the West, the book successfully analyses how modernity was translated and appropriated at the turn of the 20th century, throughout Asia and further afield.
Author: Wu Hung
Publisher: Reaktion Books
ISBN: 1861899769
Category : Art
Languages : en
Pages : 296
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Book Description
This richly illustrated book examines the changing significance of ruins as vehicles for cultural memory in Chinese art and visual culture from ancient times to the present. The story of ruins in China is different from but connected to “ruin culture” in the West. This book explores indigenous Chinese concepts of ruins and their visual manifestations, as well as the complex historical interactions between China and the West since the eighteenth century. Wu Hung leads us through an array of traditional and contemporary visual materials, including painting, architecture, photography, prints, and cinema. A Story of Ruins shows how ruins are integral to traditional Chinese culture in both architecture and pictorial forms. It traces the changes in their representation over time, from indigenous methods of recording damage and decay in ancient China, to realistic images of architectural ruins in the nineteenth and twentieth centuries, to the strong interest in urban ruins in contemporary China, as shown in the many artworks that depict demolished houses and decaying industrial sites. The result is an original interpretation of the development of Chinese art, as well as a unique contribution to global art history.
Author:
Publisher: PediaPress
ISBN:
Category :
Languages : en
Pages : 367
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Book Description
Author: Lillian Lan-ying Tseng
Publisher: BRILL
ISBN: 1684175097
Category : Art
Languages : en
Pages : 479
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Book Description
Tian, or Heaven, had multiple meanings in early China. It had been used since the Western Zhou to indicate both the sky and the highest god, and later came to be regarded as a force driving the movement of the cosmos and as a home to deities and imaginary animals. By the Han dynasty, which saw an outpouring of visual materials depicting Heaven, the concept of Heaven encompassed an immortal realm to which humans could ascend after death. Using excavated materials, Lillian Tseng shows how Han artisans transformed various notions of Heaven—as the mandate, the fantasy, and the sky—into pictorial entities. The Han Heaven was not indicated by what the artisans looked at, but rather was suggested by what they looked into. Artisans attained the visibility of Heaven by appropriating and modifying related knowledge of cosmology, mythology, astronomy. Thus the depiction of Heaven in Han China reflected an interface of image and knowledge. By examining Heaven as depicted in ritual buildings, on household utensils, and in the embellishments of funerary settings, Tseng maintains that visibility can hold up a mirror to visuality; Heaven was culturally constructed and should be culturally reconstructed.
Author: Mark Edward Lewis
Publisher: Harvard University Press
ISBN: 0674057341
Category : History
Languages : en
Pages : 334
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Book Description
In 221 bc the First Emperor of Qin unified the lands that would become the heart of a Chinese empire. Though forged by conquest, this vast domain depended for its political survival on a fundamental reshaping of Chinese culture. With this informative book, we are present at the creation of an ancient imperial order whose major features would endure for two millennia. The Qin and Han constitute the "classical period" of Chinese history--a role played by the Greeks and Romans in the West. Mark Edward Lewis highlights the key challenges faced by the court officials and scholars who set about governing an empire of such scale and diversity of peoples. He traces the drastic measures taken to transcend, without eliminating, these regional differences: the invention of the emperor as the divine embodiment of the state; the establishment of a common script for communication and a state-sponsored canon for the propagation of Confucian ideals; the flourishing of the great families, whose domination of local society rested on wealth, landholding, and elaborate kinship structures; the demilitarization of the interior; and the impact of non-Chinese warrior-nomads in setting the boundaries of an emerging Chinese identity. The first of a six-volume series on the history of imperial China, The Early Chinese Empires illuminates many formative events in China's long history of imperialism--events whose residual influence can still be discerned today.
