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Author: Timothy Barnard
Publisher: Caboose
ISBN: 9781927852460
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
Books are central to the work of Jean-Luc Godard, avid reader of pulp fiction and philosophical treatises, classical drama and modernist novels, scientific tomes and Maoist doctrine, comic books and volumes of art history. Books inform Godard's thinking and inspire his work in a manner unlike that of any other filmmaker. Godard and his characters quote from books incessantly, altering and inflecting them in ways which provide an entry into his thoughts and his aesthetic, derived in large part from its literary component. How are viewers of his films to navigate this dizzying subterranean world of quotations, adaptations, references, homages and borrowings? In this one-of-a-kind volume, 50 specialists working in a dozen countries engage with 109 individual books by 90 authors found over nearly 70 years of Godard's films and writings. Each of these readable three-page mini-essays explores a corner of the extraordinary breadth and depth of Godard's reading, introducing the volume to the reader and unlocking its importance to Godard. Reading with Jean-Luc Godard is not only an invaluable tool for the study of Godard's films; it sheds new light on cinema's longstanding dialogue with the printed word and makes an original and lively contribution to writing the history of ideas. Fredric Jameson contributes both a preface and a coda to bookend Reading with Jean-Luc Godard. An extensive bibliography rounds out the volume to encourage readers to seek out some of the books they will discover and want to explore on their own as they read along with Godard.
Author: Timothy Barnard
Publisher: Caboose
ISBN: 9781927852460
Category : Performing Arts
Languages : en
Pages : 0
Get Book Here
Book Description
Books are central to the work of Jean-Luc Godard, avid reader of pulp fiction and philosophical treatises, classical drama and modernist novels, scientific tomes and Maoist doctrine, comic books and volumes of art history. Books inform Godard's thinking and inspire his work in a manner unlike that of any other filmmaker. Godard and his characters quote from books incessantly, altering and inflecting them in ways which provide an entry into his thoughts and his aesthetic, derived in large part from its literary component. How are viewers of his films to navigate this dizzying subterranean world of quotations, adaptations, references, homages and borrowings? In this one-of-a-kind volume, 50 specialists working in a dozen countries engage with 109 individual books by 90 authors found over nearly 70 years of Godard's films and writings. Each of these readable three-page mini-essays explores a corner of the extraordinary breadth and depth of Godard's reading, introducing the volume to the reader and unlocking its importance to Godard. Reading with Jean-Luc Godard is not only an invaluable tool for the study of Godard's films; it sheds new light on cinema's longstanding dialogue with the printed word and makes an original and lively contribution to writing the history of ideas. Fredric Jameson contributes both a preface and a coda to bookend Reading with Jean-Luc Godard. An extensive bibliography rounds out the volume to encourage readers to seek out some of the books they will discover and want to explore on their own as they read along with Godard.
Author: Dorota Ostrowska
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
Examining connections between the cinematic and literary avant-gardes, this book locates France's filmmaking revolution as a part of a wider re-evaluation of the mid-20th century.
Author: Jean-Luc Godard
Publisher: Viking Adult
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 300
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Book Description
"Jean-Luc Godard, like many of his European contemporaries, came to filmmaking through film criticism. This collection of essays and interviews, ranging from his early efforts for La Gazette du Cinema"
Author: Michael Witt
Publisher: Indiana University Press
ISBN: 0253007305
Category : Performing Arts
Languages : en
Pages : 290
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Book Description
Originally released as a videographic experiment in film history, Jean-Luc Godard's Histoire(s) du cinéma has pioneered how we think about and narrate cinema history, and in how history is taught through cinema. In this stunningly illustrated volume, Michael Witt explores Godard's landmark work as both a specimen of an artist's vision and a philosophical statement on the history of film. Witt contextualizes Godard's theories and approaches to historiography and provides a guide to the wide-ranging cinematic, aesthetic, and cultural forces that shaped Godard's groundbreaking ideas on the history of cinema.
Author: Douglas Morrey
Publisher: Manchester University Press
ISBN: 9780719067594
Category : Performing Arts
Languages : en
Pages : 294
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Book Description
Morrey offers a new interpretation of one of the most innovative directors in the history of cinema, covering the whole of Godard's career from the French New Wave to the more recent triumphs of 'Histoire(s) du cinema' and 'Eloge de l'amour'.
Author: Lesley Stern
Publisher:
ISBN: 9780981191454
Category : Human body in motion pictures
Languages : en
Pages : 0
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Book Description
In the cinema many were living and many kept on living and many became dead, as Gertrude Stein might say. Some kept on living and some kept on being dead and some became things. Bodies proliferate in cinema. Living bodies to be sure, but also dead bodies, and transitional bodies, suspended between the being of a subject and objecthood. We tend to use the same word to designate both a living and a dead body. We also, of course, use the word 'corpse'. Dead is dead, no doubt, but if there are degrees of deadness then a corpse is probably deader than a dead body. Lesley Stern is more interested in things than in death. It is thus the liveliness of corpses that lures her. Not dead bodies which act as though they were alive, nor live bodies which may really be dead, nor bodies which may in fact be composited, or even digitally constructed bodies. Rather, ordinary, old-fashioned bodies, bodies once living and now dead which exhibit a performative potential for conjuring a quality of cinematic thingness. They are bodies that insist on existing after they are dead. In some films in which dead bodies persist, time is concentrated in the body. And dispersed. When life leaves the body, time-or a particular quality of time-enters into the body, and into the film. The body, then, becomes an index of cinematic temporality. Published by caboose books, Montreal. Distributed worldwide, excluding Canada, by Rutgers University Press.
Author: Tom Conley
Publisher: John Wiley & Sons
ISBN: 1118587014
Category : Performing Arts
Languages : en
Pages : 597
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Book Description
This compendium of original essays offers invaluable insights into the life and works of one of the most important and influential directors in the history of cinema, exploring his major films, philosophy, politics, and connections to other critics and directors. Presents a compendium of original essays offering invaluable insights into the life and works of one of the most important and influential filmmakers in the history of cinema Features contributions from an international cast of major film theorists and critics Provides readers with both an in-depth reading of Godard’s major films and a sense of his evolution from the New Wave to his later political periods Brings fresh insights into the great director’s biography, including reflections on his personal philosophy, politics, and connections to other critics and filmmakers Explores many of the 80 features Godard made in nearly 60 years, and includes coverage of his recent work in video
Author: Jean-Luc Godard
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 200
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Book Description
Author: Laurent Le Forestier
Publisher: Caboose
ISBN: 9781927852088
Category : Art
Languages : en
Pages : 0
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Book Description
Montage, découpage, mise en scène: these three French terms are central to debates around film history and aesthetics in every language, yet the precise meaning of each and especially their relationship to one another remain a source of confusion for many. In this unique volume, film scholars Laurent Le Forestier, Timothy Barnard and Frank Kessler examine in lively, readable prose the history of these concepts in film theory and criticism and their genesis and development in practice during cinema's foundational first half-century and beyond—from early cinema to the modern mise en scène criticism of the 1950s and 60s by way of silent-era explorations of the theory and practice of montage and the early sound period's counter example of découpage. Each essay serves as an essential guide for students and specialists alike, combining historical overview with fresh ideas about film aesthetics today.
Author: Richard Brody
Publisher: Macmillan + ORM
ISBN: 1429924314
Category : Performing Arts
Languages : en
Pages : 721
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Book Description
From New Yorker film critic Richard Brody, Everything Is Cinema: The Working Life of Jean-Luc Godard presents a "serious-minded and meticulously detailed . . . account of the lifelong artistic journey" of one of the most influential filmmakers of our age (The New York Times). When Jean-Luc Godard wed the ideals of filmmaking to the realities of autobiography and current events, he changed the nature of cinema. Unlike any earlier films, Godard's work shifts fluidly from fiction to documentary, from criticism to art. The man himself also projects shifting images—cultural hero, fierce loner, shrewd businessman. Hailed by filmmakers as a—if not the—key influence on cinema, Godard has entered the modern canon, a figure as mysterious as he is indispensable. In Everything Is Cinema, critic Richard Brody has amassed hundreds of interviews to demystify the elusive director and his work. Paying as much attention to Godard's technical inventions as to the political forces of the postwar world, Brody traces an arc from the director's early critical writing, through his popular success with Breathless, to the grand vision of his later years. He vividly depicts Godard's wealthy conservative family, his fluid politics, and his tumultuous dealings with women and fellow New Wave filmmakers. Everything Is Cinema confirms Godard's greatness and shows decisively that his films have left their mark on screens everywhere.
