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Author: Therese Martin
Publisher: BRILL
ISBN: 9004185550
Category : Architecture
Languages : en
Pages : 1185
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Book Description
The twenty-four studies in this volume propose a new approach to framing the debate around the history of medieval art and architecture to highlight the multiple roles played by women, moving beyond today's standard division of artist from patron.
Author: Therese Martin
Publisher: BRILL
ISBN: 9004185550
Category : Architecture
Languages : en
Pages : 1185
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Book Description
The twenty-four studies in this volume propose a new approach to framing the debate around the history of medieval art and architecture to highlight the multiple roles played by women, moving beyond today's standard division of artist from patron.
Author: Marguerite Keane
Publisher: BRILL
ISBN: 9004318836
Category : History
Languages : en
Pages : 273
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Book Description
In Material Culture and Queenship in 14th-century France: The Testament of Blanche of Navarre (1331-1398) Marguerite Keane considers the object collection of the long-lived fourteenth-century French queen Blanche of Navarre, the wife of Philip VI (d. 1350). This queen’s ownership of works of art (books, jewelry, reliquaries, and textiles, among others) and her perceptions of these objects is well -documented because she wrote detailed testaments in 1396 and 1398 in which she described her possessions and who she wished to receive them. Keane connects the patronage of Blanche of Navarre to her interest in her status and reputation as a dowager queen, as well as bringing to life the material, adornment, and devotional interests of a medieval queen and her household.
Author: Howard Williams
Publisher: Boydell & Brewer
ISBN: 1783270748
Category : Art
Languages : en
Pages : 295
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Book Description
New insights into inscribed and stone monuments from across Europe in the early middle ages. Often fragmented and without context, early medieval inscribed and sculpted stone monuments of the fifth to eleventh centuries AD have been mainly studied via their shape, their decoration and the texts a fraction of them bear. This book, investigating stone monuments from Ireland, Britain and Scandinavia (including the important memorials at Iniscealtra, County Clare), advocates three relatively new, distinctive and interconnected approaches to the lithicheritage of the early Middle Ages. Building on recent theoretical trends in archaeology and material culture studies in particular, it uses the themes of materiality, biography and landscape to reveal how carved stones created senses of identity and history for early medieval communities and kingdom. An extensive introduction and eight chapters span the disciplines of history, art-history and archaeology, exploring how shaping stone in turn shaped and re-shaped early medieval societies. Howard Williams is Professor of Archaeology, University of Chester; Joanne Kirton is Project Manager, Big Heritage, Chester; Meggen Gondek is Reader in Archaeology, University of Chester. Contributors: Ing-Marie Back Danielsson, Iris Crouwers, Meggen Gondek, Mark A. Hall, Joanne Kirton, Jenifer Ní Ghrádaigh, Clíodhna O'Leary, Howard Williams.
Author: Therese Martin
Publisher:
ISBN: 9789004185555
Category : Architecture and society
Languages : en
Pages : 0
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Book Description
Author: Sarah Blick
Publisher: BRILL
ISBN: 900420573X
Category : Art
Languages : en
Pages : 1403
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Book Description
Late Medieval and Renaissance art was surprisingly pushy; its architecture demanded that people move through it in prescribed patterns, its sculptures played elaborate games alternating between concealment and revelation, while its paintings charged viewers with imaginatively moving through them. Viewers wanted to interact with artwork in emotional and/or performative ways. This inventive and personal interface between viewers and artists sometimes conflicted with the Church s prescribed devotional models, and in some cases it complemented them. Artists and patrons responded to the desire for both spontaneous and sanctioned interactions by creating original ways to amplify devotional experiences. The authors included here study the provocation and the reactions associated with medieval and Renaissance art and architecture. These essays trace the impetus towards interactivity from the points of view of their creators and those who used them.Contributors include: Mickey Abel, Alfred Acres, Kathleen Ashley, Viola Belghaus, Sarah Blick, Erika Boeckeler, Robert L.A. Clark, Lloyd DeWitt, Michelle Erhardt, Megan H. Foster-Campbell, Juan Luis González García, Laura D. Gelfand, Elina Gertsman, Walter S. Gibson, Margaret Goehring, Lex Hermans, Fredrika Jacobs, Annette LeZotte, Jane C. Long, Henry Luttikhuizen, Elizabeth Monroe, Scott B. Montgomery, Amy M. Morris, Vibeke Olson, Katherine Poole, Alexa Sand, Donna L. Sadler, Pamela Sheingorn, Suzanne Karr Schmidt, Anne Rudloff Stanton, Janet Snyder, Rita Tekippe, Mark Trowbridge, Mark S. Tucker, Kristen Van Ausdall, Susan Ward.
Author:
Publisher:
ISBN:
Category : Feminism
Languages : en
Pages : 122
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Author: Alexandra Gajewski
Publisher: Brepols Publishers
ISBN:
Category : Architecture
Languages : en
Pages : 244
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Book Description
The theme of the book is the origin of Late Gothic architecture in Europe around the year 1300. It was then that Gothic ecclesiastical architecture graduated from a largely French into a wholly European phenomenon with new centres of art production (Cologne, Florence, York, Prague, Krakow) and newly-empowered institutions: kings, the higher nobility, towns and friars. Profound changes in spiritual and devotional life had a lasting effect on the relationship between architecture and liturgy. In short, architecture around 1300 became at once more cosmopolitan and more heterogeneous. The book addresses these radical changes on their own terms- as an international phenomenon. By bringing together specialists in art, architecture and liturgy from many parts of Europe and from the USA it aims to employ their separate expertise, and to integrate each into a broader European perspective. Dr. Zoe Opacic is lecturer in the history and theory of architecture at Birkbeck College, University of London. She specialises in the field of late medieval architecture and art, particularly in Central Europe.Dr. Alexandra Gajewski, FSA is visiting assistant professor at the University of Michigan, Ann Arbor. She works on Burgundian Gothic architecture and on Cistercian art in medieval France and the Empire.
Author: Therese Martin
Publisher:
ISBN: 9786613665201
Category : Architecture and society
Languages : en
Pages : 1184
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Book Description
These volumes propose a renewed way of framing the debate around the history of medieval art and architecture to highlight the multiple roles played by women. Today's standard division of artist from patron is not seen in medieval inscriptions--on paintings, metalwork, embroideries, or buildings--where the most common verb is 'made' ( fecit ). At times this denotes the individual whose hands produced the work, but it can equally refer to the person whose donation made the undertaking possible. Here twenty-four scholars examine secular and religious art from across medieval Europe to demonstrate that a range of studies is of interest not just for a particular time and place but because, from this range, overall conclusions can be drawn for the question of medieval art history as a whole. Contributors are Mickey Abel, Glaire D. Anderson, Jane L. Carroll, Nicola Coldstream, María Elena Díez Jorge, Jaroslav Folda, Alexandra Gajewski, Loveday Lewes Gee, Melissa R. Katz, Katrin Kogman-Appel, Pierre Alain Mariaux, Therese Martin, Eileen McKiernan González, Rachel Moss, Jenifer Ní Ghrádaigh, Felipe Pereda, Annie Renoux, Ana Maria S. A. Rodrigues, Jane Tibbetts Schulenburg, Stefanie Seeberg, Miriam Shadis, Ellen Shortell, Loretta Vandi, and Nancy L. Wicker.
Author: Hannelore Magnus
Publisher:
ISBN: 9782503554860
Category : Artists
Languages : en
Pages : 0
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Book Description
The history of emotions has gained more and more scholarly attention, evidenced by an 'affective turn' or 'emotional turn' in historical research. Many publications have appeared, and internationally oriented research centres and conferences have been set up and organized. This volume brings the importance of a clear understanding of historical feelings into the research area of art historians. Even though the depiction of emotions is an important discipline in its own right, in this volume the concept of the artist and his or her own personal feelings, often in connection with the creation of a work of art, is prioritised. Although it is argued that a painter had to be able to feel emotions in order to depict them correctly, the articles brought together in this volume focus primarily on the traces of artist's emotions (feelings) that can be derived from archival documents, secondary sources, and paintings (facts). Each author has tried in his or her own way to elucidate both the written and visual expressions of an artist's (personal) emotions.
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 3310
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Book Description
