Author: Joseph Margolis
Publisher: Penn State Press
ISBN: 9780271038650
Category : Philosophy
Languages : en
Pages : 228
Book Description
Extending his well-known investigations into the nature and logic of art and history in the cultural world, Joseph Margolis here offers a sustained account of how selves and the cultural phenomena they generate (language, history, action, art) can be viewed as just as "real" as the physical nature from which they are emergent, while not being reducible to it. The book starts off with a review of prominent philosophies of art over the past half-century, focusing especially on Beardsley, Goodman, and Danto, so as to highlight the need for carefully distinguishing between the metaphysical and epistemological features of physical nature and human culture. The second part of the book builds on the first part's analyses of artworks to propose a theory of selves as "self-interpreting texts." Selves and Other Texts aims to develop new ways of understanding the conceptual inseparability of our analysis of physical nature and our analysis of ourselves.
Selves and Other Texts
Realism’s Others
Author: Eva Aldea
Publisher: Cambridge Scholars Publishing
ISBN: 1443823465
Category : Literary Criticism
Languages : en
Pages : 315
Book Description
For at least a century, scholarship on realist narrative, and occasional polemics against realist narrative, have assumed that realism promotes the values of sameness against those of otherness, and that it does so by use of a narrative mode that excludes certain epistemologies, ideologies, and ways of thinking. However, the truth is more complex than that, as the essays in this volume all demonstrate. Realism’s Others examines the various strategies by which realist narratives create the idea of difference, whether that difference is registered in terms of class, ethnicity, epistemology, nationality, or gender. The authors in this collection examine in detail not just the fact of otherness in some canonical realist and canonical magical-realist and postmodern novels, but the actual means by which that otherness is established by the text. These essays suggest that neither realist narrative nor narratives positioned as anti-realist take otherness for granted; rather, the texts discussed here actively create difference, and this creation of difference often occasions severe difficulties for the novels’ representational schema. How does one represent different types of knowledge, other aesthetic modes or other spaces, for example, in texts whose epistemology has long been seen as secular and empirical, whose aesthetic mode has always been approached as pure descriptive mimesis, and whose settings are largely domestic? These essays all begin with a certain collision—of nationalities, of classes, of representational matrices, of religions—and go on to chart the challenges that this collision presents to our ideas or stereotypes of realism, or to the possibilities of writing against and beyond realism. This question motivates examination of key realist or social-realist texts, in some of these essays, by Honoré de Balzac, George Eliot, Franz Grillparzer, Theodor Storm, Gottfried Keller, Theodor Fontane, Wilhelm Raabe, María Amparo Ruiz de Burton, Henry James, William Dean Howells, Charles Chesnutt, Theodore Dreiser, H. T. Tsiang, Alan Sillitoe, and Richard Yates. However, it is no less central a question in certain non-realist texts which engage realist aims to a surprising degree, often to debate them openly; some of these essays discuss, in this light, fantastic, magical realist, and postmodern works by Abram Tertz, Paul Auster, Alejo Carpentier, Toni Morrison, Gabriel García Márquez, Salman Rushdie, and A. S. Byatt. Realism becomes more than an aesthetic aim or narrative mode. It becomes, rather, a value evoked and discussed by all of the works analyzed here, in order to reveal its impact on fiction’s treatment of ethnicity, nationality, ideology, space, gender, and social class.
Publisher: Cambridge Scholars Publishing
ISBN: 1443823465
Category : Literary Criticism
Languages : en
Pages : 315
Book Description
For at least a century, scholarship on realist narrative, and occasional polemics against realist narrative, have assumed that realism promotes the values of sameness against those of otherness, and that it does so by use of a narrative mode that excludes certain epistemologies, ideologies, and ways of thinking. However, the truth is more complex than that, as the essays in this volume all demonstrate. Realism’s Others examines the various strategies by which realist narratives create the idea of difference, whether that difference is registered in terms of class, ethnicity, epistemology, nationality, or gender. The authors in this collection examine in detail not just the fact of otherness in some canonical realist and canonical magical-realist and postmodern novels, but the actual means by which that otherness is established by the text. These essays suggest that neither realist narrative nor narratives positioned as anti-realist take otherness for granted; rather, the texts discussed here actively create difference, and this creation of difference often occasions severe difficulties for the novels’ representational schema. How does one represent different types of knowledge, other aesthetic modes or other spaces, for example, in texts whose epistemology has long been seen as secular and empirical, whose aesthetic mode has always been approached as pure descriptive mimesis, and whose settings are largely domestic? These essays all begin with a certain collision—of nationalities, of classes, of representational matrices, of religions—and go on to chart the challenges that this collision presents to our ideas or stereotypes of realism, or to the possibilities of writing against and beyond realism. This question motivates examination of key realist or social-realist texts, in some of these essays, by Honoré de Balzac, George Eliot, Franz Grillparzer, Theodor Storm, Gottfried Keller, Theodor Fontane, Wilhelm Raabe, María Amparo Ruiz de Burton, Henry James, William Dean Howells, Charles Chesnutt, Theodore Dreiser, H. T. Tsiang, Alan Sillitoe, and Richard Yates. However, it is no less central a question in certain non-realist texts which engage realist aims to a surprising degree, often to debate them openly; some of these essays discuss, in this light, fantastic, magical realist, and postmodern works by Abram Tertz, Paul Auster, Alejo Carpentier, Toni Morrison, Gabriel García Márquez, Salman Rushdie, and A. S. Byatt. Realism becomes more than an aesthetic aim or narrative mode. It becomes, rather, a value evoked and discussed by all of the works analyzed here, in order to reveal its impact on fiction’s treatment of ethnicity, nationality, ideology, space, gender, and social class.
What, After All, Is a Work of Art?
Author: Joseph Margolis
Publisher: Penn State Press
ISBN: 0271038683
Category : Art
Languages : en
Pages : 162
Book Description
Publisher: Penn State Press
ISBN: 0271038683
Category : Art
Languages : en
Pages : 162
Book Description
Ethical Realism
Author: Anatol Lieven
Publisher: Vintage
ISBN: 0307495337
Category : Political Science
Languages : en
Pages : 226
Book Description
America today faces a world more complicated than ever before, but our politicians have failed to envision a foreign policy that addresses our greatest threats. Ethical Realism shows how the United States can successfully combine genuine morality with tough and practical common sense. By outlining core principles and a set of concrete proposals for tackling the terrorist threat and contend with Iran, Russia, the Middle East, and China, Anatol Lieven and John Hulsman show us how to strengthen our security, pursue our national interests, and restore American leadership in the world.
Publisher: Vintage
ISBN: 0307495337
Category : Political Science
Languages : en
Pages : 226
Book Description
America today faces a world more complicated than ever before, but our politicians have failed to envision a foreign policy that addresses our greatest threats. Ethical Realism shows how the United States can successfully combine genuine morality with tough and practical common sense. By outlining core principles and a set of concrete proposals for tackling the terrorist threat and contend with Iran, Russia, the Middle East, and China, Anatol Lieven and John Hulsman show us how to strengthen our security, pursue our national interests, and restore American leadership in the world.
The Atlantic Realists
Author: Matthew Specter
Publisher: Stanford University Press
ISBN: 150362997X
Category : History
Languages : en
Pages : 409
Book Description
In The Atlantic Realists, intellectual historian Matthew Specter offers a boldly revisionist interpretation of "realism," a prevalent stance in post-WWII US foreign policy and public discourse and the dominant international relations theory during the Cold War. Challenging the common view of realism as a set of universally binding truths about international affairs, Specter argues that its major features emerged from a century-long dialogue between American and German intellectuals beginning in the late nineteenth century. Specter uncovers an "Atlantic realist" tradition of reflection on the prerogatives of empire and the nature of power politics conditioned by fin de siècle imperial competition, two world wars, the Holocaust, and the Cold War. Focusing on key figures in the evolution of realist thought, including Carl Schmitt, Hans Morgenthau, and Wilhelm Grewe, this book traces the development of the realist worldview over a century, dismantling myths about the national interest, Realpolitik, and the "art" of statesmanship.
Publisher: Stanford University Press
ISBN: 150362997X
Category : History
Languages : en
Pages : 409
Book Description
In The Atlantic Realists, intellectual historian Matthew Specter offers a boldly revisionist interpretation of "realism," a prevalent stance in post-WWII US foreign policy and public discourse and the dominant international relations theory during the Cold War. Challenging the common view of realism as a set of universally binding truths about international affairs, Specter argues that its major features emerged from a century-long dialogue between American and German intellectuals beginning in the late nineteenth century. Specter uncovers an "Atlantic realist" tradition of reflection on the prerogatives of empire and the nature of power politics conditioned by fin de siècle imperial competition, two world wars, the Holocaust, and the Cold War. Focusing on key figures in the evolution of realist thought, including Carl Schmitt, Hans Morgenthau, and Wilhelm Grewe, this book traces the development of the realist worldview over a century, dismantling myths about the national interest, Realpolitik, and the "art" of statesmanship.
Realisms Interlinked
Author: Arindam Chakrabarti
Publisher: Bloomsbury Publishing
ISBN: 1350044474
Category : Philosophy
Languages : en
Pages : 353
Book Description
This book brings together over 25 years of Arindam Chakrabarti's original research in philosophy on issues of epistemology, metaphysics, and philosophy of mind. Organized under the three basic concepts of a thing out there in the world, the self who perceives it, and other subjects or selves, his work revolves around a set of realism links. Examining connections between metaphysical stances toward the world, selves, and universals, Chakrabarti engages with classical Indian and modern Western philosophical approaches to a number of live topics including the refutation of idealism; the question of the definability of truth, and the possibility of truths existing unknown to anyone; the existence of non-conceptual perception; and our knowledge of other minds. He additionally makes forays into fundamental questions regarding death, darkness, absence, and nothingness. Along with conceptual clarification and progress towards alternative solutions to these substantial philosophical problems, Chakrabarti demonstrates the advantage of doing philosophy in a cosmopolitan fashion. Beginning with an analysis of the concept of a thing, and ending with an analysis of the concept of nothing, Realisms Interlinked offers a preview of a future metaphysics, epistemology, and philosophy of mind without borders.
Publisher: Bloomsbury Publishing
ISBN: 1350044474
Category : Philosophy
Languages : en
Pages : 353
Book Description
This book brings together over 25 years of Arindam Chakrabarti's original research in philosophy on issues of epistemology, metaphysics, and philosophy of mind. Organized under the three basic concepts of a thing out there in the world, the self who perceives it, and other subjects or selves, his work revolves around a set of realism links. Examining connections between metaphysical stances toward the world, selves, and universals, Chakrabarti engages with classical Indian and modern Western philosophical approaches to a number of live topics including the refutation of idealism; the question of the definability of truth, and the possibility of truths existing unknown to anyone; the existence of non-conceptual perception; and our knowledge of other minds. He additionally makes forays into fundamental questions regarding death, darkness, absence, and nothingness. Along with conceptual clarification and progress towards alternative solutions to these substantial philosophical problems, Chakrabarti demonstrates the advantage of doing philosophy in a cosmopolitan fashion. Beginning with an analysis of the concept of a thing, and ending with an analysis of the concept of nothing, Realisms Interlinked offers a preview of a future metaphysics, epistemology, and philosophy of mind without borders.
Beyond Realism: Seeking the Divine Other
Author: Simon Smith
Publisher: Vernon Press
ISBN: 1622733592
Category : Philosophy
Languages : en
Pages : 342
Book Description
The meaning of “God-talk” remains the fundamental issue facing religious thinkers today. This study concerns the analogies needed to make sense of that talk. Embracing those analogies signals the application of Austin Farrer’s cutting-edge theology. Almost fifty years after his death, Farrer remains one of the twentieth century’s last great metaphysical minds, his grasp of faith and philosophy unequalled. Having defended religious thought against both Positivist and Process reduction, he pursued his own revision of scholastic tradition, ultimately developing the vital corrective to an overweening impersonalism, one which depersonalises the divine so severs the cosmological connection. Following this course returns us to an earlier tradition, to a metaphysic of persons exemplified in the expressions of lived faith. This draws upon the logic of personal identity: what it means to be, or rather, to become, a person. Hence, journey’s end lies in a Feuerbachian anthropology of theology or ‘anthropotheism’. Like Farrer, Feuerbach used the believer’s language to relocate theology and philosophy within a framework that makes fertile use of anthropomorphic personifications to ‘think’ God. Revisiting the personalist presuppositions of metaphysics in this way throws light on the most vital questions of personal identity. To answer them is to ‘draw’ reality on a grander scale than either realism or consequentialism is capable of. Most importantly, it is locate our place within that image. Doing theology dynamically or psychologically informed – as both Farrer and Feuerbach insisted – means recognising the constitutive role such images play in self-construction. Without active participation in our ideals and aspirations, we cannot become persons at all; participation entails the enactment of our prospective selves. This returns us to the practice of piety: faith in a Godly person. Here we find the reconstruction of Feuerbach’s anthropology as applied theology and, by extension or amplification, the completion of Farrer’s personalist metaphysics.
Publisher: Vernon Press
ISBN: 1622733592
Category : Philosophy
Languages : en
Pages : 342
Book Description
The meaning of “God-talk” remains the fundamental issue facing religious thinkers today. This study concerns the analogies needed to make sense of that talk. Embracing those analogies signals the application of Austin Farrer’s cutting-edge theology. Almost fifty years after his death, Farrer remains one of the twentieth century’s last great metaphysical minds, his grasp of faith and philosophy unequalled. Having defended religious thought against both Positivist and Process reduction, he pursued his own revision of scholastic tradition, ultimately developing the vital corrective to an overweening impersonalism, one which depersonalises the divine so severs the cosmological connection. Following this course returns us to an earlier tradition, to a metaphysic of persons exemplified in the expressions of lived faith. This draws upon the logic of personal identity: what it means to be, or rather, to become, a person. Hence, journey’s end lies in a Feuerbachian anthropology of theology or ‘anthropotheism’. Like Farrer, Feuerbach used the believer’s language to relocate theology and philosophy within a framework that makes fertile use of anthropomorphic personifications to ‘think’ God. Revisiting the personalist presuppositions of metaphysics in this way throws light on the most vital questions of personal identity. To answer them is to ‘draw’ reality on a grander scale than either realism or consequentialism is capable of. Most importantly, it is locate our place within that image. Doing theology dynamically or psychologically informed – as both Farrer and Feuerbach insisted – means recognising the constitutive role such images play in self-construction. Without active participation in our ideals and aspirations, we cannot become persons at all; participation entails the enactment of our prospective selves. This returns us to the practice of piety: faith in a Godly person. Here we find the reconstruction of Feuerbach’s anthropology as applied theology and, by extension or amplification, the completion of Farrer’s personalist metaphysics.
SF: the Other Side of Realism
Author: Thomas D. Clareson
Publisher: Popular Press
ISBN: 9780879720230
Category : Fiction
Languages : en
Pages : 380
Book Description
A collection of twenty-five essays from eight countries, illustrating the many approaches to science fiction.
Publisher: Popular Press
ISBN: 9780879720230
Category : Fiction
Languages : en
Pages : 380
Book Description
A collection of twenty-five essays from eight countries, illustrating the many approaches to science fiction.
The Complete Madame Realism and Other Stories
Author: Lynne Tillman
Publisher: National Geographic Books
ISBN: 158435190X
Category : Fiction
Languages : en
Pages : 0
Book Description
The complete art world story/essays of the fictional Madame Realism, collected for the first time. The Complete Madame Realism and Other Stories gathers together Lynne Tillman's groundbreaking fiction/essays on culture and places, monuments, artworks, iconic TV shows, and received ideas, written in the third person to record the subtle, ironic, and wry observations of the playful but stern “Madame Realism.” Through her use of a fictional character, Tillman devised a new genre of writing that melded fiction and theory, sensation, and critical thought, disseminating her third-person art writer's observations in such magazines as Art in America and in a variety of art exhibition catalogs and artist books. Two decades after the original publication of these texts, her approach to investigation through embodied thought has been wholly absorbed by a new generation of artists and writers. Provocative and wholly pleasurable, Tillman's stories/essays dissect the mundane with alarming precision. As Lydia Davis wrote of her work, “Our assumptions shift. The every day becomes strange, paradox is embraced, and the unexpected is always around the corner.” This new collection also includes the complete stories of Tillman's other persona, the quixotic author Paige Turner (whose investigation of the language of love overshoots any actual experience of it), and additional stories and essays that address figures such as the “Translation Artist” and Cindy Sherman.
Publisher: National Geographic Books
ISBN: 158435190X
Category : Fiction
Languages : en
Pages : 0
Book Description
The complete art world story/essays of the fictional Madame Realism, collected for the first time. The Complete Madame Realism and Other Stories gathers together Lynne Tillman's groundbreaking fiction/essays on culture and places, monuments, artworks, iconic TV shows, and received ideas, written in the third person to record the subtle, ironic, and wry observations of the playful but stern “Madame Realism.” Through her use of a fictional character, Tillman devised a new genre of writing that melded fiction and theory, sensation, and critical thought, disseminating her third-person art writer's observations in such magazines as Art in America and in a variety of art exhibition catalogs and artist books. Two decades after the original publication of these texts, her approach to investigation through embodied thought has been wholly absorbed by a new generation of artists and writers. Provocative and wholly pleasurable, Tillman's stories/essays dissect the mundane with alarming precision. As Lydia Davis wrote of her work, “Our assumptions shift. The every day becomes strange, paradox is embraced, and the unexpected is always around the corner.” This new collection also includes the complete stories of Tillman's other persona, the quixotic author Paige Turner (whose investigation of the language of love overshoots any actual experience of it), and additional stories and essays that address figures such as the “Translation Artist” and Cindy Sherman.
Telegraphic Realism
Author: Richard Menke
Publisher: Stanford University Press
ISBN: 9780804756914
Category : Literary Criticism
Languages : en
Pages : 344
Book Description
Telegraphic Realism demonstrates the connections between British nineteenth-century fiction, media technologies, and developing ideas about information, from the postage stamp to wireless.
Publisher: Stanford University Press
ISBN: 9780804756914
Category : Literary Criticism
Languages : en
Pages : 344
Book Description
Telegraphic Realism demonstrates the connections between British nineteenth-century fiction, media technologies, and developing ideas about information, from the postage stamp to wireless.