Radio Times Guide to TV Comedy PDF Download
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Author: Mark Lewisohn
Publisher:
ISBN: 9780563488460
Category :
Languages : en
Pages : 964
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Book Description
This volume features details of every comedy show broadcast on British television, from the first shows inception in 1936 to the present day. Full broadcast details, cast information, credits, synopsis and critique are included.
Author: Mark Lewisohn
Publisher:
ISBN: 9780563488460
Category :
Languages : en
Pages : 964
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Book Description
This volume features details of every comedy show broadcast on British television, from the first shows inception in 1936 to the present day. Full broadcast details, cast information, credits, synopsis and critique are included.
Author: Juergen Kamm
Publisher: Springer
ISBN: 1137552956
Category : Social Science
Languages : en
Pages : 393
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Book Description
This collection offers an overview of British TV comedies, ranging from the beginnings of sitcoms in the 1950s to the current boom of 'Britcoms'. It provides in-depth analyses of major comedies, systematically addressing their generic properties, filmic history, humour politics and cultural impact.
Author: Wikipedia contributors
Publisher: e-artnow sro
ISBN:
Category :
Languages : en
Pages : 1154
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Book Description
Author: Marc Blake
Publisher: Andrews UK Limited
ISBN: 1789825105
Category : Language Arts & Disciplines
Languages : en
Pages : 112
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Book Description
Think you're funny? Writing successful comedy isn't just about having a gift for gags; you need to hone your talent and polish your humour to earn a living from making people laugh. If you want to write stand-up comedy, sketches, sitcoms or even a comic novel or film, How to be a Comedy Writer tells you all you need to know and more about the business, the structure of jokes and the nuts and bolts of a craft that can be learnt. This new ebook edition has been specially formatted for today's e-readers.
Author: Robert Fairclough
Publisher: Aurum
ISBN: 1845137388
Category : Biography & Autobiography
Languages : en
Pages : 280
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Book Description
The first life of the man who was Lord Peter Wimsey, Bertie Wooster and starred in I’m Alright, Jack! With the death of Ian Carmichael in 2010 one of the last links was lost with the golden age of British cinema. Carmichael starred alongside Terry-Thomas and Peter Sellers in the Boulting brothers’ classic satirical comedies I’m Alright, Jack! Private’s Progress and School for Scoundrels. He summed up, on screen and in life, the kind of Englishman who was beginning to emerge after the war – educated, not necessarily upper class, upwardly mobile and a study in good manners and a sense of fair play – and thus played the straight-man foil to the distracted ravings of his wilder co-stars. Subsequently, he became Bertie Wooster in a highly successful television series based on P.G. Wodehouse’s Jeeves stories. He also made the part of Lord Peter Wimsey his own in another long-running adaptation of Dorothy L. Sayers’ famous detective novels, and was still acting on television well into his eighties alongside Susan Hampshire in ITV’s drama series The Royal.
Author: Robert Murphy
Publisher: Bloomsbury Publishing
ISBN: 1838718656
Category : Performing Arts
Languages : en
Pages : 466
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Book Description
The new edition of The British Cinema Book has been thoroughly revised and updated to provide a comprehensive introduction to the major periods, genres, studios, film-makers and debates in British cinema from the 1890s to the present. The book has five sections, addressing debates and controversies; industry, genre and representation; British cinema 1895-1939; British cinema from World War II to the 1970s, and contemporary British cinema. Within these sections, leading scholars and critics address a wide range of issues and topics, including British cinema as a 'national' cinema; its complex relationship with Hollywood; film censorship; key British genres such as horror, comedy and costume film; the work of directors including Alfred Hitchcock, Anthony Asquith, Alexander Mackendrick, Michael Powell, Lindsay Anderson, Ken Russell and Mike Leigh; studios such as Gainsborough, Ealing, Rank and Gaumont, and recent signs of hope for the British film industry, such as the rebirth of the low-budget British horror picture, and the emergence of a British Asian cinema. Discussions are illustrated with case studies of key films, many of which are new to this edition, including Piccadilly (1929) It Always Rains on Sunday (1947), The Ladykillers (1955), This Sporting Life (1963), The Devils (1971), Withnail and I (1986), Bend it Like Beckham (2002) and Control (2007), and with over 100 images from the BFI's collection. The Editor: Robert Murphy is Professor in Film Studies at De Montfort University and has written and edited a number of books on British cinema, including British Cinema and the Second World War (2000) and Directors in British and Irish Cinema (2006). The contributors: Ian Aitken, Charles Barr, Geoff Brown, William Brown, Stella Bruzzi, Jon Burrows, James Chapman, Steve Chibnall, Pamela Church Gibson, Ian Conrich, Richard Dacre, Raymond Durgnat, Allen Eyles, Christine Geraghty, Christine Gledhill, Kevin Gough-Yates, Sheldon Hall, Benjamin Halligan, Sue Harper, Erik Hedling, Andrew Hill, John Hill, Peter Hutchings, Nick James, Marcia Landy, Barbara Korte, Alan Lovell, Brian McFarlane, Martin McLoone, Andrew Moor, Robert Murphy, Lawrence Napper, Michael O'Pray, Jim Pines, Vincent Porter, Tim Pulleine, Jeffrey Richards, James C. Robertson, Tom Ryall, Justin Smith, Andrew Spicer, Claudia Sternberg, Sarah Street, Melanie Williams and Linda Wood.
Author: Laura Mulvey
Publisher: Manchester University Press
ISBN: 0719098564
Category : Performing Arts
Languages : en
Pages : 344
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Book Description
Throughout its history, British television has found a place, if only in its margins, for programmes that consciously worked to expand the boundaries of television aesthetics. Even in the present climate of increased academic interest in television history, its experimental tradition has generally either been approached generically or been lost within the assumption that television is simply a mass medium. Avaible for the first time in paperback, Experimental British television uncovers the history of experimental television, bringing back forgotten programmes in addition to looking at relatively more privileged artists or programme strands from fresh perspectives. The book therefore goes against the grain of dominant television studies, which tends to place the medium within the flow of the ‘everyday’, in order to scrutinise those productions that attempted to make more serious interventions within the medium.
Author: David Kynaston
Publisher: A&C Black
ISBN: 0747588937
Category : History
Languages : en
Pages : 434
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Book Description
Following Austerity Britain and Family Britain, the third and fulcrum volume in David Kynaston's landmark social history of post-war Britain.
Author: Oliver Double
Publisher: A&C Black
ISBN: 1408177692
Category : Performing Arts
Languages : en
Pages : 367
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Book Description
'This is the kind of book that troubles grey-suited committees of academic peers. It's too enjoyable. But that, given its subject, is just what it ought to be, and it treats that subject seriously . . . There isn't a “dull” page anywhere in the book.' – Professor Peter Thomson, Studies in Theatre and Performance Comedy is changing: stand-up comedians routinely sell out stadia, their audience-figures swollen by panel-show appearances and much-followed Twitter feeds. Meanwhile, the smaller clubs are filling up, with audiences as well as aspirants. How can we make sense of it all? This new edition of Getting the Joke gives an insider's look at the spectrum of modern comedy, re-examining the world of stand-up in the internet age. Drawing on his acclaimed first edition, Oliver Double focuses in greater detail on the US scene and its comedians (such as David Cross, Sarah Silverman, Louis CK, Demetri Martin and Margaret Cho); the 'DIY' comedy circuit and its celebrated apostles and visionaries, from Josie Long to Stewart Lee; the growing importance of the solo stand-up show; the role played by Twitter (including an interview with the organiser of the world's first comedy gig on Twitter), and the driving force that is the TV guest slot, be it on Mock the Week or Live at the Apollo. With expanded sections on joke construction, as well as ways to challenge the audience, and a host of new and updated exercises to guide the aspiring comedian, this new edition of Getting the Joke is the only book to combine the history of stand-up comedy with an analysis of the elements and methods that go into its creation. Featuring a range of interviews with working comedians – from circuit veterans to new kids on the block – combined with the author's vast experience, this is a must read for any aspiring stand-up comedian.
Author: Simon Morgan-Russell
Publisher: Manchester University Press
ISBN: 9780719065569
Category : Biography & Autobiography
Languages : en
Pages : 196
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Book Description
Offers an analysis of the four collaborative sitcoms of Jimmy Perry and David Croft, 'Dad's Army', 'It Ain't half Hot, Mum!', 'Hi-de-Hi!' and 'You Rang M'Lord?'. Considers the themes and ideas that run through the series in terms of their representation of class and gender, and in terms of other sitcoms and cultures which produced them.
