Rastafarian Music in Contemporary Jamaica PDF Download
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Author: Yoshiko S. Nagashima
Publisher:
ISBN:
Category : Black people
Languages : en
Pages : 256
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Book Description
Author: Yoshiko S. Nagashima
Publisher:
ISBN:
Category : Black people
Languages : en
Pages : 256
Get Book Here
Book Description
Author: Michael Veal
Publisher: Wesleyan University Press
ISBN: 0819574422
Category : Music
Languages : en
Pages : 353
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Book Description
Winner of the ARSC’s Award for Best Research (History) in Folk, Ethnic, or World Music (2008) When Jamaican recording engineers Osbourne “King Tubby” Ruddock, Errol Thompson, and Lee “Scratch” Perry began crafting “dub” music in the early 1970s, they were initiating a musical revolution that continues to have worldwide influence. Dub is a sub-genre of Jamaican reggae that flourished during reggae’s “golden age” of the late 1960s through the early 1980s. Dub involves remixing existing recordings—electronically improvising sound effects and altering vocal tracks—to create its unique sound. Just as hip-hop turned phonograph turntables into musical instruments, dub turned the mixing and sound processing technologies of the recording studio into instruments of composition and real-time improvisation. In addition to chronicling dub’s development and offering the first thorough analysis of the music itself, author Michael Veal examines dub’s social significance in Jamaican culture. He further explores the “dub revolution” that has crossed musical and cultural boundaries for over thirty years, influencing a wide variety of musical genres around the globe. Ebook Edition Note: Seven of the 25 illustrations have been redacted.
Author: Anita M. Waters
Publisher: Transaction Publishers
ISBN: 9781412832687
Category : History
Languages : en
Pages : 358
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Book Description
Dr. Waters is one of a new breed of analysts for whom the interpenetration of politics, culture, and national development is key to a larger integration of social research. Race, Class, and Political Symbols is a remarkably cogent examination of the uses of Rastafarian symbols and reggae music in Jamaican electoral campaigns. The author describes and analyzes the way Jamaican politicians effectively employ improbable strategies for electoral success. She includes interviews with reggae musicians, Rastafarian leaders, government and party officials, and campaign managers. Jamaican democracy and politics are fused to its culture; hence campaign advertisements, reggae songs, party pamphlets, and other documents are part of the larger picture of Caribbean life and letters. This volume centers and comes to rest on the adoption of Rastafarian symbols in the context of Jamaica's democratic institutions, which are characterized by vigorous campaigning, electoral fraud, and gang violence. In recent national elections, such violence claimed the lives of hundreds of people. Significant issues are dealt with in this cultural setting: race differentials among Whites, Browns, and Blacks; the rise of anti-Cubanism; the Rastafarians' response to the use of their symbols; and the current status of Rastafarian ideological legitimacy.
Author: Michael Barnett
Publisher: Syracuse University Press
ISBN: 0815633602
Category : Social Science
Languages : en
Pages : 388
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Book Description
In the dawn of the new African Millennium, the Rastafari movement has achieved unheralded growth and visibility since its inception more than eighty years ago. Moving beyond a pure spiritual movement, its aesthetic component has influenced cultures of the Caribbean, the United States, and others across the globe. Locating the Rastafari movement at a literal and figurative crossroad, Barnett sets out to consider the possible paths the movement will chart. Rastafari in the New Millennium covers a wide range of perspectives, focusing not only on the movement’s nuanced and complex religious ideology but also on its political philosophy, cosmology, and unique epistemology. Barry Chevannes’s essay addresses the concerns of death and repatriation, highlighting the transformative challenges these issues pose to Rastafari. Essays by Ian Boxill, Edward Te Kohu Douglas, Erin C. MacLeod, and Janet L. DeCosmo, among others, offer rich accounts of the globalization of Rastafari from New Zealand to Ethiopia, from Brazil to Nigeria. Drawing on new research and global developments, the contributors, many of whom are leading scholars in the field, reinvigorate the critical dialogue on the current state and future direction of the Rastafari movement.
Author: Norman C. Stolzoff
Publisher: Duke University Press
ISBN: 9780822325147
Category : Music
Languages : en
Pages : 332
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Book Description
An ethnography of Dancehall, the dominant form of reggae music in Jamica since the early 1960s.
Author: Marvin Sterling
Publisher: Duke University Press
ISBN: 0822392739
Category : Social Science
Languages : en
Pages : 316
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Book Description
An important center of dancehall reggae performance, sound clashes are contests between rival sound systems: groups of emcees, tune selectors, and sound engineers. In World Clash 1999, held in Brooklyn, Mighty Crown, a Japanese sound system and the only non-Jamaican competitor, stunned the international dancehall community by winning the event. In 2002, the Japanese dancer Junko Kudo became the first non-Jamaican to win Jamaica’s National Dancehall Queen Contest. High-profile victories such as these affirmed and invigorated Japan’s enthusiasm for dancehall reggae. In Babylon East, the anthropologist Marvin D. Sterling traces the history of the Japanese embrace of dancehall reggae and other elements of Jamaican culture, including Rastafari, roots reggae, and dub music. Sterling provides a nuanced ethnographic analysis of the ways that many Japanese involved in reggae as musicians and dancers, and those deeply engaged with Rastafari as a spiritual practice, seek to reimagine their lives through Jamaican culture. He considers Japanese performances and representations of Jamaican culture in clubs, competitions, and festivals; on websites; and in song lyrics, music videos, reggae magazines, travel writing, and fiction. He illuminates issues of race, ethnicity, gender, sexuality, and class as he discusses topics ranging from the cultural capital that Japanese dancehall artists amass by immersing themselves in dancehall culture in Jamaica, New York, and England, to the use of Rastafari as a means of critiquing class difference, consumerism, and the colonial pasts of the West and Japan. Encompassing the reactions of Jamaica’s artists to Japanese appropriations of Jamaican culture, as well as the relative positions of Jamaica and Japan in the world economy, Babylon East is a rare ethnographic account of Afro-Asian cultural exchange and global discourses of blackness beyond the African diaspora.
Author: Roger Steffens
Publisher: Insight Editions
ISBN: 9781933784236
Category : Music
Languages : en
Pages : 0
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Book Description
From its birth in the vibrant Kingston ghettos of Jamaica through its phenomenal popularity in the 1970s to its iconic standing in today’s global culture, reggae and its close relations—ska, rock steady, dj, dub, dancehall, and raggamuffin—have taken the world by storm. In The Reggae Scrapbook, scintillating words and images propel our appreciation of Jamaican music into the 21st century. Guiding us on this colorful book-length journey is one of the men who introduced reggae to America and helped rock the world with its syncopated beat, Roger Steffens. Through lectures, books, magazine articles, radio, and television, Steffens has shared his knowledge of reggae from coast to coast. He is the world’s premier archivist and collector of reggae memorabilia, and brings the best of his in-depth interviews with such reggae legends as Peter Tosh, Jimmy Cliff, and “Toots” Hibbert to this unique scrapbook. Covering topics such as “Roots and Ska,” “Rock Steady,” “The Golden Age,” “Rockers, Digital and Dance Hall,” and “Internationalization,” and supplemented with sidebar features on historic figures, styles, and events, The Reggae Scrapbook demonstrates the bold statement made by the rise of this irresistible musical and social force. Already the book is gaining powerful critical comment - "Rich in political, religious and herbaceous context, this lively package is primer for the uninitiated and treasure trove for the fan," raved the San Francisco Chronicle. Includes the following special features: A DVD of interviews with reggae greats by Roger Steffans (see a preview on YouTube) Facsimile reproduction of autographed flyers, album covers, posters, postcards, and tickets. A collection of evocative images by photographer Peter Simon, from reggae’s rough beginnings to the latest festivals, providing a stunning visual accompaniment. The best of Roger Steffens collection of more than 30,000 photographs and more rare memorabilia!
Author: William F. Lewis
Publisher: Waveland Press
ISBN: 1478609370
Category : Social Science
Languages : en
Pages : 152
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Book Description
. . . a cult, a deviant subculture, a revolutionary movement . . . these descriptions have been commonly used in the past to identify the Rastafari, a group perhaps best known to North American readers for their gift of reggae music to the world. With both compassion and a sharp sense of reality, anthropologist William Lewis suggests alternative perspectives and reviews existing social theories as he reports on the diverse world of the ganja-smoking Rastafari culture. He carefully examines this culture in its confrontations with the law, its growing ambivalence about itself as well as the continued conflict between many Rasta and contemporary middle-class values. Characterized by rich ethnographic detail, an engaging writing style, and thoughtful commentary, Soul Rebels uncovers the complex inner workings of the Rasta movement and offers a critical analysis of the meaning of Rastafari commitment and struggles. Soul Rebels offers a solid historical overview of the movement, an excellent picture of diversity within the faith, fair and accurate discussions of sexism among the Rasta, engaging life history material, and rich descriptions of what actually goes on in a reasoning session. Lewiss treatment of Rastafari populations in a Jamaican fishing village, an Ethiopian market town, and an urban neighborhood in the northeastern United States sets his ethnography in the cross-cultural and comparative framework central to anthropological analysis.
Author: Lloyd Stanbury
Publisher: Abeng Press
ISBN: 9780986725371
Category : Music
Languages : en
Pages : 240
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Book Description
REGGAE ROADBLOCKS (black and white edition) discusses key issues that have affected the development of the business of Jamaican Reggae at both the national and international levels. The issues raised reflect the perspective of the author, Lloyd Stanbury, from his vantage point as a Jamaican music business professional with substantial international industry experience. The cultural and political environment that gave birth to, and affect the development of Reggae music is examined.
Author: Donna P. Hope
Publisher:
ISBN: 9789766406691
Category : Reggae music
Languages : en
Pages : 149
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Book Description
ReggaeStories provides a range of perspectives on the development of Jamaican popular music and culture, in particular reggae and dancehall, and opens the door to new debates on these music forms and their producers and creators. It moves through early musical debates and incendiary intellectual contributions in Jamaican reggae to trace Jamaican popular music in new geographical locales and then returns home to contemporary dancehall posturing. The contributors to this collection incorporate a range of approaches that includes cultural studies, musicological analysis, lyrical analysis and historical contextualization. The collection makes a seminal contribution with its presentation of significant work on reggae music in the Hispanic Caribbean (Mexico), particularly for the benefit of English speakers who may have faced restrictions in accessing such material. In a similar vein, the work also introduces material on reggae music in the former Soviet Union (Belarus), again opening spaces that may have been hidden from the anglophone debates. The work also makes another significant contribution in tackling Peter Tosh's intellectual and lyrical legacy as a reggae revolutionary in an era where he has received scant literary and academic attention. Additionally, the work adds considerably to contemporary debates on dancehall music and culture's postmillennial identity debates by introducing a critical academic discourse on the lyrical and cultural posturing of popular dancehall artistes Tommy Lee and Vybz Kartel. ReggaeStories spans several important and connected points in the debates around adoption and adaptation of Jamaican popular music and culture in different cultural and geographical contexts and extends the discussion on how these musical and cultural forms have been transformed or retained in differing localities.
