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Author: Selbourne Reid
Publisher: Xulon Press
ISBN: 160647989X
Category : Biography & Autobiography
Languages : en
Pages : 186
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Book Description
The Rastafarian's uprising in Montego Bay, Jamaica on 'Black Thursday' April 11th 1963 is an indelible monument in the Rastafarian movement which is indigenous to Jamaica. Selbourne Reid, the author of this book, was a police officer and a member of the rifle group in the leading police party, escaped unhurt but some of his co-workers were seriously injured. He saw a man chopped to death within three to five (3Ft-5Ft) feet away as well as one of his co-worker seriously injured. He ran from the scene and while he was running he saw another of his co-worker being hacked to death. Selbourne could not help, as he had no ammunition for his rifle. This book is designed to satiate the reader who has a flare for humor. For example, The account of 'A memorable lie', or 'The Obeah-man' who stripped a young lady in a public place-in a bar-and anoint her nude body with some type of oil which he said would cause her to have an abortion.' This man did other ludicrous acts and was subsequently arrested. There is also a question as to whether Inspector Fisher was saying 'Where is Jimmy?' even when he was being chopped by the Rastaman. Christian and ethical principles are highlighted in this book, as well as some lessons and techniques, which can be learned by some supervisors, public administrators and police or military leaders. Selbourne was employed in Law enforcement and Social work in Jamaica and the United States of America for over thirty-five years. He writes about certain incidents in his work experience. Selbourne Reid graduated with a BSc. Degree in Public Administration from of The University of The West Indies, Mona campus, Jamaica.
Author: Selbourne Reid
Publisher: Xulon Press
ISBN: 160647989X
Category : Biography & Autobiography
Languages : en
Pages : 186
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Book Description
The Rastafarian's uprising in Montego Bay, Jamaica on 'Black Thursday' April 11th 1963 is an indelible monument in the Rastafarian movement which is indigenous to Jamaica. Selbourne Reid, the author of this book, was a police officer and a member of the rifle group in the leading police party, escaped unhurt but some of his co-workers were seriously injured. He saw a man chopped to death within three to five (3Ft-5Ft) feet away as well as one of his co-worker seriously injured. He ran from the scene and while he was running he saw another of his co-worker being hacked to death. Selbourne could not help, as he had no ammunition for his rifle. This book is designed to satiate the reader who has a flare for humor. For example, The account of 'A memorable lie', or 'The Obeah-man' who stripped a young lady in a public place-in a bar-and anoint her nude body with some type of oil which he said would cause her to have an abortion.' This man did other ludicrous acts and was subsequently arrested. There is also a question as to whether Inspector Fisher was saying 'Where is Jimmy?' even when he was being chopped by the Rastaman. Christian and ethical principles are highlighted in this book, as well as some lessons and techniques, which can be learned by some supervisors, public administrators and police or military leaders. Selbourne was employed in Law enforcement and Social work in Jamaica and the United States of America for over thirty-five years. He writes about certain incidents in his work experience. Selbourne Reid graduated with a BSc. Degree in Public Administration from of The University of The West Indies, Mona campus, Jamaica.
Author: Ret. Detective Selbourne Reid
Publisher: AuthorHouse
ISBN: 1468575775
Category : Biography & Autobiography
Languages : en
Pages : 193
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Book Description
Selbourne Reid, the author of this book is a retired Detective Inspector of Police. He was a member of the Rifle Squad which travelled in front with Inspector Fisher who led the charge in the operation against the Rastafarians. He saw a man chopped and killed within three to five (3ft-5ft) feet of where he was standing. When he turned around to run from the scene he observed that one of his co-workers who was standing behind him was already seriously wounded and was bleeding from a machete wound he received across the back of his neck and shoulder. That indicated that a Killer Rasta-man had passed behind him and chopped his co-worker. Selbourne ran from the scene of terror as there was no ammunition in his rifle and escaped unscratched. He credits his escape to Gods Divine Intervention on his behalf. Fisher had refused to issue the ammunition to his men. He apparently was hoping to hand over command to Superintendent Jimmy Ricketts who ordered the reinforcement to meet him at the scene but could not be found when he Fisher and his men arrived. He was seriously wounded but was saved by a brave corporal who got a round of ammunition from him, quickly loaded a rifle and shot the Rasta-man who was in the act of killing Fisher while he was on the ground. There is a lot of humor in this book. For example; Inspector Fisher rhetorically asked Where is Jimmy on most of the occasions when he was requested to issue the ammunition to his men so many people after learning of what transpired, wondered if Fisher was saying where is Jimmy where is Jimmy even when he was being chopped in his head by a Rasta- man. Ethical principles and a lesson to public officials in the social services and other public offices are included in this book. For example The Foster Mother applicant who prepared herself to grant sexual favors because she felt that such action would guarantee success in her application to become a Foster Mother for her nephew. Selbourne graduated from the University of the West Indies with a BSc.degree in Public Administration. He migrated to the USA where he did further studies and was employed in New York and later Florida as Child Welfare Officer, Probation Officer and school teacher. He is also the Author of Rastafarian Uprising (2010) and Gods Miraculous Healing Power (2011) which are available at the following: amazon.com, target, Barns & Noble, wwiic.com.
[email protected] xulopress.com, authorhouse.com.
Author: Terry Lacey
Publisher: Manchester University Press
ISBN: 9780719006333
Category : Political Science
Languages : en
Pages : 200
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Book Description
Author: Deborah A. Thomas
Publisher: Duke University Press
ISBN: 0822350866
Category : History
Languages : en
Pages : 315
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Book Description
This ethnography of violence in Jamaica repudiates cultural explanations for violence, arguing that its roots lie in deep racialized and gendered inequalities produced in imperial slave economies.
Author: Kevin O'Brien Chang
Publisher: Temple University Press
ISBN: 9781566396295
Category : History
Languages : en
Pages : 260
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Book Description
Jamaican music can be roughly divided into four eras, each with a distinctive beat - ska, rocksteady, reggae and dancehall. Ska dates from about 1960 to mid-1966, rocksteady from 1966 to 1968, while from 1969 to 1983 reggae was the popular beat. The reggae era had two phases, 'early reggae' up to 1974 and 'roots reggae' up to 1983. Since 1983 dancehall has been the prevalent sound. The authors describe each stage in the development of the music, identifying the most popular songs and artists, highlighting the significant social, political and economic issues as they affected the musical scene. While they write from a Jamaican perspective, the intended audience is 'any person, local or foreign, interested in an intelligent discussion of reggae music and Jamaica.'.
Author: Priest Douglas Smith
Publisher: Rootz Foundation Inc.
ISBN: 1639720359
Category : Social Science
Languages : en
Pages : 367
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Book Description
Volume One of “Rastafari In The 21st Century: What Life Has Taught I&I” contains the previously unwritten history of the First Generation of Rastafari Elders. Today, many of that First Generation of Rastafari Elders are transitioning on to become Ancestors, and as they do so, their colorful and important life stories are already starting to fade from the collective memory of the people of Jamaica and the world. This well-illustrated and thought-provoking volume was written as a literary tribute lest the world forget to highlight and honor those Rastafari Elders who sacrificed everything and endured so much with so little in order to establish a new Cultural Tradition and Way of Life. The colorful biographies of the individual Rastafari Patriarchs and Matriarchs included in this Tribute to the Elders provide a panoramic, comprehensive and illuminating insight into the cultural mindset and political worldview of the Rastafari. The revealing biographies of the selected Rastafari Elders also give mind-boggling and eye-opening accounts of the harrowing and dangerous life of the once socially ostracized and publicly despised Rastafari activists.
Author: Elke Weesjes
Publisher: Taylor & Francis
ISBN: 1040005500
Category : Music
Languages : en
Pages : 239
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Book Description
This edited volume concentrates on the period from the 1940s to the present, exploring how popular music forms such as blues, disco, reggae, hip hop, grime, metal and punk evolved and transformed as they traversed time and space. Within this framework, the collection traces how music and subcultures travel through, to and from democracies, autocracies and anocracies. The chosen approach is multidisciplinary and deliberately diverse. Using both archival sources and oral testimony from a wide variety of musicians, promoters, critics and members of the audience, contributors from a range of academic disciplines explore music and subcultural forms in countries across Asia, Europe, Oceania, North America and Africa. They investigate how far the meaning of music and associated subcultures change as they move from one context to another and consider whether they transcend or blur parameters of class, race, gender and sexuality.
Author: Deborah A. Thomas
Publisher: Duke University Press
ISBN: 0822386305
Category : Social Science
Languages : en
Pages : 373
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Book Description
Modern Blackness is a rich ethnographic exploration of Jamaican identity in the late twentieth century and early twenty-first. Analyzing nationalism, popular culture, and political economy in relation to one another, Deborah A. Thomas illuminates an ongoing struggle in Jamaica between the values associated with the postcolonial state and those generated in and through popular culture. Following independence in 1962, cultural and political policies in Jamaica were geared toward the development of a multiracial creole nationalism reflected in the country’s motto: “Out of many, one people.” As Thomas shows, by the late 1990s, creole nationalism was superseded by “modern blackness”—an urban blackness rooted in youth culture and influenced by African American popular culture. Expressions of blackness that had been marginalized in national cultural policy became paramount in contemporary understandings of what it was to be Jamaican. Thomas combines historical research with fieldwork she conducted in Jamaica between 1993 and 2003. Drawing on her research in a rural hillside community just outside Kingston, she looks at how Jamaicans interpreted and reproduced or transformed on the local level nationalist policies and popular ideologies about progress. With detailed descriptions of daily life in Jamaica set against a backdrop of postcolonial nation-building and neoliberal globalization, Modern Blackness is an important examination of the competing identities that mobilize Jamaicans locally and represent them internationally.
Author: Stephen A. King
Publisher: Univ. Press of Mississippi
ISBN: 1496800397
Category : Music
Languages : en
Pages : 204
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Book Description
Who changed Bob Marley’s famous peace-and-love anthem into “Come to Jamaica and feel all right?” When did the Rastafarian fighting white colonial power become the smiling Rastaman spreading beach towels for American tourists? Drawing on research in social movement theory and protest music, Reggae, Rastafari, and the Rhetoric of Social Control traces the history and rise of reggae and the story of how an island nation commandeered the music to fashion an image and entice tourists. Visitors to Jamaica are often unaware that reggae was a revolutionary music rooted in the suffering of Jamaica’s poor. Rastafarians were once a target of police harassment and public condemnation. Now the music is a marketing tool, and the Rastafarians are no longer a “violent counterculture” but an important symbol of Jamaica’s new cultural heritage. This book attempts to explain how the Jamaican establishment’s strategies of social control influenced the evolutionary direction of both the music and the Rastafarian movement. From 1959 to 1971, Jamaica’s popular music became identified with the Rastafarians, a social movement that gave voice to the country’s poor black communities. In response to this challenge, the Jamaican government banned politically controversial reggae songs from the airwaves and jailed or deported Rastafarian leaders. Yet when reggae became internationally popular in the 1970s, divisions among Rastafarians grew wider, spawning a number of pseudo-Rastafarians who embraced only the external symbolism of this worldwide religion. Exploiting this opportunity, Jamaica’s new Prime Minister, Michael Manley, brought Rastafarian political imagery and themes into the mainstream. Eventually, reggae and Rastafari evolved into Jamaica’s chief cultural commodities and tourist attractions.
Author: Diana Paton
Publisher: Duke University Press
ISBN: 1478013095
Category : History
Languages : en
Pages : 407
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Book Description
From Miss Lou to Bob Marley and Usain Bolt to Kamala Harris, Jamaica has had an outsized reach in global mainstream culture. Yet many of its most important historical, cultural, and political events and aspects are largely unknown beyond the island. The Jamaica Reader presents a panoramic history of the country, from its precontact indigenous origins to the present. Combining more than one hundred classic and lesser-known texts that include journalism, lyrics, memoir, and poetry, the Reader showcases myriad voices from over the centuries: the earliest published black writer in the English-speaking world; contemporary dancehall artists; Marcus Garvey; and anonymous migrant workers. It illuminates the complexities of Jamaica's past, addressing topics such as resistance to slavery, the modern tourist industry, the realities of urban life, and the struggle to find a national identity following independence in 1962. Throughout, it sketches how its residents and visitors have experienced and shaped its place in the world. Providing an unparalleled look at Jamaica's history, culture, and politics, this volume is an ideal companion for anyone interested in learning about this magnetic and dynamic nation.
