Realism Or Tinsel, a Paper Delivered to the Workers Film Association at Brighton PDF Download
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Author: Michael Balcon
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 12
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Book Description
Author: Michael Balcon
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 12
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Book Description
Author: Robert Murphy
Publisher:
ISBN: 9780415029827
Category : Motion pictures
Languages : en
Pages : 278
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Book Description
Author: Michael Balcon
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Robert Murphy
Publisher: Routledge
ISBN: 113490150X
Category : History
Languages : en
Pages : 275
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Book Description
First published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Robert Murphy
Publisher:
ISBN: 9780203395479
Category : Electronic books
Languages : en
Pages : 278
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Book Description
Author: Robert Murphy
Publisher:
ISBN:
Category :
Languages : en
Pages : 278
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Book Description
Author: Julia Hallam
Publisher: Manchester University Press
ISBN: 9780719052514
Category : Performing Arts
Languages : en
Pages : 302
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Book Description
Compares Once were warriors with other films that have similar themes.
Author: Melanie Bell
Publisher: Bloomsbury Publishing
ISBN: 0857712632
Category : Performing Arts
Languages : en
Pages : 241
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Book Description
It's widely assumed that Britain in the 1950s experienced a return to traditional gender roles. Popular cinema has typically been seen to represent this era through the dominant image of the 'happy housewife'. "Femininity in the Frame" is a sharply observant account of how British cinema engaged with femininity and women's roles during this important period. Written in a lively and accessible manner, it challenges received understandings, arguing that the period was marked by social unease and anxiety about gender roles and femininity, with much British cinema producing ambiguous messages about feminine identities and the role of women. Through analysing marginalized figures, such as prostitutes, criminals and femmes fatales, and addressing central themes, notably sexuality, marriage and female friendship, Melanie Bell examines how British popular cinema imagined and constructed femininity in this era of rapid social and cultural change. She draws together sources ranging from official reports to film reviews, with case studies of films across genres, including "The Perfect Woman", "Young Wives' Tale", "The Weak and the Wicked" and "A Town Like Alice", to show how new ideas and understandings of femininity were seeping into the cultural imagery at this time. She demonstrates how such films expressed proto-feminist ideas and how they ultimately explored new forms of femininity in a manner that has not until now been recognised.
Author: Robert Murphy
Publisher:
ISBN: 9780608203645
Category :
Languages : en
Pages : 292
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Book Description
Author: Adam Lowenstein
Publisher: Columbia University Press
ISBN: 0231507186
Category : Performing Arts
Languages : en
Pages : 274
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Book Description
In this imaginative new work, Adam Lowenstein explores the ways in which a group of groundbreaking horror films engaged the haunting social conflicts left in the wake of World War II, Hiroshima, and the Vietnam War. Lowenstein centers Shocking Representation around readings of films by Georges Franju, Michael Powell, Shindo Kaneto, Wes Craven, and David Cronenberg. He shows that through allegorical representations these directors' films confronted and challenged comforting historical narratives and notions of national identity intended to soothe public anxieties in the aftermath of national traumas. Borrowing elements from art cinema and the horror genre, these directors disrupted the boundaries between high and low cinema. Lowenstein contrasts their works, often dismissed by contemporary critics, with the films of acclaimed "New Wave" directors in France, England, Japan, and the United States. He argues that these "New Wave" films, which were embraced as both art and national cinema, often upheld conventional ideas of nation, history, gender, and class questioned by the horror films. By fusing film studies with the emerging field of trauma studies, and drawing on the work of Walter Benjamin, Adam Lowenstein offers a bold reassessment of the modern horror film and the idea of national cinema.
