Raising Kane and Other Essays PDF Download
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Author: Pauline Kael
Publisher: Marion Boyars Publishers
ISBN:
Category : Drama
Languages : en
Pages : 362
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Book Description
Filmessays.
Author: Pauline Kael
Publisher: Marion Boyars Publishers
ISBN:
Category : Drama
Languages : en
Pages : 362
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Book Description
Filmessays.
Author: Jonathan Rosenbaum
Publisher: Univ of California Press
ISBN: 0520247388
Category : Performing Arts
Languages : en
Pages : 696
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Book Description
Publisher description
Author: Craig Seligman
Publisher: Catapult
ISBN: 1582433127
Category : Art
Languages : en
Pages : 257
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Book Description
A witty and stylish assessment of the work of two icons of cultural criticism: Susan Sontag and Pauline Kael. Though outwardly they had some things in common--they were both Westerners who came east, both schooled in philosophy, both secular Jews and both single mothers--they were polar opposites in temperament and approach. Seligman approaches both women through their widely discussed work. Kael practiced a kind of verbal jazz--exuberant, excessive, intimate, emotional and funny. Sontag is formal and rather icy. From the beginning it's clear where Seligman's sympathies lie: Sontag is a critic he reveres; but Kael is a critic he loves. But for all his reservations about Sontag, he considers both writers magnificent and his exploration of their differences results in this luminously written landmark of criticism.
Author: Pauline Kael
Publisher: Harvill Secker
ISBN: 9780436230318
Category : Motion picture plays
Languages : en
Pages : 440
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Book Description
Author: Pauline Kael
Publisher: Univ. Press of Mississippi
ISBN: 9780878058990
Category : Literary Collections
Languages : en
Pages : 230
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Book Description
Interviews with Pauline Kael, movie critic for the New Yorker from 1968 to 1991.
Author: Brian Kellow
Publisher: Penguin
ISBN: 0143122207
Category : Biography & Autobiography
Languages : en
Pages : 441
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Book Description
“A smart and eminently readable examination of the life and career of one of the twentieth century’s most influential movie critics.”—Los Angeles Times “Engrossing and thoroughly researched.”—Entertainment Weekly • A New York Times Book Review Notable Book of 2011 • The first major biography of the most influential, powerful, and controversial film critic of the twentieth century Pauline Kael was, in the words of Entertainment Weekly's movie reviewer Owen Gleiberman, "the Elvis or Beatles of film criticism." During her tenure at The New Yorker from 1968 to 1991, she was the most widely read and, often enough, the most provocative critic in America. In this first full-length biography of the legend who changed the face of film criticism, acclaimed author Brian Kellow (author of Can I Go Now?: The Life of Sue Mengers, Hollywood's First Superagent) gives readers a richly detailed view of Kael's remarkable life—from her youth in rural California to her early struggles to establish her writing career to her peak years at The New Yorker.
Author: Mark Twain
Publisher:
ISBN:
Category :
Languages : en
Pages : 248
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Book Description
Author: J.E. Smyth
Publisher: University Press of Kentucky
ISBN: 0813137284
Category : History
Languages : en
Pages : 464
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Book Description
In Reconstructing American Historical Cinema: From Cimarron to Citizen Kane, J. E. Smyth dramatically departs from the traditional understanding of the relationship between film and history. By looking at production records, scripts, and contemporary reviews, Smyth argues that certain classical Hollywood filmmakers were actively engaged in a self-conscious and often critical filmic writing of national history. Her volume is a major reassessment of American historiography and cinematic historians from the advent of sound to the beginning of wartime film production in 1942. Focusing on key films such as Cimarron (1931), The Public Enemy (1931), Scarface (1932), Ramona (1936), A Star Is Born (1937), Jezebel (1938), Young Mr. Lincoln (1939), Gone with the Wind (1939), Stagecoach (1939), and Citizen Kane (1941), Smyth explores historical cinema's connections to popular and academic historigraphy, historical fiction, and journalism, providing a rich context for the industry's commitment to American history. Rather than emphasizing the divide between American historical cinema and historical writing, Smyth explores the continuities between Hollywood films and history written during the first four decades of the twentieth century, from Carl Becker's famous "Everyman His Own Historian" to Howard Hughes's Scarface to Margaret Mitchell and David O. Selznick's Gone with the Wind. Hollywood's popular and often controversial cycle of historical films from 1931 to 1942 confronted issues as diverse as frontier racism and women's experiences in the nineteenth-century South, the decline of American society following the First World War, the rise of Al Capone, and the tragic history of Hollywood's silent era. Looking at rarely discussed archival material, Smyth focuses on classical Hollywood filmmakers' adaptation and scripting of traditional historical discourse and their critical revision of nineteenth- and twentieth-century American history. Reconstructing American Historical Cinema uncovers Hollywood's diverse and conflicted attitudes toward American history. This text is a fundamental challenge the prevailing scholarship in film, history, and cultural studies.
Author: Jessica Francis Kane
Publisher: Graywolf Press
ISBN: 1555970664
Category : Fiction
Languages : en
Pages : 178
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Book Description
This Close, a graceful, moving new collection by the author of The Report *An NPR and Flavorwire Best Book of the Year * How close can we come to love, success, happiness, forgiveness? An older woman, irritated with her wealthy young neighbor's yard "improvements," offers a corner of her lawn to a Croatian immigrant who wants a vegetable garden. A recent college graduate living in New York City finds himself in a strangely entangled friendship with his dry cleaner and her son. A daughter accompanies her father to Israel, where, seeing a new side of him away from her mother, she makes an unusual bargain. Through thirteen stories, some stand-alone, others woven with linked characters, Kane questions the tensions between friendship and neighborliness, home and travel, family and ambition. In writing filled with wit and humor and incredible poignancy, she deftly reveals the everyday patterns that, over time, can swerve a life off course.
Author: D. Harlan Wilson
Publisher: Columbia University Press
ISBN: 0231850743
Category : Performing Arts
Languages : en
Pages : 129
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Book Description
Born out of the cultural flamboyance and anxiety of the 1980s, They Live (1988) is a hallmark of John Carpenter's singular canon, combining the aesthetics of multiple genres and leveling an attack against the politics of Reaganism and the Cold War. The decision to cast the professional wrestler "Rowdy" Roddy Piper as his protagonist gave Carpenter the additional means to comment on the hypermasculine attitudes and codes indicative of the era. This study traces the development of They Live from its comic book roots to its legacy as a cult masterpiece while evaluating the film in light of the paranoid/postmodern theory that matured in the decidedly "Big 80s." Directed by a reluctant auteur, the film is examined as a complex work of metafiction that calls attention to the nature of cinematic production and reception as well as the dynamics of the cult landscape.
