Author: Brian Donnelly
Publisher: Routledge
ISBN: 1317071263
Category : Literary Criticism
Languages : en
Pages : 204
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Book Description
A revolutionary figure throughout his career, Dante Gabriel Rossetti’s work provides a distinctly revolutionary lens through which the Victorian period can be viewed. Suggesting that Rossetti’s work should be approached through his poetry, Brian Donnelly argues that it is both inscribed by and inscribes the development of verbal as well as visual culture in the Victorian era. In his discussions of modernity, aestheticism, and material culture, he identifies Rossetti as a central figure who helped define the terms through which we approach the cultural productions of this period. Donnelly begins by articulating a method for reading Rossetti’s poetry that highlights the intertextual relations within and between the poetry and paintings. His interpretations of such poems as the 'Mary’s Girlhood' sonnets, the sonnet sequence The House of Life, and 'The Orchard-Pit' in relationship to paintings such as The Girlhood of Mary Virgin and Ecce Ancilla Domini! shed light on Victorian ideals of femininity, on consumer culture, and on the role of gender hierarchies in Victorian culture. Situating Rossetti’s poetry as the key to all of his work, Donnelly also makes a case for its centrality in its representation of the dominant discourses of the late Victorian period: faith, sex, consumption, death, and the nature of representation itself.
Author: Brian Donnelly
Publisher:
ISBN: 9781315603698
Category : English poetry
Languages : en
Pages : 178
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Book Description
Author: Dante Gabriel Rossetti
Publisher:
ISBN:
Category : Sonnets, English
Languages : en
Pages : 142
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Book Description
Author: Julian Treuherz
Publisher:
ISBN: 9780500093160
Category : Art
Languages : en
Pages : 247
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Book Description
Catalog of the exhibition held at the Walker, Liverpool, Oct. 16, 2003-Jan. 18, 2004, and the Van Gogh Museum, Amsterdam, Feb. 27-June 6, 2004./Includes bibliographical references (p. 239-243) and index.
Author: Dante Gabriel Rossetti
Publisher:
ISBN:
Category :
Languages : en
Pages : 66
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Book Description
Author: Yildiz Kilic
Publisher: Author House
ISBN: 1496988221
Category : Literary Criticism
Languages : en
Pages : 465
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Book Description
Dante Gabriel Rossetti, Pre-Raphaelite extraordinaire, is unique as Victorian proto-expressionistic painter-poet, who relentlessly sought representation of a tormented personified-self through the communicative relationship between image and word. In this interdisciplinary study is considered the narrative interaction that unifies ideas and forms into a self-expressive dialectical that informs of autonomous individualism and gender politics as a social problematic. Rossetti, known universally as a charismatic and vibrantly passionate man, is tangibly revealed in the most tenderly transparent narratives to be a haunted and socially subjugated man who searched for self-definition as a man and as an artist. By an intricate analysis of key textual and visual narratives Yildiz Kilic provides an insightful and wholly original interpretation of Rossetti as Victorian victim and innovator.
Author: Christabel Powell
Publisher: Austin Macauley
ISBN: 9781788231084
Category : Biography & Autobiography
Languages : en
Pages : 278
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Book Description
The reputations of Dante Gabriel Rossetti, the artist and poet, together with his sister, the poet Christina Rossetti, were zealously guarded by their brother Michael and the Rossetti family in general. Any whiff of scandal was to be strictly avoided, concealed or otherwise written out of history. But according to family traditions handed down to Dr Powell, the author of this book, her great-grandfather was Dante Gabriel Rossetti's illegitimate son. Based on the evidence she has unearthed, Dr Powell tells the story of Rossetti's secret love affair and the son that resulted.
Author: Fabio Camilletti
Publisher: University of Notre Dame Pess
ISBN: 026810400X
Category : Literary Criticism
Languages : en
Pages : 296
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Book Description
The Portrait of Beatrice examines both Dante's and D. G. Rossetti's intellectual experiences in the light of a common concern about visuality. Both render, in different times and contexts, something that resists clear representation, be it the divine beauty of the angel-women or the depiction of the painter's own interiority in a secularized age. By analyzing Dante's Vita Nova alongside Rossetti's Hand and Soul and St. Agnes of Intercession, which inaugurates the Victorian genre of 'imaginary portrait' tales, this book examines how Dante and Rossetti explore the tension between word and image by creating 'imaginary portraits.' The imaginary portrait—Dante's sketched angel appearing in the Vita Nova or the paintings evoked in Rossetti's narratives—is not (only) a non-existent artwork: it is an artwork whose existence lies elsewhere, in the words alluding to its inexpressible quality. At the same time, thinking of Beatrice as an 'imaginary Lady' enables us to move beyond the debate about her actual existence. Rather, it allows us to focus on her reality as a miracle made into flesh, which language seeks incessantly to grasp. Thus, the intergenerational dialogue between Dante and Rossetti—and between thirteenth and nineteenth centuries, literature and painting, Italy and England—takes place between different media, oscillating between representation and denial, mimesis and difference, concealment and performance. From medieval Florence to Victorian London, Beatrice's 'imaginary portrait' touches upon the intertwinement of desire, poetry, and art-making in Western culture.
Author: Dante Alighieri
Publisher:
ISBN:
Category : Devotional literature, Italian
Languages : en
Pages : 224
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Book Description
Author: Jerome J. McGann
Publisher:
ISBN: 9780300080230
Category : Literary Criticism
Languages : en
Pages : 188
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Book Description
Why did the work of Dante Gabriel Rossetti come to dominate the cultural geography of England between 1850 and 1910? And why, having attained that kind of eminence, did Rossetti's star decline so precipitously with the advent of Modernism? Finally, what is there about Rossetti's work and its historical aftermath that makes these questions important ones to ask? The cultural and aesthetic problems raised by those questions are the subject of this fascinating book. Jerome McGann, an eminent authority on Rossetti, demonstrates the programmatic aims of Rossetti's innovative multimedia work by focusing on two issues, one philosophical and one cultural. First, McGann shows how in Rossetti's work high-order thinking processes are modeled and executed as aesthetic practices. Second, from Rossetti's Pre-Raphaelite 'art of the inner standing point' McGann argues that Rossetti forces a revision of the cultural norms commonly used for evaluating artistic success and failure.
