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Author: Agha Shahid Ali
Publisher: Wesleyan University Press
ISBN: 9780819564375
Category : Poetry
Languages : en
Pages : 212
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Book Description
A star-studded anthology infuses English poetry with the rigor and wit of a foreign form. In recent years, the ghazal (pronounced "ghuzzle"), a traditional Arabic form of poetry, has become popular among contemporary English language poets. But like the haiku before it, the ghazal has been widely misunderstood and thus most English ghazals have been far from the mark in both letter and spirit. This anthology brings together ghazals by a rich gathering of 107 poets including Diane Ackerman, John Hollander, W. S. Merwin, William Matthews, Paul Muldoon, Ellen Bryant Voigt, and many others. As this dazzling collection shows, the intricate and self-reflexive ghazal brings the writer a unique set of challenges and opportunities. Agha Shahid Ali's lively introduction gives a brief history of the ghazal and instructions on how to compose one in English. An elegant afterword by Sarah Suleri Goodyear elucidates the larger issues of cultural translation and authenticity inherent in writing in a "borrowed" form.
Author: Agha Shahid Ali
Publisher: Wesleyan University Press
ISBN: 9780819564375
Category : Poetry
Languages : en
Pages : 212
Get Book Here
Book Description
A star-studded anthology infuses English poetry with the rigor and wit of a foreign form. In recent years, the ghazal (pronounced "ghuzzle"), a traditional Arabic form of poetry, has become popular among contemporary English language poets. But like the haiku before it, the ghazal has been widely misunderstood and thus most English ghazals have been far from the mark in both letter and spirit. This anthology brings together ghazals by a rich gathering of 107 poets including Diane Ackerman, John Hollander, W. S. Merwin, William Matthews, Paul Muldoon, Ellen Bryant Voigt, and many others. As this dazzling collection shows, the intricate and self-reflexive ghazal brings the writer a unique set of challenges and opportunities. Agha Shahid Ali's lively introduction gives a brief history of the ghazal and instructions on how to compose one in English. An elegant afterword by Sarah Suleri Goodyear elucidates the larger issues of cultural translation and authenticity inherent in writing in a "borrowed" form.
Author: Manan Kapoor
Publisher: Yale University Press
ISBN: 0300271530
Category : Biography & Autobiography
Languages : en
Pages : 244
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Book Description
The beautifully written first biography of one of the world’s finest twentieth-century poets Agha Shahid Ali (1949–2001) was one of the most celebrated American poets of the latter twentieth century, and his works have touched millions of lives around the world. Traversing multiple geographies, cultures, religions, and traditions, he mapped the varied landscapes of the Indian subcontinent and the United States. In this biography, Manan Kapoor narrates Shahid’s evolution, following in the footsteps of the “Beloved Witness” from Kashmir and New Delhi to the American Southwest and Massachusetts. He charts Shahid’s friendships with literary figures such as James Merrill, Salman Rushdie, and Edward Said; explores how Shahid responded to events around the world, including the partition of the Indian subcontinent and the AIDS epidemic in America; and draws on unpublished materials and in-depth interviews to reveal the experiences and relationships that informed his poetry. Hailed upon its release in India as “lush” and “poetic,” A Map of Longings is the story of an extraordinary poet, the works he left behind, and the legacy of his singular poetic vision.
Author: Erik Martiny
Publisher: John Wiley & Sons
ISBN: 1444336738
Category : Literary Criticism
Languages : en
Pages : 661
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Book Description
A COMPANION TO POETIC GENRE A COMPANION TO POETIC GENRE This eagerly awaited Companion features over 40 contributions from leading academics around the world, and offers critical overviews of numerous poetic genres. Covering a range of cultural traditions from Britain, Ireland, North America, Japan and the Caribbean, among others, this valuable collection considers ancient genres such as the elegy, the ode, the ghazal, and the ballad, before moving on to Medieval and Renaissance genres originally invented or codified by the Troubadours or poets who followed in their wake. The book also approaches genres driven by theme, such as the calypso and found poetry. Each chapter begins by defining the genre in its initial stages, charting historical developments and finally assessing its latest mutations, be they structural, thematic, parodic, assimilative, or subversive.
Author: Kazim Ali
Publisher: University of Michigan Press
ISBN: 0472053507
Category : Literary Collections
Languages : en
Pages : 239
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Book Description
New essays, both personal and critical, on the work of beloved Kashmiri-American poet Agha Shahid Ali
Author: Tapan Kumar Ghosh
Publisher: State University of New York Press
ISBN: 143848433X
Category : Literary Criticism
Languages : en
Pages : 286
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Book Description
Featuring essays by American, Indian, and British scholars, this collection offers critical appraisals and personal reflections on the life and work of the transnational poet Agha Shahid Ali (1949–2001). Though sometimes identified as an "Indian writer in English," Shahid came to designate himself as a Kashmiri-American writer in exile in the United States, where he lived for the latter half of his life, publishing seven volumes of poetry and teaching at colleges and universities across the country. Locating Shahid in a diasporic space of exile, the volume traces the poet's transnationalist attempts to bridge East and West and his movement toward a true internationalism. In addition to offering close formal analyses of most of Shahid's poems and poetry collections, the contributors also situate him in relation to both Western and subcontinental poetic forms, particularly the ghazal. Many also offer personal anecdotes that convey the milieu in which the poet lived and wrote, as well as his personal preoccupations. The book concludes with the poet's 1997 interview with Suvir Kaul, which appears in print here for the first time.
Author: Blas Falconer
Publisher: University of Arizona Press
ISBN: 0816548587
Category : Literary Collections
Languages : en
Pages : 184
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Book Description
“The stereotype spells death to the imagination by shrinking all possibilities to one. Generalizations encourage us to stop considering what can be.” —from the Introduction The sheer number of different ethnic groups and cultures in the United States makes it tempting to classify them according to broad stereotypes, ignoring their unique and changing identities. Because of their growing diversity within the United States, Latinas and Latinos face this problem in their everyday lives. With cultural roots in Mexico, Puerto Rico, Cuba, the Dominican Republic, or a variety of other locales, Hispanic-origin people in the United States are too often consigned to a single category. With this book Blas Falconer and Lorraine M. López set out to change this. The Other Latin@ is a diverse collection of essays written by some of the best emerging and established contemporary writers of Latin origin to help answer the question: How can we treat U.S. Latina and Latino literature as a definable whole while acknowledging the many shifting identities within their cultures? By telling their own stories, these authors illuminate the richness of their cultural backgrounds while adding a unique perspective to Latina and Latino literature. This book sheds light on the dangers of abandoning identity by accepting cultural stereotypes and ignoring diversity within diversity. These contributors caution against judging literature based on the race of the author and lament the use of the term Hispanic to erase individuality. Honestly addressing difficult issues, this book will greatly contribute to a better understanding of Latina and Latino literature and identity.
Author: Anne Collett
Publisher: Bloomsbury Publishing
ISBN: 135018828X
Category : Literary Criticism
Languages : en
Pages : 305
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Book Description
Knitting together two fascinating but entirely distinct lives, this ingeniously structured braided biography tells the story of the lives and work of two women, each a cultural icon in her own country yet lesser known in the other's. Australian poet Judith Wright and Canadian painter Emily Carr broke new ground for female artists in the British colonies and influenced the political and social debates about environment and indigenous rights that have shaped Australia and Canada in the 21st century. In telling their story/ies, this book charts the battle for recognition of their modernist art and vision, pointing out significant moments of similarity in their lives and work. Although separated by thousands of miles, their experience of colonial modernity was startlingly analogous, as white settler women bent on forging artistic careers in a male-dominated world and sphere rigged against them. Through all this, though, their cultural importance endures; two remarkable women whose poetry and painting still speak to us today of their passionate belief in the transformative power of art.
Author: Richard Begam
Publisher: Duke University Press
ISBN: 0822390310
Category : Literary Criticism
Languages : en
Pages : 339
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Book Description
This collection of essays by renowned literary scholars offers a sustained and comprehensive account of the relation of British and Irish literary modernism to colonialism. Bringing postcolonial studies into dialogue with modernist studies, the contributors move beyond depoliticized appreciations of modernist aesthetics as well as the dismissal of literary modernism as irredeemably complicit in the evils of colonialism. They demonstrate that the modernists were not unapologetic supporters of empire. Many were avowedly and vociferously opposed to colonialism, and all of the writers considered in this volume were concerned with the political and cultural significance of colonialism, including its negative consequences for both the colonizer and the colonized. Ranging over poetry, fiction, and criticism, the essays provide fresh appraisals of Joseph Conrad, T. S. Eliot, Ezra Pound, Virginia Woolf, D. H. Lawrence, Wyndham Lewis, E. M. Forster, W. B. Yeats, James Joyce, Elizabeth Bowen, Hugh MacDiarmid, and Evelyn Waugh, as well as Robert Louis Stevenson and H. Rider Haggard. The essays that bookend the collection connect the modernists to their Victorian precursors, to postwar literary critics, and to postcolonial poets. The rest treat major works written or published between 1899 and 1939, the boom years of literary modernism and the period during which the British empire reached its greatest geographic expanse. Among the essays are explorations of how primitivism figured in the fiction of Lawrence and Lewis; how, in Ulysses, Joyce used modernist techniques toward anticolonial ends; and how British imperialism inspired Conrad, Woolf, and Eliot to seek new aesthetic forms appropriate to the sense of dislocation they associated with empire. Contributors. Nicholas Allen, Rita Barnard, Richard Begam, Nicholas Daly, Maria DiBattista, Ian Duncan, Jed Esty, Andrzej Gąsiorek, Declan Kiberd, Brian May, Michael Valdez Moses, Jahan Ramazani, Vincent Sherry
Author: Robert Stilling
Publisher: Harvard University Press
ISBN: 0674919696
Category : Law
Languages : en
Pages : 215
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Book Description
During the struggle for decolonization, Frantz Fanon argued that artists who mimicked European aestheticism were “beginning at the end,” skipping the inventive phase of youth for a decadence thought more typical of Europe’s declining empires. Robert Stilling takes up Fanon’s assertion to argue that decadence became a key idea in postcolonial thought, describing both the failures of revolutionary nationalism and the assertion of new cosmopolitan ideas about poetry and art. In Stilling’s account, anglophone postcolonial artists have reshaped modernist forms associated with the idea of art for art’s sake and often condemned as decadent. By reading decadent works by J. K. Huysmans, Walter Pater, Henry James, and Oscar Wilde alongside Chinua Achebe, Derek Walcott, Agha Shahid Ali, Derek Mahon, Yinka Shonibare, Wole Soyinka, and Bernardine Evaristo, Stilling shows how postcolonial artists reimagined the politics of aestheticism in the service of anticolonial critique. He also shows how fin de siècle figures such as Wilde questioned the imperial ideologies of their own era. Like their European counterparts, postcolonial artists have had to negotiate between the imaginative demands of art and the pressure to conform to a revolutionary politics seemingly inseparable from realism. Beginning at the End argues that both groups—European decadents and postcolonial artists—maintained commitments to artifice while fostering oppositional politics. It asks that we recognize what aestheticism has contributed to politically engaged postcolonial literature. At the same time, Stilling breaks down the boundaries around decadent literature, taking it outside of Europe and emphasizing the global reach of its imaginative transgressions.
Author: Stephanie Burt
Publisher: Harvard University Press
ISBN: 0674737873
Category : Literary Criticism
Languages : en
Pages : 430
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Book Description
The variety of contemporary American poetry leaves many readers overwhelmed. The critic, scholar, and poet Stephen Burt sets out to help. Beginning in the early 1980s, where critical consensus ends, he presents 60 poems, each with an original essay explaining how the poem works, why it matters, and how it speaks to other parts of art and culture.
